Die kleine Sally Matthews ist verstummt, seit ihr Vater ums Leben kam. Kinderpsychater Jake Beerlander diagnostiziert Autismus. Doch ihre Mutter Ruth glaubt nicht an diese Theorie; sie ist s... Alles lesenDie kleine Sally Matthews ist verstummt, seit ihr Vater ums Leben kam. Kinderpsychater Jake Beerlander diagnostiziert Autismus. Doch ihre Mutter Ruth glaubt nicht an diese Theorie; sie ist sich sicher, den Schlüssel zur Lösung in dem Kartenhaus zu finden, das Sally in ihrem Zimme... Alles lesenDie kleine Sally Matthews ist verstummt, seit ihr Vater ums Leben kam. Kinderpsychater Jake Beerlander diagnostiziert Autismus. Doch ihre Mutter Ruth glaubt nicht an diese Theorie; sie ist sich sicher, den Schlüssel zur Lösung in dem Kartenhaus zu finden, das Sally in ihrem Zimmer errichtet hat.
- Auszeichnungen
- 2 wins total
- Gloria Miller
- (as Jacqueline Cassel)
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This is not a documentary. One reason I rented the movie is my clinical experience with autistic children. If you are the kind of person who requires movies even tangentally reflect how it is in the real world then don't watch it. If you think Hollywood will educate the public about autism this movie will upset you.
This is a thinking person's movie.
The beauty of this is all in the multiple structures presented to us, both physically and metaphorically, and how they are layered in such a way that moving one affects all the others, like a house of cards. How they are put together is flawed, and it lacks the subtleties and hooks of any Medem script. But it's a glorious try, a world of connections of all sorts.
The first gate to this world are the Maya pyramids, so carefully photographed in the clever initial sequence in Mexico. There we are given key concepts to interpret the whole thing: The ascending dynamic of this (highly spiritual) shape, the tragedy of the father's death, which triggers the whole plot, and the moon – introduced in a clumsy way, as the cosmic witness to the tragedy and as some old folk Indian tale.
Later we fold the idea of the abstract structure that is the "key" to our girl's mind into the idea of a physical shape, that of a spiral, conceptually close to the conception of a Maya pyramid. The girl actually builds the thing, using common cards and some Tarot cards, providing us another key to another abstract structured cosmic world: metaphorical links between cards and several realities; a whole cosmology of its own.
In between you get hints at other parallel, strong structures: 1 – before becoming an autist the girl spoke three languages; 2 – trees she climbs them, repeating the ascending movement, and she disguises herself as one she becomes it!; 3 – the construction site and the crane, an obvious reference, as it is the fact that the mother is an engineer, a designer of structures (the 3d stuff does sound middle- aged to our BIM days )
The spiral is replicated in a greater scale by the mother, she actually builds her own gate to her daughter (building up for the obvious climax). What you get is the beautiful idea of a physical structure as the metaphor for a spiritual link, and the act of building as a symbol of reaching for someone. This is underscored by the seemingly shared dream between our girls, which i found pretty lame. So the result is a sort of maternal built love. You have to love it!
Wusstest du schon
- WissenswertesJames Horner's original score is based on his score for the film Der Junge vom schwarzen Fluß (1986) also a film that involves a child in it's storyline. Intrada Records released a limited edition soundtrack which instantly sold out in a record amount of hours, such as their release of Michael Small's unused score for Das China-Syndrom (1979) had done previously.
- PatzerKathleen Turner's character says that all railways in the world have the same gauge which is absolutely not true. Examples: Spain - 5' 6"; Ireland - 5' 3" and 3'; India - 5' 6", 2'6" + 1m; Peru - 3'; Portugal - 5' 5 9/16" (1.1665m) + 1 m; Russia - 5'; East Africa - 1m; Nigeria - 3'6"; Sierra Leone - 2'6"; South Africa - 3'6"; Burma - 1m; Ceylon 5'6" + 2'6".
- Zitate
Ruth Matthews: We all go a little crazy sometimes, Doctor.
Jake Beerlander: Yes, Ms. Matthews, but most of us come back.
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Details
Box Office
- Budget
- 10.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 322.871 $
- Eröffnungswochenende in den USA und in Kanada
- 12.753 $
- 27. Juni 1993
- Weltweiter Bruttoertrag
- 322.871 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1