Poetic Justice

I applaud John Singleton for being brave enough to film "Poetic Justice" -- it's a real triumph in presenting a story that looks beyond Hollywood's usual stereotypes of urban youth. If you are looking for a typical gang-bangin' shoot em up angry urban film...look elsewhere, because that genre is miles away from Singleton's storytelling. This film has precisely what black audiences say they are looking for - depth, real characters with a number of real layers....and yet people say they cannot get into this film. I say watch it and simply feel the messages being conveyed through the hearts of the characters. Tupac Shakur's performance saddens my heart....because he had so much potential as an actor as proven with his performance here. I was fortunate enough to actually meet and compliment him on this performance, which is at turns skillful and all his own. He had that quality that film actors envy in that the camera loved him. Janet Jackson gives a skilled performance as well, and the two have a natural chemistry that works here. This film is worth watching...it's one of my favorites.

Poetic Justice is the type of film that will sneak up on you. Some parts of the movie are a little slow, but as a whole the movie is very good. Director Singleton is able to bring a certain mood to this film; wavering between dark, funny and compassionate. Justice (Janet Jackson) is a directionless and lost female who expresses her wants and sorrows through poetry. Because of deaths in her family she is alone.

She reluctantly agrees to go on a mail trip with a friend (Regina King) and her male comrads. Little does she know that she would find her diamond in the rough in Lucky (Shakur). Although Lucky has a very hard exterior, Justice; through many trails and tribulations locates the good in him. It turns out that they (Justice and Lucky) are just what each other needs. Some may not be able to relate to this film, but if you can chances are you will really like the movie. This movie was not really made for mainstream audiences, just for certain people. I am one who was taken in by it, and it is one of my favorites. Great movie which probably appeals more to demographically urban viewers. Regina King and Joe Torry do a good job of providing support to the lead actors throughout.

Poetic Justice is an urban film but within this catgory it stands out from alot of them in its own way. The movie uses some very interesting elements that I was familiar with and like most urban films they use realistic characters. The camerawork is nothing new but some of it is really good to look at. Janet Jackson is good as the somewhat uptight poet/hairdresser who is mourning the loss of her lover while on a night out with him as is Tupac in a rather different role from the ones he has in Juice, Bullet and Above The Rim. Not only is the role different but as a man it's impossible to not relate to him as you see his struggles in his life including one powerful scene in which he catches his baby's mother smokin' crack and having other men in his daughter's presence - I thought this worked great because I know how I'd feel if I had a kid and my baby's mother is bringing other men around my kid: I wouldn't be too happy. The road trip is where you begin to see all the characters(Pac Shakur, Janet Jackson, Regina King and Joe Torry) develop and John Singleton wastes little time doing that during that time...

Poetic Justice is a movie deserving alot more credit than it's getting but too bad there are people out there with stupid stereotypical assumptions so idiotic it can get someone angry

8/10

I read the other review and simply had to comment on it. This was a great movie. Perhaps not filled with action. But it takes the poetic point of view and happily surprises you. It's in my DVD - shelf at home. Janet is showing a great acting and so is Tupac. My boyfriend weren't that crazy about it, so I've come to realize that it take a special kind of person to want to see and understand the movie at it's fullest. Since i write poetry in my spare time maybe that explains my passion about this movie. In all, I think you should rent it if the review at the back cover tempt you, it's pretty much what you get.

After making the effective tear-jerker Boyz N The Hood, John Singleton returns to the field of film with Poetic Justice. While this one is significantly different from that masterpiece, it still has its perks and a solid message to add to its formula of an urban-drama. It is the second film in what Singleton has branded his "Hood trilogy," but yet, it is definitely the weakest of them all.

The plot: Justice (Jackson) is a young woman who lives in South Central, Los Angeles, and is still grieving over the loss of her boyfriend who was murdered during a silly confrontation. Justice writes numerous poems, and narrates them throughout the film. The actual poem were written by writer Maya Angelou, but the authenticity of the writing is the least of our concerns.

Justice works as a hairstylist, and one day, a mailman named Lucky (Shakur) waltzes in one day trying to flirt with several women, when Justice and her friend play a mean joke on him. Karma has its way of reuniting the mailman and the stylist when Justice's friend Iesha (King) forces her to come along on a trip to Oakland with her boyfriend Chicago (Torry) and his coworker Lucky. Justice needs to go for a hair show, so reluctantly agrees to hitch a ride in Lucky's mail-truck.

From then on, the film plays like a buddy road-trip film lacking the buddies. These characters must tolerate each other to survive the trip, but social and emotional conflicts continue to get in their way. Some of these situations feel genuine, but others feel contrived and meant to happen only so the film can advance.

Poetic Justice is very distant from its predecessor, with the only similarities being the setting and the fact that Lucky's uncle, seen in the end of the film, looks a lot like Laurence Fishburne's character in Boyz N The Hood. I can't quite figure out why this one is inferior to them. Maybe it's because the characters aren't as well developed and dripping with charisma, maybe because each one of the characters can be bitter and selfish at points in the film struggling socially, or maybe it's just because.

In Boyz N The Hood, Cuba Gooding Jr. was extremely developed to the point of almost going overboard. In Baby Boy, Omar Gooding was extremely developed. But in Poetic Justice, about a chunk of Janet Jackson's personality is almost snatched away. Same with the ending being a little perplexing and open for explanation.

But this can all be overlooked by two things; the writing and the acting. John Singleton manages to squeeze the premise dry in terms of character dialog. It feels like real discussions being had by real human beings. And Tupac Shakur's acting talents are definitely the strongest point in the film.

Poetic Justice has three meanings when I look at it. It describes redemption for one's previous actions, the character herself in the film, and what the slick writing achieves in this picture.

Starring: Janet Jackson, Tupac Shakur, Regina King, Joe Torry, Tyra Ferrell. Directed by: John Singleton.