Nackt

Without a doubt, Mike Leigh's Naked is one of the most brilliant examples of filmmaking I have ever seen.

David Thewlis is nothing short of genius as the aimless Johnny, a combustible combination of brilliance and depression, who's mere presence in anyone's purview contaminates and destroys with the effectiveness of Round-Up.

Mesmerizing and fast-paced, there is no shortage of excellence in the smaller plots and characters: Greg Cruttwell is spectacular as the pompous, nouveau-riche Jeremy, and the two female leads, Leslie Sharp and Katrin Cartlidge provide well balanced juxtaposition as two very different femmes damaged.

Not for the faint of heart, Naked will test one's own philosophy, and leave you stripped bare.

One of the most powerful British films of the 90s. Mike Leigh directs David Thewlis in an unrelenting, uncompromisingly cynical portrayal of self-loathing and alienation

In this, Leigh's toughest, most uncompromising work for cinema, Thewlis turns in a stunningly uningratiating performance. He utterly immerses himself in the role of Johnny, an articulate, disenfranchised angry young man, who's escaped Manchester after a bit of rough outdoor sex turns into something a lot like rape.

Johnny flees to London to hook up with an old girlfriend Louise (Sharp). While wandering around the city he gives free rein to his unfocused rage and indulges in some further degrading sexual encounters, notably with the dippy and compliant Sophie (Cartlidge).

This is brilliant stuff, but hard to stomach. Once again Leigh proves what a big problem he has with London's bourgeoisie, particularly with his portrayal of the smooth, sexually exploitative Jeremy (Cruttwell).

Leigh gives us so little to cling to here. There is barely a symphathetic character aside from security guard Brian (Wright), who dreams of escaping to Ireland. So the viewer is stuck with the edgy autodidact Johnny. It's an immensely powerful film about self-loathing and urban alienation, but, Thewlis' remarkable performanace notwithstading, staying the two hour distance is asking for a lot, even from die-hard Leigh fans.

If you liked Pi or The Cruise then you should check out Naked. It's an amazing exploration of a man descended into nihilism, who leaves victims of his intellectual bullying (and misogyny) everywhere. No, it's not PC. Yes, it feels so real. Sorry to gush, but I loved this film.

I like American Existential Anti-Heroes. I wasn't really prepared to confront an English Existential Anti-Hero. Wow, what a different take on a similar stimulus.

This film is a monument to gritty realism, without being self-conscious about it. You can taste this movie. But you never feel like it was faked or forced. The camera work and the lighting never get in the way. I usually notice such things, and here it was invisible and completely immersive. David Thewlis throws every bit of his body into this movie. Even the great closing credit scene.

I would be remiss if I didn't point out the fantastic black humor, especially since some people said it wasn't funny! Sophie wails in the most sustained way I have ever seen in drama. And it's hysterical, even as you're hurting with her. The frantic Scottish kid made me rewind again and again. While I agree that the "landlord" character could have been over the top, his reaction to Johnny flailing on the floor made me laugh out loud. The two characters are really barely distinguishable but that one is a dandy and the other has a fondness for the gutter. As the poster-hanger beats the crap out of our anti-hero you can't help but laugh. And then you nod along as Louise tells him he had it coming in her terrific and constant deadpan (with an occasional suggestion of a smile).

As our protagonist points out, in the end, all the books, and all the learning, and all the discussion, still don't help you understand the point of the cruel joke of life. Yes, it's an old dorm-room discussion that freshman are still having for the 1st time. But that doesn't make the question and the questioning any less desperate. It is human to cry out in pain, even when it's self-inflicted. The references to making a choice for self-destruction are throughout the dialogue, but not so much so that they hit you in the head.

Naked is depressing and euphoric at the same time. Yes it's often "awful", but how can you not cheer for someone who loves life and is trying his hardest to fully engage it? And not one character (or question) gets a pat Hollywood ending or moral -- woo-hoo!

This movie is why people can call film a legitimate art form. It provokes thought, it is drama, and it is beautiful. It thrills me.

Someone asked if the dialogue was improvised. According to IFC, Mike Leigh rehearsed with the cast for 11 weeks before writing the script, which then came to only 25 pages.

This is one of my favourite films. I don't think that you can necessarily call it realistic. Johnny in particular seems to be one of those characters that you sometimes see in psychological dramas in film, theatre and literature who embodies too many extreme characteristics in his mode of living and his thought processes and experiences too many hyperintense situations in the short timescale of the film's action to be wholly believable. So you probably won't meet a cynical, sharply witty and intelligent and cruel f**k-up quite like that even from Manchester. But I don't think that that detracts from the film as some of the other commenters seem to feel - I don't mind a bit of staginess! David Thewlis's performance fills me with awe. His speech, his facial expressions, the way he moves and holds his body are electrifying. He is an incredibly damaged character who uses his (sometimes inhumanly) sharp wit and intelligence to cruelly torment and exploit those around him instead of trying to use his obvious gifts in a more positive way to help himself and the other human flotsam that he encounters. For all his strength of will and powers of endurance, he is weak because he revels in his nihilism and his desire to crush other unfortunates. He could never have a genuinely open mutual compassionate relationship with another human being. But thanks to the brilliance of DT he becomes one of the most magnetic screen characters ever. I love Mike Leigh and I love David Thewlis (he always plays unusual characters but not often misanthropes - the man is a great actor). I love this movie. 'Nuff said.

I first watched the movie on a recommendation and was hooked on Mike Leigh movies ever after.

Naked does not mess around with polite small talk, No, it truly baptizes the viewer into a gritty, dirty puddle of London which leaves you feeling like taking a shower after your through.

When I watched Naked as a student I had been to London only once, having now lived in the capital for over two years I have seen the dirty underbelly and appreciate the honesty of leigh's film more so now than ever.

I particularly enjoyed 'The wandering Scots', and the 'Security Guard' whom are both lost, yet in very different ways.

Thinking back to the time i watched it i was captivated by the dialog, and the self destructive element that hung like dynamite around our characters. This frustrated me than but now being more mature i can accept it as inevitable for these individuals.

I can honestly say that there are not many movies that make one feel this way, make one reflect and feel so empty looking at Johnys life and future...

I have the utmost respect for all the actors in this film. Yet, it has been a number of years since i have watched it as it is a long embarkation through the soul of human suffering...watch it for the pure genius that is Mike & David but be sure to watch it in good company that has an open mind.

Enjoy