Füge eine Handlung in deiner Sprache hinzuThis is the story of Bella, who woke up one morning and realized she'd had enough. All it took was one rather nasty man to transform her from a meek and mild secretary into a murderous femme... Alles lesenThis is the story of Bella, who woke up one morning and realized she'd had enough. All it took was one rather nasty man to transform her from a meek and mild secretary into a murderous femme fatale.This is the story of Bella, who woke up one morning and realized she'd had enough. All it took was one rather nasty man to transform her from a meek and mild secretary into a murderous femme fatale.
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There is a bad and good side to this film. Bad because of the detail i.e the lingering expressionless looks of Bella gets a bit over done and you're not sure what these mean in relation to the film sometimes. All the 'nasty' male characters she encounters are too obviously the entire(minority) arseholes of the male population...which in turn makes what happens the good side of the film.
Good because of the age old formula of the victim getting revenge on the bad guys is female . Even though it's all a little bit silly & OTT it's worth a watch if even just for the nasty bits. Is Bella tipped over the edge or just coolly enjoying her sadistic pursuits now? You decide...
Good because of the age old formula of the victim getting revenge on the bad guys is female . Even though it's all a little bit silly & OTT it's worth a watch if even just for the nasty bits. Is Bella tipped over the edge or just coolly enjoying her sadistic pursuits now? You decide...
I saw this movie years ago, when it first came out in the theater. My boyfriend at the time thought it would be a sexually charged thriller as the title suggests, a "Basic Instinct" of sorts. Boy was he in for a surprise! This woman has been hit on, molested and generally pushed around be every creepy guy she comes in contact with, including her dentist. Finally, she has enough of all these idiot men she comes in contact with and starts brutally killing them off. I did enjoy watching this, but part of the reason may have been watching my boyfriend squirm throughout the entire film. I think this film will definitely send a message out loud and clear--Guys, behave yourselves, or else!
Despite having a vigilante theme it's very difficult to believe that Michael Winner had anything to do with this movie . All through the running the subtext screams " Men are sexual sadists , you can't trust any of them , kill them all " which is far closer to a deluded feminist world view , and what ever you think of Mr Winner there's no way you can describe him as a feminist . But the penny drops the more the film goes on when you realise it's not meant to be a serious film and couldn't have been made by a serious film maker
The plot revolves around a woman called Bella who moves to Brighton and is the victim of a stalker who phones her when she's alone , though the stalker is both written and played in such an over the top manner that he's somewhat difficult to take seriously . Bella then takes advice from an Iranian clairvoyent ( As I'm sure anyone in her situation would do ) then it's revenge against the penis people all the way
As you can imagine I had this sussed out as a role reversal of DEATH WISH but about two thirds of the way through the entire tone of the movie changes when we're introduced to " The lady in red and spanky fat boy " . I wasn't convinced farcical black comedy was part of the masterplan at development stage , it's like Winner and co have got fed up making a straightforward revenge drama and had decided to lighten things up a little . Unfortunately the production started off bad and this black comedy element makes the film even worse
DIRTY WEEKEND is a bad movie , badly written , badly produced and badly cast ( Lia Williams goes through the movie with one expression ) but what makes it really bad is the offensive portrayal of men . There are a lot of nasty b@stards out there but it's ridiculous the way Bella runs into every creep , pervert and rapist in the country which gives coincidence a bad name . Though perhaps the movie isn't supposed to be taken seriously and I guess some people might see the movie as a guilty pleasure
The plot revolves around a woman called Bella who moves to Brighton and is the victim of a stalker who phones her when she's alone , though the stalker is both written and played in such an over the top manner that he's somewhat difficult to take seriously . Bella then takes advice from an Iranian clairvoyent ( As I'm sure anyone in her situation would do ) then it's revenge against the penis people all the way
As you can imagine I had this sussed out as a role reversal of DEATH WISH but about two thirds of the way through the entire tone of the movie changes when we're introduced to " The lady in red and spanky fat boy " . I wasn't convinced farcical black comedy was part of the masterplan at development stage , it's like Winner and co have got fed up making a straightforward revenge drama and had decided to lighten things up a little . Unfortunately the production started off bad and this black comedy element makes the film even worse
DIRTY WEEKEND is a bad movie , badly written , badly produced and badly cast ( Lia Williams goes through the movie with one expression ) but what makes it really bad is the offensive portrayal of men . There are a lot of nasty b@stards out there but it's ridiculous the way Bella runs into every creep , pervert and rapist in the country which gives coincidence a bad name . Though perhaps the movie isn't supposed to be taken seriously and I guess some people might see the movie as a guilty pleasure
I only saw this as I was writing a review for a college magazine at the time and thought it would be easier to write about a bad movie than a good one. I didn't realise just how easy it wou ld be. I saw it on a wet afternoon in a mutliplex, and 4 of the 6 people in the cinema walked out. I wish I was one. Awful in every possible respect, if Edison had known that this would happen to his great invention he would have hid the patent. Not out of curiosity, masochism or desperation should you give this a look.
It's difficult to know if Dirty Weekend finds Michael Winner taking the rise out the urine, or if he genuinely feels he had something to say? And what of Helen Zahavi, author of the novel and in charge of the adaptation to screen here? What's her story - motivations et al? It's quite possibly that Helen and Michael at their respective humane cores were a match made in cinematic heaven, but how come Dirty Weekend just feels dirty, lazy dirty at that, a sort of shock for shocks sake as Zahavi gets to curry favour with the feminist movement and Winner gets to be seedy, with murder death kill and the grotesque thrown in for good measure.
Plot, for what it's worth, has dowdy Bella (Lia Williams) suddenly turn into a sexual vamp over night with a blood lust for offing all men who dare to leer and pester. In Brighton, the place of rock, candy floss and degenerate male members of the human race.
It would have been easy to root for Bella had she at the very least had acquaintances or drinks with some normal men, but it's hard to take seriously a film where every single bloke she meets is either troubled mentally, a sexually deviant, has a penchant for serial killing and etc etc. Even her best friend's husband is a milquetoast who probably should have been on Bella's hit list as well!
Winner achieved everything he hoped for with Dirty Weekend, the critics frothed at the mouth, the British censors sharpened their scissors, and crucially the film became a holy grail of uncut home formats for the intrigued and degenerates. It undeniably was shocking back on release, I mean when the broad sheet newspapers of Blighty are dissecting it frame by frame you know it's a fire-cracker piece of cinema.
Rufus Sewell can be forgiven as this is right at the start of his career (he is edgy, nutty and Anthony Perkins like), same for British legend Sean Pertwee, but what is David McCallum's excuse, Ian Richardson also? That Lia Williams is bold and cheeky with her performance saves the film from stinker hell, it's great to note that she carved out a strong career in British TV and still works today.
Hard to recommend and guaranteed to make you angry, but fair play to Winner, boy did he know how to punch buttons! 5/10
Plot, for what it's worth, has dowdy Bella (Lia Williams) suddenly turn into a sexual vamp over night with a blood lust for offing all men who dare to leer and pester. In Brighton, the place of rock, candy floss and degenerate male members of the human race.
It would have been easy to root for Bella had she at the very least had acquaintances or drinks with some normal men, but it's hard to take seriously a film where every single bloke she meets is either troubled mentally, a sexually deviant, has a penchant for serial killing and etc etc. Even her best friend's husband is a milquetoast who probably should have been on Bella's hit list as well!
Winner achieved everything he hoped for with Dirty Weekend, the critics frothed at the mouth, the British censors sharpened their scissors, and crucially the film became a holy grail of uncut home formats for the intrigued and degenerates. It undeniably was shocking back on release, I mean when the broad sheet newspapers of Blighty are dissecting it frame by frame you know it's a fire-cracker piece of cinema.
Rufus Sewell can be forgiven as this is right at the start of his career (he is edgy, nutty and Anthony Perkins like), same for British legend Sean Pertwee, but what is David McCallum's excuse, Ian Richardson also? That Lia Williams is bold and cheeky with her performance saves the film from stinker hell, it's great to note that she carved out a strong career in British TV and still works today.
Hard to recommend and guaranteed to make you angry, but fair play to Winner, boy did he know how to punch buttons! 5/10
Wusstest du schon
- WissenswertesThe gun shop used in the film was a real shop based in Park Street, St. Albans in Hertfordshire and is still going strong today.
- PatzerAt the country pub when Bella is talking to Mr Brown before he drives away: Bella's shadow on the car shows that the lighting is from the left but in the next shot as Mr Brown drives away the natural shadows are in the opposite direction.
- Alternative VersionenAlthough the cinema version was uncut the 1995 video release was cut by 1 min 22 secs by the BBFC to reduce blows from a hammer murder, a man being suffocated with a plastic bag, and suggested shots of oral sex and Bella vomiting during the car park rape scene. The 2006 DVD release features the same cut print.
- VerbindungenFeatured in Film '72: Folge #23.2 (1993)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Kirli Tatil
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 10.789.456 £ (geschätzt)
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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