Kidnapper

Kelly and Eddie Charles wait the release of their father Jack (Patrick Swayze) along with journalist Kathleen Mercer (Halle Berry) that wants to cover the story. Once Jack is out, trouble follows because he doesn't get along well with his not-long seen kids and he can't even stand them, and they spent the majority of the movie escaping after Jack does some of his foolish things and after a while ends up arrested, tried, acquitted and released once again.

The main problem of this movie is that the main character is a jerk and there is no attempt to make him likeable or endearing in the least. He is always on the verge of exploding and behaves like a fool for most of the time, causing trouble to himself and those near him. The kids were actually likeable because they couldn't stand their dad (just like the audience) and this is the reason why I didn't gave it a lower score (along with the soundtrack that is bound to give lots of nostalgic 1990s vibes).

In substance, one of those films billed as family entertainment but that fails to accomplish this mention. A bad lead, various stupid moments that luckily I forgot... this might also account for why only 15 persons apart from me dared to review it.

Alright, so 'Father Hood' is not the perfect movie. There have been many of its kind. It isn't devoid of plot holes and is predictable. However, it's also an entertaining road movie about an ex-con, Jack, on the run with his kids (Sabrina Lloyd) who were treated harshly (their hands were cuffed and they were abused) in a detention center). The only person on their side is feisty journalist Kathleen Mercer (Halle Berry) who tries to convince Jack to give her an interview (providing information against the youth detention center) and she'll work out a deal for him so that his sentence is reduced. Jack also drops by his mother's (Diane Ladd) in Las Vegas.

Okay, so it's not anything new but that doesn't mean it can't be fun. Shot in a typical early 90's style, Darrell Roodt catches the cross country landscape effectively. The performances are good too. The late Patrick Swayze is brilliant as the reluctant dad. Sabrina Lloyd is cute and vivacious. Brian Bonsall can be annoying at times (but then again his character was a cliché). Halle Berry is charming in her limited screen time.

'Father Hood' holds some nostalgic value for me and it was nice to go back to memory lane for a while. The way to enjoy this one it to take it for what it is.

This is one of those rare comedies that would've worked better as a drama. Possibly that's because, as a comedy, there isn't a single laugh, but the movie had a good dramatic premise, along the lines of Rain Man almost. The film's biggest fault, besides the dreaful, unfocused script, is the mediocre acting. Swayze is decidedly wooden, a sign that even he knew the film had little hope, and doesn't even attempt to breath any life into the bland film. The two actors who played his kids, Sabrina Lloyd (a 23 year old playing a 10 year old) and Brian Bonsall, don't fare much better. Though neither of them had roles that had any sense of depth, they still manage to disappoint, though at times Bonsall does hint that he has the makings of a Culkin like star. The film's sole redeeming performance comes from then-unknown Halle Berry, playing a reporter. Though her role is a small one, it is pivotal to the story, and it's clear why she became such a big star afterward.

Another problem with 'Father Hood', is that the lead character, played by Swayze, isn't the least bit likeable. If their intentions for the movie were for it to be a family film, it's unneccesarily dark and violent, but as a serious action/comedy, it's just too bland and boring. Pass on this one, it isn't entirely bad, but it's pretty close. For serious Swayze fans only.

Patrick Swayze stars as a father who is lost to beer, woman and the bad boy life. One day, out of the blue, his children find him but are ripped away by the system. In typical character, after seeing his children handcuffed to a waist belt into the bus back to the home for disturbed children, Swayze decides enough is enough and hijacks the bus, which leads to a cannon ball run trek across America to New Orleans, where the next heist of money will get Swayze the good life.

On the way there, he starts to fall in love with his kids and helped by Halle Berry, the reporter who has tried to stop the home molesting children and billing for trips out with the kids that never really took place, Swayze has to decide whether he should take the money and run or look out for his new found family's interests.

I really enjoyed this film and recommend watching it, if you missed it back in '93, and the music played during the chases is soulful and funky throughout, which gelled nicely with the plot, especially the last track (wonderful one, if thats its name) which took me right to the end of the credits. I just hope in the next few years we get another version of 'Father Hood' and they stick to the northern soul tracks that blessed this version. Just please please please shut the blonde loud mouth kid up, his character played too well and was as annoying as he was paid to be!!!!!

Like most action movies, this one has an improbable plot and some impossible sequences. But this can be forgiven, since the movie is primarily a comedy. Patrick Swayze strikes the right note of comic, underclass insouciance, but the film does attempt to say something about parental responsibility and father/child bonding. It also raises some disturbing questions about the predicament of children in state foster care.

There are no love scenes, and little violence. With some language dubbing, this might be suitable for family viewing.

Note to Patrick Swayze fans: Even in his goofy rayon shirts, he's still gorgeous. And we never have to see him in prison clothes.