Killer Force

Yancy Butler has never been sexier... In this cool flick she hires Jeff Fahey, who works for an organization run by James Coburn, to find the killer of her husband. The film looks great and has lots of twists and surprises. Probably Fahey's best role. The film is better than I thought it would be. And the ending is a shocking surprise.

the hit list is an awesome film . i think the jazz soundtrack adds to the 'mood ' and suspense . his film adds to the fact that all you need to make a great suspense film is a man , a woman , an old man , a villain and most definitely ... a room with a view (preferably a view offered by a telescope ) i mean , now , how many erotic thrillers have featured glass windowed apartments which have a telescope ...?

the beauty of watching such films is the fact that they have residues of great suspense moments created by many directors and storytellers over the years . hence you always end-up feeling or rather being reminded of some classics .

one doubt though . the film was R-Rated for most things . however the version i saw had none of hose things . people out there please educate me if there is an uncut version or at least if what i saw was probably cut .

Charlie Pike is an ex-Government agent turned contract killer. He kills on behalf of lawyer Peter Mahew who is part of a committee of lawyers who hand out their own version of justice. Pike takes a job from Mahew to help out a family friend, the beautiful Jordan. However when Pike completes the contract he falls for Jordan, a situation that leads him into a double crossing situation where deception leads to murder.

When the wonderfully creative people in the TVM business sit down to really push the envelope on a project they really go for it. Imagine the planning meeting for this! `hey, lets make a thriller about a hitman who is ruthless, but really a good guy who is sensitive and listens to classical music', `yeah – and lets have him be kind but tough – and trying to get out of the business except this one last job'. After that how else can they make it really stand out – well lets shoot it all in blues and shadow of TVM noir and have the usual jazz soundtrack to add `atmosphere' and `mood'.

Nothing in the plot or film really manages to be different from any other TVM you'd see and it fails to engage simply for this reason. On top of the cliché ridden film we have an obvious bit of casting with Fahey and Butler (neither strangers to this tvm stuff). The only surprise was Coburn who I imagine has let stuff like this slip off his CV since he got his Oscar.

Overall this is so very predictable and clichéd that it really fails to inspire even a little bit of interest. We have every staple of the thriller/noir TVM – soft porn, jazz music, unimaginative direction – it's all here. It's not a bad film, just a very flat one that has all the appeal of a mass produced industrial production when compared to something clever or inspired.

Fahey is good here actually...the story's ok enough, its got all the classic ingredients of a solid film noir--its got a potential femme fatale, its got a decent enough boss character played by a great veteran actor (in this case James Coburn), its got a hero who is talked into murdering a guy who's giving a woman a lot of trouble....I just 100% described "Double Indemnity" which this movie is nowhere near the quality of...but for once its not the screenplay's fault so much as it is the pacing of the film...it is sloooow moving from plot point to plot point. Slow and rather somber too. A movie like this, i'm not asking for it to be funny but a couple of wry tossed off one liners here or there would've been very effective. Instead we get a lot of Fahey grimacing over him violating his own code. (Hmmm an assassin with his own moral code...where have i seen that before???) That said, its not terrible, if you stumble across it as I did, its worth a look if only for Fahey's very solid performance. (Coburn is good in his handful of scenes too, but unfortunately he's not really given much to do beyond look concerned and issue some ominous warnings about Fahey getting too close) Again its not a terrible movie, but its just too slowly paced for its own good. (I did like the jazz score to it tho, those opening credits are very engaging and seem to promise a better movie largely due to that score)

Jeff Fahey (Psycho III, The Lawnmower Man) stars as Charles Pike, a professional hitman. His boss, Mayhew (James Coburn), puts him in contact with Jordan Henning (Yancy Butlerz), an old family friend. Pike wants out of the game, but he agrees to speak with Mrs. Henning. It turns out her husband was murdered and she wants revenge.

Pike carries out the hit on the man thought to be responsible for the death of Mrs. Henning's husband. They begin an affair. Soon Pike is questioning what's really going on. Has he been played? People have been following both Pike and Mrs. Henning. Does someone want to eliminate both of them?

I typically enjoy Jeff Fahey, but I did find The Hit List to start losing steam after about an hour in. It was an okay watch, but I don't think that I would watch it again.