Meine liebste Jahreszeit

I completely disagree with esh (previous review) for the simple reason that the script is excellent in its character development. By the end of the movie, you know the unique psychology and motivation of each member of the family. I am a big fan of Techine's (Thieves was also really really good). He's not big on blaringly obvious plots. Auteuil and Deveuve were excellent in their roles, subtle and convincing.

The images from this movie lingered in my mind for a long time. Both Deneuve and Auteuil deliver magnificent performances for those who prefer their films subtle and their acting nuanced. Those with 5-second attention spans shouldn't bother.

Did I see the same movie as the person who said not to bother? If American movies leave you yearning for more emotionally rich stories, rent this. It hinges on a very simple story that most people will relate to - the gradual decline of an aging parent. The son and daughter who come together to deal with their ailing mother are the characters that drive the plot. They were very close in childhood, but are estranged at the beginning of the movie. The need to deal with their mother's situation provokes some painful delving into their bond. Their characters are complex and fascinating. Deneuve and Auteuil were perfect actors for the sister and brother parts -- Deneuve for her ice-queen qualities and Auteuil for his gift for playing neurotic yet passionate losers -- yet both their performances transcend those descriptions. The character of the mother is terrific as well.

There is a subplot involving a woman named Radish that is a little puzzling, and some details that are purposefully vague (china clock? hospital pervert?) But they don't detract from the movie - the ambiguities enhance it.

I absolutely LOVED this movie! It is my all-time favorite Deneuve film. Great casting, great direction, and great writing. For anyone dealing with an aging parent or dysfunctional family, this is a movie for you! Deneuve is at her most vulnerable. Daniel Auteuil is fabulous as her dysfunctional, sister-idolizing brother, and the rest of the cast - including Deneuve's real-life daughter Chiara Mastrioanni, give truly wonderful performances. The chemistry with this cast is amazing, particularly the relationship between Deneuve and Auteuil. Andre Techine directs, what I feel is his most beautiful, sensitive, and character-driven movie to date. If you're a fan of foreign films, I strongly recommend "Ma Saison Preferee".

Interesting but somewhat cryptic family-dynamics saga presented with characteristic French warmth and some charm. Daniel Auteuil plays a brain surgeon in love with his big sister (Catherine Deneuve). Apparently he has been pining away for her for decades since they are now middle-aged. She's no longer interested in sex, and he apparently never was, since he never married and lived alone. Meanwhile mom, who loved him best, can't live alone anymore because of fainting spells, and so goes to live with Deneuve and her family. But that doesn't work out and Auteuil won't or can't take her in, and so they send her to a nursing home, which she hates. All this occasions brother and sister to spend some time together. They recall with fondness their childhood; and when she breaks up with her husband, little brother rents a nice apartment for himself and her, all the better to live happily ever after.

Well, what a tease. That really doesn't happen. After a bit Deneuve gets seduced by a very aggressive and anonymous intern which reawakens her sexuality and makes her realize she can't live with her brother. And so she leaves him. He breaks into her house in an attempt to get her back....

I think Director André Téchiné did a good job with what he attempted, but could have attempted more. The cast is good, especially Marthe Villalonga as the mother and Deneuve, who has aged well. It's amusing to see that the cool and stately actress is still being sexually abused by the French directors for the audience. I wonder what they would have done if, instead of Hitchcock, et. al., THEY could have gotten their hands on Deneuve's cinematic American soul sister, Grace Kelly. It would have been interesting to see Grace Kelly in, say, Truffaut's Mississippi Mermaid (1969) with Jean-Paul Belmondo instead of Deneuve. Or, how about Grace Kelly as "Belle de Jour"?

But I digress.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)