Das Kainsmal des Todes

I, too, thought that this was an excellent film; the first time i saw it I was on the verge of turning the TV off for lack of anything good. Although it's genre is listed as sci-fi it's not immediately apparent that it's sci-fi, which allows you to concentrate a little more on the people and production design. The grittiness is very well done, much like Max Headroom, and the characters are very thoroughly developed throughout the first two thirds of the film. The ending is particularly good - the viewer feels genuine empathy for both Moira and Cuba's characters and is left with the feeling that these are real people in an imperfect future.

This is a very excellent and overlooked HBO movie. Set in the future where HIV positive people are sent to live in concentration camps and probably exterminated in the near future. Cuba and Moria Kelly are excellent as the lead characters. There's also a really hot love scene between Cuba and Moria, which is interrupted by a kid. This is a very excellent movie of what might happen in an intolerent Texas future.

Being a big fan of Sci-fi films I expected a much better film. The storyline sounded like heroes would be saving the world in a futuristic "not-so-good" city. However, starting well with good time spend on the lead women, and making it interesting enough for you to sit and watch, it died out as it went along. It's very strange, it's like the first hour of the film is preparing you for some action, like they are building the story line up for some big scene at the end. But the film dies out and leaves you completely hanging, not knowing anything more as to what happens to the main characters, or even what they were fighting for most of the time. I recommend that people stay well away from this one, as Cuba Gooding Jr. has sooooo much more to offer.

This 1993 movie is one of a long line of dystopian (also called "awful warning") stories. In this case one of the key ideas that make dystopias interesting--a fascist government using paranoia to keep the masses in line--is swamped by the romance between Cuba Gooding and Moira Kelly. Of course there is a place for love in such a story--remember Winston Smith and Julia in Nineteen Eight-Four--but in Daybreak the love story eventually overwhelms everything else, and ideas go out the window.

The treatment of the disease that is supposedly rampant in this near-future world is ambiguous. No, the disease doesn't seem like AIDS, but it's unclear just what it is, how much of the population is afflicted by it, and whether or not it is really deadly. At times, you get the sense that the government invented the disease to spread fear among the people, but, then again, clearly some of the people in the movie are sick. It's all sort of confusing.

Cuba Gooding's character is one-dimensional. At first he's very angry and refuses to have anything to do with Moira Kelly. Then, aw shucks, he is forced to admit he really loves her. Moira Kelly's character is semi-believable. To me, however, the really interesting character is that played by Martha Plimpton, who makes the character come alive and has a very interesting face in the bargain.

Somewhere in this movie is a good idea that never manages to break free.

While the movie is interesting, this is as close to propaganda filming as I have seen this late in the century. If michael moore made dramas, this would be one.

The US is a crumbling third world country, and the local street gangs are part of the government's fascist enforcement. Can you say Nazi? If this were a blog, they would have envoked Godwyn's law and be done with it.

OK, so Cuba gets sick and has to go to a "camp" where the government will make him very comfortable while they look for a cure. But everyone knows thats not what happens. Can you say "Concentration Camp" and "AIDS"?

This movie was made to make a point about how AIDS is killing people and the government is not doing enough, but instead it comes off like the psycho nut liberal fanatic at a party that you wish you hadn't started a conversation with.

That said, it is certainly memorable, and the movie, while intentionally frustrating, is interesting enough to watch... if you can keep from rolling your eyes ever five minutes.