Kalifornia

"Kalifornia" is one of my all-time favourite movies, and it easily could be labeled as one of the best psychological thrillers of the 90`s. The film has a very stylish surface to it, but behind that are a lot of disturbing and honest depictions of homicidal maniacs and the terrifyng violence they inflict upon others. One of the film`s strongest aspects is it`s performances, Brad Pitt is startlingly great as a trailer-trash psycho named Early. Pitt potrays his frightening character almost flawlessly. Juliette Lewis is equally as good playing his naive girlfriend, her innocence is almost heart-breaking. "Kalifornia" has a very simple plot to it, that goes steadily and slowly forward for about an hour, but it suddenly plunges into a harrowing spree of murder, as Pitt unleashes his psychotic personality. There are alot of shocking scenes, and it all mounts to a power-house climax that will haunt you for days. "Kalifonia" is a film that should really be watched for it`s intense look at how monstrous a human being can be, and not only for it`s violence and gore.

Nicely done! (pardon my Arnold Schwarzenegger)...

This movie was completely ignored when released back in '93, and that's a shame. It's a great, suspenseful two hour road-trip that certainly opened my eyes to see that Brad Pitt was indeed an actor. He looks like he took took the 'method-acting' thing seriously, as with his appearance in TRUE ROMANCE, I doubt he took even one shower in 1992.

Duchovny & Forbes were also fine as the normal half of this "ride share from hell", but I'm guessing Juliette Lewis' naive "jailbait" turned off a few people (see NBK or CAPE FEAR for further proof). Just ignore her grating & whiny delivery, and go along for the wild ride all the way to KALIFORNIA.

I had seen this film many years ago and it had made a lasting impression on me. Alas, I have hardened to many films over the years and did not expect to be impressed by 'Kalifornia' upon watching again recently. I am pleased to say that it is every bit as unnerving and watchable as it was ten or so years ago.

There are two things which really give this movie its power. The first is its cast. We have a staggeringly disturbing turn by a young Brad Pitt as Early Grace. Knowing Pitt, as we all do, as one of the most enduring heart-throbs Hollywood has ever had, it is refreshing to see him play such a vile, unattractive character. Pitt pulls the show off without resorting to white-trash cliché or parody, and manages to remain genuinely terrifying throughout the movie.

Juliette Lewis is equally impressive as Grace's tragic girlfriend, playing the character like a ten year old girl with a forty year old's life experience. Lewis manages to evoke pity (for her character's station in life) as well as contempt (for her naivety), but she underpins her performance with the kind of subtlety rarely seen by an actor so young. Personally, I think it's a tragedy that neither Pitt nor Lewis were nominated for any awards for their performances here.

David Duchovony and Michelle Forbes are both perfectly cast as the yuppy couple who unwittingly end up travelling across the US with Pitt and Lewis. Duchovony is aptly geeky and naive, and Forbes seems emphatically cynical and shut-off, but both actors manage to convincingly portray their characters' changes as they are equally intrigued, repulsed and strangely attracted to Pitt.

The fine casting and uniformly brilliant acting aside, this film really grabs us by the proverbial balls through its flawless pacing. At the time 'Kalifornia' was released, Hollywood was releasing a slew of nice-character-turns-out-to-be-psychotic movies ('Single White Female', 'Pacific Heights', 'The Hand That Rocks The Cradle', 'Deceived', 'Sleeping With The Enemy' etc). Most of these movies followed the same formula, the only variation being the nature of the relationship between good guy and bad guy. 'Kalifornia' doesn't really stray too far from this territory, but its first two acts are the perfect example of the slow-boil thriller, and we are kept on the very edge of our seats waiting for the tide to turn.

When the penny does drop, and Pitt is let loose to play the maniacal bad guy, the film shifts gears completely and the last twenty minutes don't quite live up to rest of the movie. That said, the action is thick and fast and the resolution is suitable cold. The fight is over, but the scars will always be there.

Much of the narration (provided by a somewhat whiny, pre X-files Duchovony) is a tad contrived. Of course, it's meant to be from the book the Duchovony's journalist character has written, so one could argue that the self-conscious narration is meant to be a nod to the kind of sensationalised style in which most journalists write.

The film is largely a success and is certainly a cut above 90% of the thrillers of the past twenty years. Highly recommended, but not for the weak of stomach or mind. This film is disturbing on more than one level. But then, it's meant to be.

Kalifornia came out in 1993, just as 3 of the 4 lead characters were up and coming to the levels of fame they now possess in 2006. This is a nice psycho-thriller that should appeal to all David Duchovny fans because of his dry and intelligent narratives that find their ways into his work, like with most of his episodes of the X-Files, Playing God, and Red Shoe Diaries.

People who were put off by the heavy southern accent from Brad Pitt and Juliette Lewis' characters obviously have never spent much time in the south. For every "Brian and Carrie" in the south, there is an "Adele and Early" and in 2006, that's the real horror of this flick.

Aside from that, I think the film was written with a cult film intention - like with Carrie's photography, it's not suitable for mass consumption. But if you have a copy of this in your personal library, I think it says something positive about your tastes for freaky movies.

It's more than twenty years since I last saw this and I didn't really remember anything. Not even how violent it was, not even that it had a serial killer theme. I just remembered that it was a film to watch again some time because it was great. And so it is. Clearly not for everyone, this is one hell of a violent road movie with Brad Pitt in crashing, cruelly uncaring and at time even incoherently hateful and his little lady by his side, Juliette Lewis. We have seen her do her Southern, waif like kiddie stuff before but here she is allowed to go full throttle and so we have the most disturbing couple. Wild and horrific Brad and 'he only whips me if I deserve it' Juliette. Not an easy ride then but David Duchovny seems not too put out, certainly at first. He's already started up the Red Shoes Diary machine, about to become a real star through X-Files and Brad Pitt freaking out isn't going to ruffle his feathers, well at first anyway. Possibly a tad long, some have criticised the prolonged and crunchingly violent ending but if you fancy an off the wall road movie featuring one of Brad Pitt's best performances plus Juliette Lewis doing what she does best and then some, you can't do better than watch this mini classic