Die Opfer von St. Vincent - Schrei nach Hilfe

I watched this film the other night after it was recommended to me by someone with whom I was discussing the film "Song For A Raggy Boy." To say I enjoyed the film would be totally inappropriate given the subject matter but it did grip me and hold my interest throughout it's full running.

What concerned me however was the amount of child nudity involved which I must admit I found disturbing and in all honesty far more than actually necessary. Am I the only one who felt this?

As a survivor of child abuse, I understand that my perspective on these things might vary from other member's views, but I could not help feel there was simply too much and when I compare the film to "Song For A Raggy Boy" I cannot help but question if all of the child nudity was needed.

Other than this one criticism, I thought the film was excellently produced and cleverly presented with extremely powerful performances from the leads.

Despite my previous comments I would recommend this film.

This movie is disturbing and hard to watch sometimes, but I suggest every parent who get the chance to see this movie to do it. Who are these sick people anyway? How can anyone do something like this to a little boy? That boy being thrown into the wall, whipped with a belt buckle and carried up the dark stairs is an image I will never forget. The kids give great performances, especially little Morina. Then you have Czerny as the head priest. Talk about perfect casting. A great performance. Will give you chills. If I didn't know any better, I'd say he was a child-molester, playing one so well. WATCH IT.

This is a difficult film to watch, made even more so because it is reportedly based on fact. "The Boys of St. Vincent" is mature film making on an important subect, and should be widely seen. The "endictment' of institutional abusers may be extended to a wider sphere than that focused on in this film. The public needs to be aware of such situations, so it can act (and vote) more responsibly. This is a superior production, with astonishing performances by the youthful cast, and headed by a powerful Henry Czerny in the lead role.

In my opinion, this is the greatest Canadian film of all time and a true primer on Canadian cinema style. I originally saw this film as a teenager when it premiered on Canadian television in 1992 in two parts, one part on Sunday and one part on Monday. The film should be viewed in this manner, on separate days, to allow the emotions to seep in. Last year, I felt that I was ready to see the film again, and I watched it with my family. The indelible images returned, such as the raging Brother Lavin in the basement towards the end of the second hour. Please see this film.

This TV film in two episodes of approximately 90 minutes each is indeed a highly powerful drama of the first order. All the more so as there was no over the top interpretation; the carefully measured downplaying of intense moments throughout the entire film heightened the telling of the story to superb levels. My vote is a little above the IMDb voting average, and that in itself puts this production way up there among the best TV mini films of all time. Only a few European super-productions beat it - and not by much.

Firstly, the casting is superb. Nadia Rona has carried out an immense task as just simply every person in the film is exactly as he/she should be, right down to the minor characters. Even the photography echoed or parallelled the intentional downplaying of the drama unfolding, such that at no time is there any sense of ladelling on exaggerated scenes so as to artificially create a tense atmosphere: the simple acting and filming of each scene is magnificent.

All the actors stand out, even the secondary players, so perfect is the building of this Canadian production; from the boys right up through the priests, police inspector, investigating tribunal, archbishop, magistrate, and so on. Such that the telling of the story is at once gripping, you are rivetted to your seat, but fortunately with just enough breaks for commercials so as to let you get a beer from the fridge, light a cigarette, and think over the part you have just seen. Henry Czerny's reading of his part is magnificent; but in no way are other interpretations at all inferior: the whole cast is absolutely splendid. There is just simply no other way to describe the impact that the actors make on you. Supposedly based on real events in an orphanage in Newfoundland in the mid 70s, this film defies any attempts at being categorized as exaggerated for `popular consumption', precisely because the film was made so soberly, with such careful sensitivity, especially in the child abuse scenes, so magnificently photographed, that you accept the story as it is being told.

In case you should have any doubts: I myself can remember my unhappy years in a children's home in South London (U.K.) in the mid-fifties when I was about 10 - 11 years old. There was no sex abuse, true, but there were all other kinds of vexation and cruelty. If you still do not believe me I will willingly send you by e-mail the name of the "Home" and its address. It still exists today.

This TV film stops just a little short of being a masterpiece. When it ends you should rise to your feet and give it an ovation. Most definitely a courageous indictment, so exquisitely handled: otherwise it might well have been a disaster. `The Boys of St. Vincent' is most definitely one of the best TV films I have ever seen.