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Töchter des Himmels

Originaltitel: The Joy Luck Club
  • 1993
  • 12
  • 2 Std. 19 Min.
IMDb-BEWERTUNG
7,7/10
19.235
IHRE BEWERTUNG
Töchter des Himmels (1993)
The Oscar-winning actress shares a special list of films that inspire hope in an effort to help support those without a place to call home amidst our global health crisis.
clip wiedergeben4:30
Cate Blanchett's Films of Hope ansehen
4 Videos
37 Fotos
ErwachsenwerdenPsychologisches DramaDrama

Die Lebensgeschichten von vier asiatischen Frauen und ihren Töchtern reflektieren einander und hängen miteinander zusammen.Die Lebensgeschichten von vier asiatischen Frauen und ihren Töchtern reflektieren einander und hängen miteinander zusammen.Die Lebensgeschichten von vier asiatischen Frauen und ihren Töchtern reflektieren einander und hängen miteinander zusammen.

  • Regie
    • Wayne Wang
  • Drehbuch
    • Amy Tan
    • Ron Bass
  • Hauptbesetzung
    • Tamlyn Tomita
    • Rosalind Chao
    • Kieu Chinh
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    19.235
    IHRE BEWERTUNG
    • Regie
      • Wayne Wang
    • Drehbuch
      • Amy Tan
      • Ron Bass
    • Hauptbesetzung
      • Tamlyn Tomita
      • Rosalind Chao
      • Kieu Chinh
    • 132Benutzerrezensionen
    • 32Kritische Rezensionen
    • 84Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 1 BAFTA Award
      • 4 Gewinne & 5 Nominierungen insgesamt

    Videos4

    Cate Blanchett's Films of Hope
    Clip 4:30
    Cate Blanchett's Films of Hope
    The Joy Luck Club
    Clip 1:45
    The Joy Luck Club
    The Joy Luck Club
    Clip 1:45
    The Joy Luck Club
    The Joy Luck Club
    Clip 1:29
    The Joy Luck Club
    'Dangerous Lies' Star Jamie Chung Wants to Play This Tarantino Character
    Video 3:02
    'Dangerous Lies' Star Jamie Chung Wants to Play This Tarantino Character

    Fotos37

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 31
    Poster ansehen

    Topbesetzung62

    Ändern
    Tamlyn Tomita
    Tamlyn Tomita
    • Waverly - The Daughter
    Rosalind Chao
    Rosalind Chao
    • Rose - The Daughter
    Kieu Chinh
    Kieu Chinh
    • Suyuan - The Mother
    Tsai Chin
    Tsai Chin
    • Lindo - The Mother
    France Nuyen
    France Nuyen
    • Ying-Ying - The Mother
    Lisa Lu
    Lisa Lu
    • An-Mei - The Mother
    Ming-Na Wen
    Ming-Na Wen
    • June - The Daughter
    Lauren Tom
    Lauren Tom
    • Lena - The Daughter
    Chao Li Chi
    Chao Li Chi
    • June's Father
    Melanie Chang
    • June - Age 9
    Victor Wong
    Victor Wong
    • Old Chong
    Lisa Connolly
    • Singing Girl
    Vu Mai
    Vu Mai
    • Waverly - Age 6-9
    Ying Wu
    • Lindo - Age 4
    Meijuan Xi
    Meijuan Xi
    • Lindo's Mother
    • (as Mei Juan Xi)
    Guo-Rong Chin
    • Huang Tai Tai
    Hsu Ying Li
    • Matchmaker
    Irene Ng
    Irene Ng
    • Lindo - Age 15
    • Regie
      • Wayne Wang
    • Drehbuch
      • Amy Tan
      • Ron Bass
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen132

    7,719.2K
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    Empfohlene Bewertungen

    lschow310

    Different strokes for different folks

    I have read the book and seen the movie. I have also read reactions to both. Some really liked it and found it to be very real, while others hate it and object to the "stereotype." It seems to depend on whether you could relate to the stories, characters, or themes.

    I myself could relate very well to the stories, but that could be because I too have experienced the intergenerational and intercultural conflict as an American-born Chinese daughter with a very traditional Chinese mother. Many other American-born Chinese women who were born in the 1960s could relate to the stories very well also. For us, we would start crying as soon as the first sentence is made.

    I didn't experience everything that June, Rose, Lena, or Waverly went through, but on a grander scale, they are dealing with issues that I have struggled with as well.

    I understand that there are other women who could relate to it as well, and these are not Chinese women--or even Asian women. Perhaps Amy Tan has touched on universal themes that women of other nationalities could relate to.

    On the other hand, I have found that some people who are ten years younger than me didn't like the book/movie too much and found the characters "stereotypical" or "unrealistic."

    Some Caucasian males didn't like this book/movie either, and again it comes back to them not being able to relate to it.

    I understand another user's comment about the negative portrayal of Asian men, but this person has forgotten about June's father who was portrayed as a very likeable man who was trying to bridge the gap between his wife and his daughter. As for his objection of the daughters marrying Caucasian wives, he needs to realize that there are other issues/reasons involved and it's not because Chinese-American women like them "hate Chinese men."

    In short, this movie is very good at portraying the intergenerational and/or intercultural conflict between people who are caught between two cultures. Women like me have cried while watching this movie because the issues have been very real for us. For those who could not relate to it or cannot see the "reality" of it, then this movie would not be for them.
    8winsome1

    A Hanky Fest

    If you're an Asian-American woman with parental conflicts around culture then prepare to cry at this wonderfully fabulous film. So many cultural issues come up that you never know when you'll be hit with a wave of recognition. There are many laughs here as well. You just don't know when they'll arrive. This is a definite must for anyone struggling to understand how to incorporate their ethnic heritage in the massive American melting pot.
    jhadefoxx

    A masterpiece

    Words fail to capture the essence of this film. I read the book before I saw the movie and as anyone can tell you, the book for a movie is usually a lot better, but in this case and I think they are both on the same level. I watched this movie again for the umpteenth time today and every time I watch it I see the magic again. It makes me think of my own relationship with my mother and my relationship with my daughter. This is the story that made me feel in love with Asian film.
    9cherold

    affecting

    It's surprising they managed to make a movie out of The Joy Luck Club, which was, after all, a series of anecdotes by 8 different people. But somehow they did it, seamless weaving in and out of the characters' reminiscences.

    Joy Luck Club could reasonably be described as a chick flick - it is, after all, a film about a bunch of women and their feelings - but that would be a disservice. "Chick flick" has become a somewhat derogatory term, partially because it was a term created by guys who find women and their feelings annoying, but to a great extent because most movies in this class are shoddy pieces of tripe like "Divine Secrets of the Ya-Ya Sisterhood." If movies of women and their feelings were all this intelligent, insightful and affecting I doubt anyone would have even coined the term "chick flick." This is a movie of honest emotion that leaves you with a sense of fulfillment, a rebuke to all those manufactured, syrupy women's movies that Hollywood churns out. Highly, highly, HIGHLY recommended.
    8booboobear1970

    Excellent Film

    The first time I sat down to watch this it was just because there wasn't anything else on. I mean what would a single guy in his late twenties be interested in a film about relationship between Chinese-American women and their mothers? Well I was wrong. This film was very captivating and moving. It does excellent job of showing the universal issue of generational differences and the love that exist between parents and their children. All of the perfomances in this film were excellent. 8 out of 10 stars.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      In a 2018 NPR interview, executive producer Janet Yang recalled that director Wayne Wang (who she said usually had "the most lovely personality") lost his temper in a marketing meeting because the studio had presented him with the choices for posters to advertise the movie, and all of the options avoided showing the face of an Asian person. Either the designs were very abstract (for example, a decorative woodcut) or they were photos of the actresses' backs.
    • Patzer
      In the second chess game that Waverley plays as a child with the boy the chess board and the positions of the pieces are clearly shown on the screen. The boy moves his queen. Waverley makes a move and the boy responds with a move in which he captures a pawn and he says "check". The only possible move that the boy could have made at this point which would have resulted in an utterance of any kind would have been "checkmate" - Black queen supported by black bishop takes white pawn, Mate. After this Waverley makes another move which would have been impossible under the rules of the game because the game would have been over on black's last move.
    • Zitate

      Suyuan: That bad crab, only you tried to take it. Everybody else want best quality. You, your thinking different. Waverly took best-quality crab. You took worst, because you have best-quality heart. You have style no one can teach. Must be born this way. I see you.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: True Romance/The Ballad of Little Jo/Kalifornia/The Joy Luck Club/The Real McCoy (1993)
    • Soundtracks
      I Enjoy Being A Girl
      Music by Richard Rodgers

      Lyrics by Oscar Hammerstein II

      Courtesy of Williamson Music

    Top-Auswahl

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    FAQ20

    • How long is The Joy Luck Club?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 19. Mai 1994 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Mandarin
      • Kantonesisch
    • Auch bekannt als
      • El Club de la Buena Estrella
    • Drehorte
      • 610 Rhode Island Street, San Francisco, Kalifornien, USA(Harold and Lena's home interior)
    • Produktionsfirma
      • Hollywood Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 11.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 32.901.136 $
    • Eröffnungswochenende in den USA und in Kanada
      • 159.009 $
      • 12. Sept. 1993
    • Weltweiter Bruttoertrag
      • 32.901.136 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 19 Min.(139 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo
    • Seitenverhältnis
      • 1.85 : 1

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