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Chik geuk siu ji

  • 1993
  • R
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,4/10
1057
IHRE BEWERTUNG
Chik geuk siu ji (1993)
ActionDrama

Füge eine Handlung in deiner Sprache hinzuWhile working at a family friend's business, a penniless orphan draws the attention of a corrupt competitor and is torn between divided loyalties.While working at a family friend's business, a penniless orphan draws the attention of a corrupt competitor and is torn between divided loyalties.While working at a family friend's business, a penniless orphan draws the attention of a corrupt competitor and is torn between divided loyalties.

  • Regie
    • Johnnie To
    • Patrick Leung
    • Johnny Mak
  • Drehbuch
    • Nai-Hoi Yau
  • Hauptbesetzung
    • Aaron Kwok
    • Maggie Cheung
    • Lung Ti
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    1057
    IHRE BEWERTUNG
    • Regie
      • Johnnie To
      • Patrick Leung
      • Johnny Mak
    • Drehbuch
      • Nai-Hoi Yau
    • Hauptbesetzung
      • Aaron Kwok
      • Maggie Cheung
      • Lung Ti
    • 12Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos279

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    Topbesetzung39

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    Aaron Kwok
    Aaron Kwok
    • Kuan
    Maggie Cheung
    Maggie Cheung
    • Proprietess
    Lung Ti
    Lung Ti
    • Tuan
    Chien-Lien Wu
    Chien-Lien Wu
    • Lien
    Kenneth Tsang
    Kenneth Tsang
    • Ke
    Paul Chun
    Paul Chun
    • Teacher Hua
    Eddie Cheung
    Eddie Cheung
    • Magistrate Yuan Tien-Yu
    • (as Siu-Fai Cheung)
    Man-Hiu Chan
    • Shoe Vendor
    Man-Ho Chan
    • Cobbler
    Min-Leung Chan
    • Chen
    Ka-Sang Cheng
    Ka-Sang Cheng
    • Bodyguard
    Chun Hung Cheung
    • Magistrate Yuan's Aide
    Wah Cheung
    Wah Cheung
    • City Guard
    Wai-Chung Ching
    • Bun Distributor
    Shu-Kei Chow
    • Magistrate Yuan's Aide
    Tiet Wo Chu
    Tiet Wo Chu
    • Hung Chen-Tien
    Chin-Hung Fan
    • Fighter
    Woon-Ling Hau
    Woon-Ling Hau
    • San Gu, Woman Leading Bridal March
    • Regie
      • Johnnie To
      • Patrick Leung
      • Johnny Mak
    • Drehbuch
      • Nai-Hoi Yau
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    6,41K
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    Empfohlene Bewertungen

    7kosmasp

    Bare(footing) it all

    This remindes me of the Shaw Brothers classics or generally the movies from the 80s. There's a lot of characters a lot of deception, a lot of development ... and a lot of fighting too. Some may seem ridiculous but overall this is just good fun, if you let it to be that is.

    I'm surprised by the level of violence or rather the display of blood we see. While there is lightness and fun, there also always consequences. You might find that weird and you may not enjoy that balance act, but overall I would argue it works. And having someone like Johnnie To at the helm helps a lot. He may have turned his back on these Martial Arts movies and gone for movies set in recent times but you can see he knew what he was doing in this one too. Characters may seem to have issues with decision finding (or finding their moral compass/radar) but how would it work otherwise ... also really melodramatic .. but that doesn't have to be a bad thing ...
    8Movie-Misfit

    New-Wave Classic That Still Entertains!!

    Johnnie To's remake of the Shaw Brothers 1975 hit, The Invincible One (aka Disciples Of Shaolin), is indeed a classic of the Hong Kong New Wave era. With a great performance from all its main cast, a memorable score by William Hu Wei Li, gorgeous cinematography by Horace Wong, and fantastic fight choreography courtesy of the late, great Lau Kar Leung - who incidentally was the action director on Chang Cheh's original film. A modern take on a classic story of redemption and doomed love, wrapped up in a coming-of-age tale that, unfortunately, doesn't have the happiest of endings...

    When I had this on VHS from the brilliant Made In Hong Kong label, I wore out the video tape in no time at all. I loved it then, and still love it as much now. Produced by Mona Fong and the Shaw Brothers studio, The Bare-Footed Kid may offer nothing new as such to long-time fans of kung-fu films, but it still feels as fresh and looks just as amazing today as it did all those years ago!

    Aaron Kwok is just gorgeous and wonderfully cute in this as the titular character, naïve and innocent to the world around him, abused by many and easily led astray. This is one of my favourite Kwok movies, and think he is just wonderful in everything from the drama and comedy, to the awesome kung-fu action scenes. Kwok is supported by the amazing Hong Kong film legend that is Ti Lung, a man with a secret past who now works for the equally impressive Maggie Cheung, both of who are also lovers, As the boss of the bye factory, Maggie runs a fair but tight ship producing top-quality fabrics, helping the needy, and making great business which angers her competitor, played by the great Kenneth Tsang.

    Tsang is as wonderfully wicked as always as the boss of the Dragon Spinners; the gangster dye factory causing all the trouble. After a great martial-arts tournament, Tsang tricks Kwok into working for him with a new pair of shoes, and a promise of big money. Of course, Aaron doesn't have a clue of his new masters plans in putting his new friends...

    As mentioned, the film is shot beautifully with thanks to cinematographer Horace Wong who has shot everything from Twin Dragons to The Myth, King Of Comedy, and pretty much, every major John Woo hit. His mix of handheld shots and epic sweeps are aided by some wonderful lighting, making almost every frame of The Bare-Footed Kid, just gorgeous to look at. The incredible night scene with Ti Lung and Maggie Cheung going out on a date in the pouring rain, is one such scene - and one of many.

    The legendary Lau Kar Leung provides some crisp and powerful kung-fu fights, a lot of which is aided by wires, although not in a distracting way. The only let-down for me in this film was a couple of moments of over-cranking during action. It didn't need it, and while noticeable, did not ruin the action on-screen at the time as it was brief. Regardless, both Kwok and Ti Lung get to kick ass a number of times, and both look amazing doing it. Ti Lung's tea-house battle and fight for survival is a highlight, as is the epic finale with Kwok taking on everyone. Just brilliant!

    Wu Chien Lien, who had starred with Aaron in A Moment Of Romance 2 that same year, starts off as a pretty unlikeable girl but soon turns things around, taking a fancy to Aaron and becoming closer after the murder of her father, of which Kwok was a part off unknowingly...

    Fans of Sammo Hung's Blade Of Fury and Jet Li's Fong Sai Yuk movies will love The Bare-Footed Kid. With stunning fight sequences, romance, emotion and melodrama, you can't help but fall for it!

    Overall: Beautifully directed, funny, charming and action-packed, The Bare-Footed Kid is a modern classic and highly recommended!
    6ChungMo

    "The Barefoot Kid" - a good time but not exceptional

    Johnny To has recently become the critic's HK director to tout. He certainly has a stylistic flair for gangster movies but I am not familiar with his martial art films so this was a treat.

    In terms of story, the movie is certainly a throwback to the HK films of the seventies. An illiterate young man travels to a town to find the best friend of his recently deceased father. He wants to retrieve a prized possession of his father's that the friend is holding on to. He finds the man (Ti Lung) working at a cloth factory that's being harassed by the local crime boss. We meet the owner of the factory, a beautiful widow. The young man also meets a beautiful young woman who's a teacher so he decides to have her teach him how to spell his name. Of course the young man is thrust into the middle of a conflict.

    The story is played with a comic touch that carries the film for most of the way until the end which is quite serious. For me, what didn't work is how the exaggerated, wide angle, cartoony film technique was really unsuited for the end of the film. The action is very sped up during some tragic scenes. I started watching HK kung fu films during the end of the Shaw era and I've never warmed up to the kung fu film style of the 1990's. Too many cuts (move, move, cut, move, cut, punch, punch, cut) and too many sloppily composed action scenes. It seems every film had to have a scene with the hero running on the heads and shoulders of a crowd. IN Johnny To's defense, he seems to do an average of 4 films a year and that's not enough time to really make a great fight scene.

    If you like 90's style HK action, this is a good film. For aficionado's of classic Shaw, this might not be that exciting.
    Brucev-3

    explosive wireworks!

    Aaron Kwok is great as the Barefooted Kid. He is a great martial artist, but doesn't know the rules of life. This he will learn from his uncle and a very kind woman who gives him shelter. This uncle is played by Ti Lung, who is even a greater martial artist and has some great scenes where he shows his talents. The story is very melodramatic, which doesn't have to be annoying. I personally like melodrama at some occassions. But if you don't like melodrama you can skip to the action sequences because that is why this movie is made in the first place. The action sequences are divine to watch. They are far superior to the scenes shown in the Matrix. Which prooves, that digital effects are not needed to create explosive wireworks! If there is one typical HK martial arts movie you have to watch then it's this one.
    7DanTheMan2150AD

    The Shaw Brothers are dead, long may they live.

    A faithful, if a somewhat unusual tribute to the Shaw Brothers' golden age, The Bare-Footed Kid offers up a simple yet bittersweet narrative of redemption, a coming-of-age drama through a world of capitalism's corrupting influence, injected with a mixture of fresh faces and veteran Hong Kong performers. Johnnie To mixes in his patterned use of energetic camera movement and skilful with a slice of the 90s new-wave kung fu movement. There's a beautiful chemistry between Ti Lung and Maggie Cheung which adds an extra amount of sentimentality and depth to the film and a gorgeous use of colour sprinkled throughout. The action set pieces choreographed by the legendary Lau Kar-Leung more than deliver, it's ultimately the weak script and miscast lead where the film fails to connect with its punches, yet The Bare-Footed Kid sits within the realm of superb entertainment keeping the door open for more innovative Hong Kong action cinema and Johnnie To's eventual move to what he knows best...

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      Remake of Karato - Sein härtester Schlag (1975)

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    Details

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    • Erscheinungsdatum
      • 3. April 1993 (Hongkong)
    • Herkunftsland
      • Hongkong
    • Sprache
      • Kantonesisch
    • Auch bekannt als
      • The Bare-Footed Kid
    • Produktionsfirma
      • Cosmopolitan Film Productions
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    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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