Nackt

I hadn't seen any of Leigh's prior work before deciding to settle on Naked as a good starter. From what I'd gathered beforehand, I knew I could expect something that could best be described as "a gritty-feeling movie". In hindsight, I don't think you can describe Naked as being "a gritty-feeling movie". You end up describing gritty-feeling movies as being "like Naked".

That statement is pretty true – Naked is as bleak and unforgiving as they come. There are no good guys or any possible chances for redemption. Whenever a glimmer of hope appears during the film, it's obliterated within mere moments. The characters don't undergo any significant changes throughout the film. The film ends in pretty much the same way it begins, probably doomed to repetition until the end of the world. If you sit down to watch this, all I can say is "be prepared". Know what you're getting into.

Although the unforgettable feel of the film could be attributed to its verité style (filmed on the dodgy side of London with very rough-looking film), it could be better attributed to the protagonist himself. David Thewlis gives what's probably his best performance as Johnny, a man with few strengths and countless flaws. His eloquent monologues are roughly balanced by his harsh treatment of others. Johnny has very little respect for anyone or anything and it shows as he inflicts pain (physical or emotional, it doesn't matter to him) on everybody that crosses his path.

As bad as he is, however, he's oddly sympathetic in a way (especially when compared to a landlord who's as callous and sociopathic as he is, possibly more so). In a way, I could actually relate to Johnny (and not just because I have the same coat). He knows how bad he can be and acts accordingly, only because he doesn't believe in anything else or changing his ways. He just exists from day to day, just like any other human being. That's what makes Johnny so compelling – he really is only human. When karma finally catches up to him late in the film, we aren't glad to see him suffer. Johnny is the best kind of character, full of nuance that will make different people love him and hate him for the same reasons.

Even though Naked depends heavily on Johnny's presence, he is not the be-all and end-all of the film. The supporting characters are exceptional – the stand-out roles being Johnny's ex and her flatmate. Watching them try and deal with the sudden arrival of both Johnny and (later on) the landlord is in itself one very compelling subplot. A runner-up would be the security guard on his graveyard shift who engages in a series of debates with Johnny about time, life, evolution and the inevitable Apocalypse.

Needless to say, Naked was one hell of a film to watch. It makes me wonder exactly how I should rate it, if I should rate it. It's not really one of those movies where you just say "Oh yeah, very good, very moving, 4 stars." You're more likely to watch it and afterwards not say anything, just think about it. Those are the exceptional films, and Naked is definitely that – a dark, pessimistic insight into the mind of a human being who treads the fine line between self-destruction and utter dissatisfaction.

Without a doubt, Mike Leigh's Naked is one of the most brilliant examples of filmmaking I have ever seen.

David Thewlis is nothing short of genius as the aimless Johnny, a combustible combination of brilliance and depression, who's mere presence in anyone's purview contaminates and destroys with the effectiveness of Round-Up.

Mesmerizing and fast-paced, there is no shortage of excellence in the smaller plots and characters: Greg Cruttwell is spectacular as the pompous, nouveau-riche Jeremy, and the two female leads, Leslie Sharp and Katrin Cartlidge provide well balanced juxtaposition as two very different femmes damaged.

Not for the faint of heart, Naked will test one's own philosophy, and leave you stripped bare.

There are precious few movies to which I would give a perfect rating and none so difficult to justify as Naked. Indeed, when I mention the depth of my appreciation for the film most who have seen it tend to reel in horror whilst deriding its unpleasantness...

So how do I justify it? I could witter on about the brilliance of David Thewlis' performance, the excellent support cast, the devastatingly witty dialogue and Leigh's assured direction until the cows came home, but this still wouldn't totally do it. I can't say a lot about the plot because, well, there isn't a great deal of plot to speak of. So what is it?

I'll tell you what it is: it's the honesty of it. The brutal, searing, sickening honesty. Here is a film unafraid to hold a mirror up to the dark, venal, destructive underbelly of our society - a film that portrays relentlessly and unflinchingly a side of our character which we'd prefer to simply sweep under the carpet. It takes everything that is immoral, degenerate and depraved in modern society and smears it all over the screen in a grubby orgy of loathing. It is not simply a movie with teeth but one with rabid, venomous, acid-tipped fangs, tearing and gnashing at our pompous ideas about our own natures.

There are many movies which are fantastically enjoyable and make for a sterling night out with friends and family. This is not one of them. Naked is disturbing, unpleasant, frightening and utterly bleak. It is also quite brilliant.

I first watched the movie on a recommendation and was hooked on Mike Leigh movies ever after.

Naked does not mess around with polite small talk, No, it truly baptizes the viewer into a gritty, dirty puddle of London which leaves you feeling like taking a shower after your through.

When I watched Naked as a student I had been to London only once, having now lived in the capital for over two years I have seen the dirty underbelly and appreciate the honesty of leigh's film more so now than ever.

I particularly enjoyed 'The wandering Scots', and the 'Security Guard' whom are both lost, yet in very different ways.

Thinking back to the time i watched it i was captivated by the dialog, and the self destructive element that hung like dynamite around our characters. This frustrated me than but now being more mature i can accept it as inevitable for these individuals.

I can honestly say that there are not many movies that make one feel this way, make one reflect and feel so empty looking at Johnys life and future...

I have the utmost respect for all the actors in this film. Yet, it has been a number of years since i have watched it as it is a long embarkation through the soul of human suffering...watch it for the pure genius that is Mike & David but be sure to watch it in good company that has an open mind.

Enjoy

In my adult life, this is the one and only film that has ever moved me to tears with its ending. It was like watching Michelangel applying his final daub to the Sistene Chapel, the incomprehensible achievement of a perfect artistic vision, and the attainment of a transcendent brilliance.

For years, I had fantasized about becoming a writer / director, and actually put forth some appreciable effort to that end. This film, Mike Leigh's incomparable, unprecedented masterwork, cured me of that fantasy. He said, and did, in two hours, all that I could have hoped to achieve in an entire career, and it became gapingly obvious to me that I had no business in this medium.

There is no "story" here, except that of the distilled essence of the hopeless pre-Millenial Western man, robbed of the promised nuclear annihilation he had always consciously feared, but subconsciously hoped for, if only to put the world out of its misery. The naked and the lost, the wandering spectre of the sentient living dead, and the pitiful yet mercifully ignorant companions that cross his path.