Matinee - Die Horrorpremiere

"This is Lawrence Woolsey and ...." starts this movie in great style as a 1960's style of movie promo. The movie starts starts very well and only gets bogged down late in the film when a couple of kids get shut into a bomb shelter by mistake.

This film portrait of the 1960's schlock entertainer Woolsey (as portrayed by John Goodman) continues to be his best film role. Goodman who is now one of the spokes people for Duncan Donuts (quickly putting Starbucks out of business), is perfect for the role of Woolsey. He is surrounded by a lot of old time talent & some younger folks who manage to put over an active film story.

Two coups of this are the film within a film setting which is employed successfully with the cutting between them being made smoothly without losing the plot line and the melding of some old timers into the film in support. William Schallert is used very effectively in the MANT film within the film. Jesse White is just as effective as the guy who is trying to evaluate Woolsey's show.

The film is a send up of lots of themes from Civil Defense, to the Missile Crisis, to movies in general, to sci-fi 1950's films, to spoofing life itself. There are even spoofs of characters within the film including a broad send-up of two Liberal Parents and their attitude towards raising their daughter.

This film is loaded with everything including the theater sign which has now failed, "Fight Pay TV". If you like John Goodman, this is his best role to date outside of Dan on Roseanne, a must see film for the Goodman fan.

When a light-hearted, nostalgic comedy opens with a nuclear explosion, you know you're onto something weird and original. Yet it's also comfortingly familiar. Matinée was made seven years after Back to the Future and is set (in 1962) seven years afterwards. In its style and tone it echoes Robert Zemeckis's blockbuster, but it wasn't embraced nearly so warmly by audiences.

Maybe it's because the backdrop is the harder sell of the Cuban Missile Crisis. Gene (Simon Fenton) is a young teen who lives on a naval base, and he's coming to terms with an absent military father who may never return. Some solace is arriving, however, as the B-movie tycoon Lawrence Woolsey (John Goodman) is coming to town to show off his new half-man/half-ant opus… "Mant".

The film establishes a broad cast of characters to populate Key West, including Gene's buddy Stan (Omri Katz), who's obsessed with the flirty Sherry (Kellie Martin). Gene himself, meanwhile, is courting the CND-conscious Sandra (Mrs Doubtfire's Lisa Jakub). While the parents panic about the impending nuclear annihilation, the schoolboys bicker and talk about girls.

The first half of the movie focuses on establishing the many characters, while the second half is dominated by the premiere of Mant itself and the (mostly) orchestrated chaos surrounding it. Suffice to say, the build-up – which does suffer slightly from minor character overload – is justified by the pay-off. The kids must sign a waiver before entering the theatre, and with good reason. "This crowd is turning into a mob," the producer yells at Woolsey – "congratulations!"

Writer Charles S. Haas has a brilliant ear for taut, funny dialogue that doesn't rely on punchlines, and the teenage dynamics are brilliantly observed. (The boys, anyway – the girls are more thinly sketched.) At the core of the film is Woolsey, whom we first see in Hitchcock-style silhouette, warning the audience about "atomic mutation". Goodman absolutely relishes his role, gleefully feeding his "AtomoVision!" and "Rumble-Rama!" to an audience hungry for event movie gimmicks.

Woolsey sees a business opportunity in the lightning-in-a-bottle moment of the Missile Crisis, keen to capitalise on the heightened national anxiety. Yet rather than making him the monster, the film skilfully presents Woolsey as a hero. Through him the film puts forth its paen to cinema as entertainment, and also a philosophical argument for the cathartic value of movie monsters as a way of exorcising a society's demons.

As with Tim Burton's masterpiece Ed Wood, director Joe Dante displays total affection for his subject matter, namely the monster flicks of the 1950s and '60s. Every period movie you can think of is referenced, but particularly Kurt Neumann's The Fly. We see plenty of footage of Mant and it is entirely convincing (by which I mean appropriately unconvincing), and avoids mocking its myriad sources.

"Put the insect aside!" one character begs the half-man/half-ant, to which he replies, "Insecticide? Where?!" Meanwhile, in the world of Dante's film, Woolsey is hurling special effects around the auditorium, spilling smoke and rumbling seats, literally bringing the house down. When the Mant cast start directly referencing the Matinée audience, who are in turn being watched by us, it feels like Amblin's answer to Inception.

For those who enjoy the smart satire of The 'Burbs and the frenetic farce of Gremlins, this is a similarly genre-dodging yet relatively overlooked Dante classic. It's a film about films they don't make anymore – and, in our less kind-spirited age of comedy archness, they really don't make them like this anymore.

One of those films that deserved to reach a huge audience but somehow slipped away, Joe Dante's affectionate homage to creature features and B-movie king William Castle is a joy from start to finish. This is due to both Dante's direction - and obvious love of the script - and John Goodman's delightful performance (what was he doing in crap like "Coyote Ugly?"). Even the movie-within-a-movie - "Mant!" ("half man, half ant - all terror!") is fun. The only downside is that this rarely turns up on TV and hasn't been released on DVD in the UK. A scratchy vhs is better than nothing I suppose...

This isn't such a very well known film (at least I never heard of it before I watched it) and actually that is a god-awful shame, as "Matinee" is a joyously vivid, versatile and refreshingly imaginative little comedy. "Matinee" is director Joe Dante's ultimate tribute to typically 50's Sci-Fi B-movies and massively promoted gimmick-laden low-budget flicks; particularly the repertoire of the legendary William Castle. In one of his most glorious roles to date, John Goodman depicts the unscrupulous and sleazy horror movie producer Lawrence Woolsey, who is practically the reincarnation of William Castle, what with his sly and shameless salesmanship techniques and continuous wide-mouthed smile. At the highpoint of the Cuban Missile Crisis in 1962, Woolsey jaunts out to Key West – where the Navy and population hectically prepares for a bomb attack – in order to proudly present his newest and supposedly most shocking motion picture named "Mant". "Mant" is a silly shock feature about a man slowly mutating into a gigantic ant after being exposed to nuclear radiation, and for the big premiere Woolsey stuffed the film theater with horrid decorations and gimmicks to raise extra fear in the audience. With the threat of actual bombing attack going on outside the theater, Woolsey bumps into a lot of protest and resistance from the adult population in Key West, but luckily the younger and horror-crazed generation are wildly enthusiast about the upcoming matinée preview. With "Matinee", the still incredibly underrated director Joe Dante delivered another delicious and charming movie. The extended bits and clips from the fictional movie "Mant" masterfully capture the essence of 1950's B-movie cinema, with grotesque ideas and effects, cheesy nonsensical dialogs and wooden acting performances. The real William Castle actually never made such a type of monster movie, but the gimmicks and promotional stunts (like buzzers underneath the seats and guys in rubber suits running around) are right up his delightful alley! But "Matinee" is a terrifically clever movie on other levels as well. Apart from a wonderful homage to horror cinema, it also contains an admirable "coming of age" sub plot and it effectively parodies the mass hysteria going on around the time of the Cold War. Whilst the adult population of Key West practices their duck & cover bomb alarms and prepare their shelters, the teenagers are more concerned about finding a date to go see "Mant" on Saturday. The acting performances are fantastic (like his monster "Mant", John Goodman himself is larger than life!), the decors and atmosphere of the early 60's are marvelously re-enacted and – in good old Joe Dante tradition – there are multiple cameos of horror veterans, like Dick Miller, Kevin McCarthy and Robert Cornthwaite. This is truly a film meant for genuine horror movie buffs, but nevertheless a stupendously enjoyable comedy for all type of audiences.

I had just recently watched Matinee for the first time in a few years. I forgot how much fun and how very funny a film it was. Having grown up watching some of William Castle's and Roger Corman's hokey but very entertaining early horror films it was like a stroll down memory lane on my Saturday's. Goodman captured the essence of a movie showman who always had or wanted to have a gimmick to go with his B movie pictures. Cathy Moriarty is excellent as his favorite leading lady. I must be showing my age because I still remember the duck and cover and other little things associated with everyday life and times during the late 1950's and early 1960's that were in the movie. The movie was entertaining and a very nice parody, if not dedication to the men who made B movies as part of our culture. I have to believe this dedication to men like Corman and Castle would have to be a bit of a tongue in cheek parody for it to be a very sincere dedication. The movie does an excellent job of bring back the life and times and the performances as pretty good. Aaaahhhh the memories. The cold war and much simpler times and classic B movies. It don't get any better than this.