Catacombs - Im Netz des Dunkeln

First of all this isn't CURSE IV. It was filmed in 1988 under a different title, but wasn't released to video until 1993 under the title CURSE IV: THE ULTIMATE SACRIFICE. Anyway, this is a lame thriller with cheap special effects, no suspense, and a laughable monster. The only good things are that the plot is o.k. and the actors are decent, but the film is just plain boring. ** out of *****. I don't really consider this part of the CURSE series, since 1-3 are much better.

"Catacombs" stands out in the catalogue of Charles Bands' Empire Pictures; it's actually pretty good, with a refreshing lack of cheese and camp. Yes, it's possible that it may bore viewers hoping for more action and a high body count, but it has a serious, somber quality and atmosphere that makes it quite effective. Filmed at Empires' Italian studios, it's earnestly acted by a sound cast, deliberately paced, hauntingly scored (by the ever reliable Pino Donaggio), and uses the classic theme of good vs. evil to good effect. Granted, the finale is somewhat underwhelming, but until then the movie works well.

Directed by David Schmoeller, who co-wrote under a pseudonym, it stars "Class of 1984" villain Timothy Van Patten as Father John Durham, who lives in a monastery but isn't part of the brotherhood of monks residing there. The place is visited by a schoolteacher named Elizabeth Magrino (Laura Schaefer, "Ghost Town"), and this seems to serve as a catalyst for supernatural phenomena to occur. John, Elizabeth, and the others realize then that there is an evil presence on hand.

"Catacombs" is bolstered by its engaging performances; Van Patten is low key but likable, as is the lovely Schaefer. Ian Abercrombie ("Army of Darkness") and Vernon Dobtcheff ("Indiana Jones and the Last Crusade") each have a warm presence as the monks who give Elizabeth a nice welcome, while Jeremy West is very good as Brother Marinus, a humourless stiff who distrusts her presence. Feodor Chaliapin Jr. is touching as the terminally ill Brother Terrel. And viewers are certain to remember cast member Brett Porter as the creepy possessed albino.

Production design (by Giovanni Natalucci) and cinematography (by Sergio Salvati) are first rate, and special effects are good but kept to a minimum.

Fans of 1980s horror who love discovering the more obscure offerings may find this to be very respectable and interesting.

Eight out of 10.

Catacombs is a nice timepasser and pretty decent lesser known horror movie. This takes place in modern times(well, the late 80's)and is about a powerful demon locked away in the catacombs of an ancient monastery that is breaking out and reeking havoc, The acting is pretty good and the pacing and f/x are solid. Catacombs plot and style is nothing new and borrows heavily from The Exorcist, The Omen films and other, better films in the same genre. It does generate a spooky atmosphere and I would say, there is not much that will blow viewers away, but its done well enough that most people can sit through the film and more ardent fans of similar horror films should enjoy it.

Picking this title up for a couple of quid, I had hoped for a standard lame monster flick in which those dam monks get there just deserves. Surprisingly, the characters throughout are well rounded, often humorous and quite believable. The demon that stalks the catacombs has some cool moves that unfortunately are not really exploited in the films conclusion. If you like watching these kind of bargain basement titles then Catacombs will serve you well as it is a little more intelligent and atmospheric than usual. Although not particularly scary or gory this movie offers more than enough laughs and thrills to recommend a rental. 5 outa 10

Originally filmed in 1988 under the title Catacombs but not released until 1993 due to the production company's bankruptcy, Curse IV is a surprisingly entertaining film. Under the direction of frequent Charles Band collaborator David Schmoeller, the film creates a strong feeling of unease early on and keeps the suspense going fairly strong throughout. Feodor Chaliapin is especially memorable as a dying priest. He comes across with just the right amount of sincerity so that one could honestly see him as a man of the cloth. While far from the greatest film to come out of Empire Pictures, Curse IV is still a fun movie that is worth a look sometime.