Helldance

I was given the chance in 2019 and sit down to watch three movies of the "Subspecies" franchise, which I did and watched them in rapid succession of one another.

First of all, I must admit to being so very thrilled and content with the fact that "Bloodstone: Subspecies II" is a direct and continuous sequel to the first "Subspecies" movie. By that I mean that this sequel picks up exactly where the first movie left the audience hanging. I enjoyed that tremendously, and it is rare that you actually see that done in movies.

I found "Bloodstone: Subspecies II" to be equally entertaining and the first "Subspecies" movie and subsequently also as the third movie in the franchise as I watched that directly after having finished "Bloodstone: Subspecies II".

The Radu character, once again portrayed by Anders Hove - and done so with so much grace and perfection I might add, is fleshed out, pardon the pun, in greater detail in this sequel. While the storyline is a continuation of the first movie, we still get a much more in-depth look into whom the Radu character is, what drives him and how he came to be as he is.

While these "Subspecies" are within the horror genre, they are not actually based on being scary or being able to make the audience cringe from gore and violence and jump out of their seats from a myriad of jump scares. No, this franchise is based on character development and a continuous plot and storyline. And that really carries the movies quite some way.

They definitely upped their game in terms of make-up and special effects in this 1993 sequel to the original 1991 "Subspecies" movie. And while it wasn't sorely needed, it made for a more enjoyable viewing of course.

I thoroughly enjoy the "Subspecies" franchise, and I find the Radu character to actually be the most memorable vampire character that I have seen throughout all the vampire movies I have watched over the past three decades give or take.

If you have not yet gotten acquainted with the "Subspecies" franchise and the long-fingered monstrous Radu character, I can definitely strongly recommend that you do so if you are given the chance.

This film picks up right where the first film left off. Brand new vampire Michelle must flee Castle Vladislas after the eternally slobbering Radu kills her lover, the Good Vampire Stefan (no great loss, really). Michelle has not gone away empty handed however; the life-giving Bloodstone is now in her possession, and Radu wants it back. Finding Michelle is no problem, but killing her (as he had originally intended) proves much more difficult as the hideous Radu decides he wants both the Bloodstone and Michelle for his own.

Denice Duff is quite good as the new Michelle here, stalking victims in humid European nightclubs with a seductive coldness, while at the same time desperately trying to deny the murderous impulses which disgust her. She is heartbroken without being whiny, tragic and lost but refusing to be anything other than what she has become. Her scene in the hotel is one of the best in the film, as she cries herself to sleep and then wakes up screaming as the full light of morning comes burning through her window, forcing her into the cold refuge of the shower stall where she is later discovered, presumed dead and carried off in a body bag, only to awaken at dusk in full panic once more.

New characters include Michelle's sister from America, responding to Michelle's desolate and panicked phone call. Joining her later are a young police detective and a Van Helsing-ish man who leads them to Castle Vladislas. Radu's "Mummy" is here as well, a cackling lawn gnome of a woman who is in desperate need of some Oil Of Olay. But Michelle and Radu always remain central, Radu disgusting in his cruelty and yet almost pathetic in his newfound love for the pretty Michelle; Michelle horrified and yet drawn to the ancient vampire who was responsible for making her what she is. Their relationship is most unique, a true Beauty and the Beast pair.

While not as Gothically creepy as the first Subspecies, Bloodstone is still a strong entry in the series, visually compelling and with a good, strong storyline to boot. All the actors are earnest and believable simply because (with the exception of the Immortal Michelle and her icy-white radiance) they are approachable looking, attractive without being blindingly so. And then there's Radu...

Radu is the main reason I am as big a fan of these films as I am. He is gross, manicure-impaired, ugly as all hell (literally!), and yet he's also aristocratic and cunning with a wicked sense of humor and an intelligence that has escaped most new vampires. He's not ashamed of who or what he is. He enjoys his cruelty, and his bloodlust and his eagerness to show Michelle the ropes is like the worlds most perverted Hallmark card. It's great! I said it before and I will say it again: Radu is what a vampire should be, and his presence makes these films totally enjoyable. 8 stars out of 10 for this one.

Michelle (Denice Duff) escapes the castle of Radu (Anders Hove) with the sacred bloodstone, which contains the blood of the saints. In Bucharest, she contacts her sister for help (Melanie Shatner), who flies in ASAP, but Radu has followed Michelle to the city, coveting the artifact and her.

"Bloodstone: Subspecies II" (1993) is the second of four films released between 1991-1998, not to mention a spinoff flick. A fifth installment finally surfaced in 2023. They're gothic horror in the modern-day similar to Dracula flicks, just with a different antagonist. "Subspecies," incidentally, was the first American film to be shot in Romania after the breakdown of the Iron Curtain, filmed in September-November, 1990. This one was shot in 1992. Romania, incidentally, was the sole country in Eastern Europe to overthrow its socialist government with violence.

"Bram Stoker's Dracula" was released the year between the first movie and this one. The difference is that Coppola's blockbuster had more money to work with and was shot in the studio in Los Angeles whereas these "Subspecies" flicks used actual ancient ruins, castles and woodland areas of Romania. In short, they're great Gothic flicks for authentic Carpathian atmosphere.

Like Coppola's movie, the tone is totally serious and the vampires are revolting. Radu is like a meshing of "Nosferatu" (1922/1979) mixed with Marvel's Morbius. He could've been the lead singer in a black metal band in the 90s. Speaking of metal, the band in the nightclub is 13 Ghosts and the two songs they play are "Death of Innocence" and "Beneath the Gravestone."

As far as the women go, Irina Movila stood out in the first movie as Mara, but she's absent here. As such, Denice Duff carries the story on the feminine front, replacing Laura Tate as Michelle from the 1991 film. There are a couple tasteful bits of nudity concerning Michelle, but no sleaze. Melanie Shatner, William's daughter, plays second fiddle to Denice, but she's strapped with an unappealing short haircut. Meanwhile Pamela Gordon as the grotesque "Mummy" is a creative touch.

The diminutive stop-motion creatures from the first movie only appear near the beginning.

Of the first two movies, I prefer the first, but this one is a quality continuation of the story, albeit very simple. Of course, simplicity is the composer's greatest tool.

The film runs 1 hour, 26 minutes, and was shot entirely in Romania, including Corvin Castle in Hunedoara and Bucharest.

GRADE: B-/B.

Terrible? No this is not terrible. Actually Subspecies 2 is the best of the 4, soon to be 5 films. This time Michelle the survivor of the weaker part 1 seeks the help of her sister to escape her stalker, vampire Radu. Good story, acting, and effects. ***1/2 out of *****.

From puppetmaster to Castle freak Fullmoon pictures collection of lowbudget horror films have graced or in some cases disgraced the screen for sometime. Yet even in Fullmoon's lamest efforts we see the attempt to achieve a certain level of low end quality. Sadly, they tend to fall short. But occationally they hit the bullseye. Such is the case with the solid series of vampire films, Subspecies.

As with most modern vampire flicks, Subspecies serves up the standard amounts of gore and undead erotica. What sets them apart from other lowbudget horror films is good acting, moody atmosphere and well defined charactors.

In the subspecies series we are treated to an interesting game of cat and mouse waged between two erstwhile vampires. Radu Vladislas, a cadaverous master bloodsucker and the object of his desire, the fetching fledgling Michelle Morgan.

After a pedestrian first outing subspecies 2 elevates the series with the addition of talented Denice Duff in the role of Michelle. She and well regarded Dutch actor Anders Hove who plays Radu share an excellent on screen chemistry.

Picking up where the original film left off we find Michelle fleeing castle Vladislas for the imagined saftey of Bucharest. Radu, with the aid of some slick, shadowy special effects, pursues. In Bucharest the two vie for possession of the bloodstone, a mystical artifact known to 'drip with the blood of saints'.

As events unfold, both Radu and Michelle acquire allies to aid them in their respective causes. It is through these secondary charactors interesting insight into Radu and Michelle is given.

In conversations with his 'mummy' we discover Radu to be nothing like the vile nightcreature we have come to know. He is more like a frightened child. Shunned by his family. Unable to mingle with normal humans due to his ghoulish appearance, Radu is lonely. He is terrified by the prospect of being alone throughout enternity. He needs Michelle as much for company as any sexual desires he may harbor.

In Michelle we find not the cringing co-ed from the first film. Miss Duff's interperetation reveals a fiercely determined young woman valiantly struggling against the bloodlust of Vampirism. Her mortality lost she opts for the next best thing. She plans to use the bloodstone for sustenance rather than attacking human beings. In this way she hopes to retain a semblence of her humanity.

Rarely has such depth been given to charactors in a film of this level.

The movie itself moves along at a steady pace ending in a satisfying cliffhanger climax. By the far the best of the subspecies series.