IMDb-BEWERTUNG
4,4/10
31.973
IHRE BEWERTUNG
Die Hunde können sich in einer 4-köpfigen Familie unterhalten, in der Mama am selben Tag ihren Job verliert, an dem Papa einen Job als Pilot für einen süßen, alleinstehenden Chef bekommt.Die Hunde können sich in einer 4-köpfigen Familie unterhalten, in der Mama am selben Tag ihren Job verliert, an dem Papa einen Job als Pilot für einen süßen, alleinstehenden Chef bekommt.Die Hunde können sich in einer 4-köpfigen Familie unterhalten, in der Mama am selben Tag ihren Job verliert, an dem Papa einen Job als Pilot für einen süßen, alleinstehenden Chef bekommt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Danny DeVito
- Rocks
- (Synchronisation)
Diane Keaton
- Daphne
- (Synchronisation)
Sandra P. Grant
- Accountant
- (as Sandra Grant)
Empfohlene Bewertungen
John Travolta, Kirstie Alley, and Lysette Anthony are wonderful in this funny, funny film. James and Mollie Ubriacco (John Travolta and Kirstie Alley) now have 2 more bundles of joy...dogs! Danny DeVito lends his talent as the voice of Rocks, a street dog who now belongs to Mikey. Diane Keaton is the voice of Daphne, a poodle that's dropped off by James's boss, Samantha (Lysette Anthony) who's got her sights on stealing James from Mollie. This is a great movie that is really enjoyable for everyone in the family.
James (John Travolta) has a new job as a pilot for a small airline. Mollie, his wife (Kirstie Alley), has just been handed a pink slip. Their children, Mikey and Julie, are dreaming about a pet dog. Thus begins the third installment of this likeable series of films. Since Mikey and Julie are now talking on their own, the addition of not one, but two family dogs is the explanation of "who's talking now". Rocks (Danny DeVito) is a streetwise pound puppy while Daphne (Diane Keaton) is a pampered poodle that is a gift of James' new boss, Samantha. Speaking of Samantha, she has set her sights on luring James away from his happy family life. Can the family adjust to life with the canines and thwart Samantha's romantic schemes?
This is a funny and fresh addition to the Look Who's Talking series. Travolta and Alley exude such charm and humor that they make a terrific comedy team. The rest of the cast is notable and the voices of DeVito and Keaton bring their doggy personalities to life in a big way. The script is somewhat predictable but still brings a smile to any lucky viewer. There are some scenes involving a wolf that may be scary for the youngest movie enthusiasts. But, on the whole, this is a fine film for the entire family to chuckle over.
This is a funny and fresh addition to the Look Who's Talking series. Travolta and Alley exude such charm and humor that they make a terrific comedy team. The rest of the cast is notable and the voices of DeVito and Keaton bring their doggy personalities to life in a big way. The script is somewhat predictable but still brings a smile to any lucky viewer. There are some scenes involving a wolf that may be scary for the youngest movie enthusiasts. But, on the whole, this is a fine film for the entire family to chuckle over.
At least the second film in this god-awful trilogy had the benefit of being so bad and inappropriate it was unintentionally hilarious. This scattershot, occasionally offensive, always unsettling and very dumb film is one of the most boring cinematic experiences in recent memory. The side plot of dogs, (how'd they score DeVito and Keaton, both of whom were doing much better that Alley or Travolta at this point in their carreers?), is useless; the 'dad is hard at work' subplot is just recycled from the second film, (they even use the same dream gag), and the plot doesn't really exist. And why does everyone keep ragging on Travolta's carreer? Being a pilot is no easy feat!
Travolta and Alley, who seem to get along in real life, seem to repel each other onscreen; maybe because they're platonically inclined to each other in reality; onscreen they're like two positively charged magnets pushing each other apart. On top of all that, the casual misogyny throughout is grating and extremely distasteful. Dumb, dumb, dumb.
Travolta and Alley, who seem to get along in real life, seem to repel each other onscreen; maybe because they're platonically inclined to each other in reality; onscreen they're like two positively charged magnets pushing each other apart. On top of all that, the casual misogyny throughout is grating and extremely distasteful. Dumb, dumb, dumb.
While this is a bad film and the low point of Travolta's career he would bounce back a year later with Pulp Fiction.I watched this film as a kid and is a guilty pleasure.
good family movie to watch on a Sunday evening full of goodness with talking dogs and this time the kids can talk for them selves also the wife is very paranoid about her husband so it ends up like bit of fights in her dreams Gangtok dogs bogs photogenic none flapping Sedgwick fisticuff this movie is great superb amazing fantastic outstanding dog fun for many people i would recommend this movie for a family of 3 or more so you can sit on your couch while the fire is on to enjoying a good comedy plus the mum(British term) and dad are the same actors so there cannot be any confusions an if any parents think this is bad for there child's life about finding out that Santa is a fake it shows you at the end that there is a Santa clause
Wusstest du schon
- WissenswertesTabitha Lupien did her own basketball moves.
- PatzerAt the beginning of the movie when the parents are putting the children to bed, the window at the end of the hallway shows that it is still daytime.
- Zitate
[Daphne and Rocks are starting at each other]
Julie Ubriacco: Look! They like each other!
James: [to Mollie] See honey, they like each other.
Daphne: Mongrel.
Rocks: Bitch.
- Alternative VersionenThe music video "It's Christmas, C'est Noel" starring by Jordy Lemoine and the movie main stars during the end credits, was deleted on DVD editions, being replaced for a classic end credits roll with "Sleigh Ride" as musical score.
- SoundtracksHound Dog
Written by Jerry Leiber & Mike Stoller
Performed by Elvis Presley
Courtesy of The RCA Records Label of BMG Music
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Budget
- 22.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.340.263 $
- Eröffnungswochenende in den USA und in Kanada
- 4.022.570 $
- 7. Nov. 1993
- Weltweiter Bruttoertrag
- 10.340.263 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen