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Der Konzern

Originaltitel: Barbarians at the Gate
  • Fernsehfilm
  • 1993
  • 6
  • 1 Std. 47 Min.
IMDb-BEWERTUNG
7,2/10
3579
IHRE BEWERTUNG
Der Konzern (1993)
SatireBiographieDramaKomödieFinanzielles Drama

Füge eine Handlung in deiner Sprache hinzuPresident F. Ross Johnson of a major tobacco company decides to purchase the company himself, but a bidding war ensues as representatives from other companies make their own offers.President F. Ross Johnson of a major tobacco company decides to purchase the company himself, but a bidding war ensues as representatives from other companies make their own offers.President F. Ross Johnson of a major tobacco company decides to purchase the company himself, but a bidding war ensues as representatives from other companies make their own offers.

  • Regie
    • Glenn Jordan
  • Drehbuch
    • Bryan Burrough
    • John Helyar
    • Larry Gelbart
  • Hauptbesetzung
    • James Garner
    • Jonathan Pryce
    • Peter Riegert
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    3579
    IHRE BEWERTUNG
    • Regie
      • Glenn Jordan
    • Drehbuch
      • Bryan Burrough
      • John Helyar
      • Larry Gelbart
    • Hauptbesetzung
      • James Garner
      • Jonathan Pryce
      • Peter Riegert
    • 22Benutzerrezensionen
    • 4Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Primetime Emmy gewonnen
      • 8 Gewinne & 16 Nominierungen insgesamt

    Fotos14

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    Topbesetzung58

    Ändern
    James Garner
    James Garner
    • F. Ross Johnson
    Jonathan Pryce
    Jonathan Pryce
    • Henry Kravis
    Peter Riegert
    Peter Riegert
    • Peter Cohen
    Joanna Cassidy
    Joanna Cassidy
    • Linda Robinson
    Fred Thompson
    Fred Thompson
    • Jim Robinson
    • (as Fred Dalton Thompson)
    Leilani Sarelle
    Leilani Sarelle
    • Laurie Johnson
    Matt Clark
    Matt Clark
    • Edward A. Horrigan Jr.
    Jeffrey DeMunn
    Jeffrey DeMunn
    • H. John Greeniaus
    David Rasche
    David Rasche
    • Ted Forstmann
    Tom Aldredge
    Tom Aldredge
    • Charlie Hugel
    Graham Beckel
    Graham Beckel
    • Don Kelly
    Peter Dvorsky
    Peter Dvorsky
    • George Roberts
    Peter Frechette
    Peter Frechette
    • Robert Allegro
    Judy Altman
    • Robinson's Aide
    Bruce Beatty
    Bruce Beatty
    • Anthony the Pizza Man
    Raye Birk
    Raye Birk
    • Travis Gaines
    Julia Calderón
    • RJR Cleaning Woman
    • (as Julia Calderon)
    Ron Canada
    Ron Canada
    • Vernon Jordan
    • Regie
      • Glenn Jordan
    • Drehbuch
      • Bryan Burrough
      • John Helyar
      • Larry Gelbart
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen22

    7,23.5K
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    Empfohlene Bewertungen

    7rmax304823

    Come on, Fellas, cough it up!

    Can a made-for-TV movie about leveraged buy outs ("LBO"s) be funny? Yup.

    I haven't read the book but the teleplay by Gelbart is very amusing and sometimes hilarious. Be prepared for the profanity which generates some of the best laughs. "There should be a warning on every pack: Danger, these cigarettes will tear your b***s off."

    But it isn't just the swearing that makes this movie as funny as it is. The set ups are marvelously done. The initial big celebration held by RJR Nabisco features a character who suffers a cruel cough every time he tries to light his cigarette until Garner comes over and flicks open a lighter to help him.

    All the characters' roles are well written but I wish Fred Dalton Thompson had an expression other than his default -- as if he were watching his daughter marry a biker with a face tattoo. James Garner gets the palm, not just for his unforced and vulgar wit but for a breezy disregard for everything except his own wealth, exemplified in his fleet of jet airplanes with their private hangar. Garner keeps denigrating the pursuit of wealth for it's own sake -- "After all, how many sets of golf clubs can you be buried with?" -- but acts all the way through as if that were his one and only priority. In his own defense, he says indignantly, "I don't plan to be homeless -- or planeless either for that matter."

    There must have been enormous pressure on Gelbart and the others involved to turn this movie "serious" towards the end, to bring in cancer and emphysema, a sobbing victim, a military-industrial conspiracy to undermine the health of the proletariat, to expose big business for the angry, villainous, mean-spirited, duplicitous cretins that they are but, thank Bog, Gelbart resisted any tendency to make the movie "about something." He keeps the ending as ironic as the rest of the film.

    Poor Garner. He loses his job, "The first time I've been out of work since I was fourteen," he moans, and retires with a severance package amounting (after taxes) to only $23m. Close on a shot of a mansion in Palm Beach.
    9rc223

    A real find!

    I was delighted to stumble on this excellent TV movie late one night. Garner is great as the mega-rich company exec who comes unstuck when he tries to buy his own company. The financial shenanigans are well explained and there's genuine tension in the result. Based on a true story. It's like WALL STREET with laughs. [rating 9
    9Masterplan00

    Guilty pleasure of greed

    A story of greed, F. Ross Johnson's attempt to rid himself of troublesome shareholders who bug him with cries to curb his excessive management and lifestyle ignites a bidding war for ownership of RJR-Nabisco. Through sessions of number-crunching, men's room meetings, and personal loyalties and competitions, the fate of the company and those involved is decided and standards set for what will be allowed or punished by the captains of industry of the 1980's heyday.

    For a movie dealing with such despicable and probably in real life boring characters, the final product is delightful, entertaining, and almost educational. While the level of greed and excess is appalling, you can't help getting caught up in the wheeling and dealing and the competition, rooting for one side or the other while knowing you shouldn't like either one. The greedy CEO or the heartless junk-bond trader (Henry Kravis), take your pick and enjoy. No one is immune to the satire of the film, down to the trophy wives and their manicurists who know more about Wall Street than they do. Still, the comic tone is maintained; as much as you want to hate them, the film avoids moralizing, content just to ridicule and make the audience laugh.

    The attention to detail in the movie is simply brilliant. Whenever there is a TV screen or someone lighting a cigarette in the background, pay attention or you may miss a good laugh. It boasts clearly the best costumes of any Wall Street movie, from costume parties to Bush-Quayle hoedowns. Witty and satirical dialogue is accompanied by a well-chosen score. Details and incidents with little to do with the actual plot add to the entertainment value while not distracting from the story. Overall a great movie, funny and cool, makes you think a little: would you really want to be one of them?
    7reelreviewsandrecommendations

    The Brutal World of Business

    In 1989, investigative journalists Bryan Burrough and John Helyar released 'Barbarians At The Gate: The Fall of RJR Nabisco,' considered by many to be one of the finest books about business ever written. Detailing CEO F. Ross Johnson's attempts to buy out the rest of his shareholders after the failure of the new, smokeless Premier cigarette, the book is an engrossing, humorous peek into a cut-throat corporate world of greed and backstabbing. An instant bestseller moving at the pace of a spy-thriller, it is a fascinating true story that begged for screen treatment.

    Consequently, in 1993, HBO released a TV movie adaptation. 'Barbarians at the Gate,' directed by Glenn Jordan, faithfully retells the events of Burrough and Helyar's book, and is just as gripping as its source material. Larry Gelbart's screenplay makes the arcane language of business easily comprehensible, while ensuring the narrative maintains tension and momentum. It is also a funny film full of irony, satirising the ostentation of the 1980's and the rapaciousness of the money men of the time.

    Moreover, the dialogue- often taken directly from the book which was, in turn, taken from interviews with the real-life players involved- is delightfully vulgar and witty. There are many hilarious lines throughout, which one will recall long after the credits have rolled; nearly everything uttered during the sequence involving the Premier cigarette comes immediately to mind. Furthermore, the self-made millionaire Johnson makes for a compelling central character- though one not without faults.

    Johnson, although charismatic and likable, is essentially just as greedy as his rival, the calculated Henry Kravis, who is also trying to take control of the company. In some ways, he is worse, as he hides his ambition and avarice beneath good 'ol boy charm, claiming to be a man of the people while flying his dog around the country in a private jet. He's an interesting man of contradictions, whose attempts to turn a foul cigarette into a hit, and buy out RJR Nabisco, makes for an entertaining watch.

    On the technical side of things, the cinematography is nothing to write home about, leaning towards the conventional, in terms of set-ups, framing and angles. However, this lack of flashy stylizations compounds the realism of the narrative, which could be seen as a boon. Meanwhile, Richard Gibbs's overblown score is the musical equivalent of shoulder pads and spandex- so stereotypically 1980's it sounds like it was written for a 'Scarface' rip-off. On the other hand, Linda Pearl's production design is commendable, accurately recreating Johnson's opulent world.

    One of the most beloved actors of his generation, James Garner stars as Johnson, delivering a typically nuanced performance with his trademark ease. He never sets a foot wrong, making Johnson compelling despite his faults. Jonathan Pryce brings a cold detachment to the role of Kravis, which is chillingly effective, while Matt Clark shines as Johnson's friend and ally Edward A. Horrigan Jr. Additionally, Peter Riegert and Joanna Cassidy both do fine work as Peter Cohen and Linda Robinson, Johnson's business partners, while David Rasche nearly steals the show completely in the all-too-small part of Ted Forstmann.

    In short, Glenn Jordan's 'Barbarians at the Gate' is a masterful adaptation capturing the essence of its source material while providing a satirical look at the excesses of the 1980's. Its relevance today, in an era still marked by corporate greed and financial manoeuvring, makes it a timeless piece worth watching. Well-written and strongly acted, it is a portrait of the brutal world of business that lingers in the mind like the smell of a Premier cigarette.
    10ezlidblue-1

    Spot On!

    I don't know if there's been a more perfect made-for-TV movie than this one! If you've ever been involved in a corporate takeover, and I have, you know how perfect this film is. This was the largest corporate takeover in history at the time and the personalities involved are no different today than they were back then. In fact, many of them, particularly Henry Kravis, are still involved in this sort of thing. (I wouldn't want to have to go up against Kravis in a takeover, as few have ever won when KKR was in the mix.) One other reviewer said this film was the "zenith of greed" and it was in the '80s but this sort of greed is exactly what has led to the downfall of Wall Street here in the late-'2000s too! James Garner is perfect in this film, as he is in most anything he acts in, and he truly steals this film from the other actors. Jonathan Pryce is exactly what Henry Kravis is, conniving, brilliant and evil. What really makes this worth watching is the writing skill of Larry Gelbart - a real genius at verbal machinations of all sorts. My favorite line from the film is about the "healthy" cigarette and James Garner delivers! "This cigarette tastes like a turd!" - still cracks me up! If you haven't seen this film, please do sit back and enjoy a priceless bit of entertainment. If you haven't read the book, please find it and read it. Both the film and the book are worth every minute you will spend!

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    Handlung

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    • Wissenswertes
      A TV movie for the HBO network.
    • Patzer
      The film is set in 1988, but a post-1991 Chevrolet Caprice taxi is visible during a street scene.
    • Zitate

      1st Scientist: [talking about the smokeless Premier cigarette survey] Well of all the people we surveyed the results were just about uniform

      F. Ross Johnson: Uh huh.

      Edward A. Horrigan Jr.: They all said they tasted like shit.

      F. Ross Johnson: Like shit?

      2nd Scientist: Shit was the consensus, yes sir.

      F. Ross Johnson: They all said that? Nobody liked them?

      2nd Scientist: Fewer than 5%

      F. Ross Johnson: You said you heard the results were terrific.

      Edward A. Horrigan Jr.: There's nothing wrong with 5%, Ross, I'll take 5% of the smoking market any day of the week

      F. Ross Johnson: How much are we into right now?

      1st Scientist: Right now?

      F. Ross Johnson: To date, to here, to now?

      1st Scientist: Upwards of 350.

      F. Ross Johnson: We've spent 350 million dollars and we come up with a turd with a tip? God almighty, Ed! We poured enough technology in this project to send a cigarette to the moon and we come up with one that tastes like it took a dump?

      Edward A. Horrigan Jr.: We haven't even talked about the smell.

      F. Ross Johnson: Oh what did they say that was like? A fart?

      Edward A. Horrigan Jr.: Yep.

      F. Ross Johnson: Oh you're not serious! They really said that?

      2nd Scientist: We have an awful lot of fart figures.

      F. Ross Johnson: Tastes like shit and smells like a fart! Got ourselves a real winner here, it's one goddamn unique advertising slogan I'll give you that.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Point of No Return/CB4/Fire in the Sky/Barbarians at the Gate/Il Lardo Di Bambini (1993)
    • Soundtracks
      G-String
      Written and Performed by Elmer Sheffield

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    Details

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    • Erscheinungsdatum
      • 20. März 1993 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Barbarians at the Gate
    • Produktionsfirmen
      • HBO Films
      • Columbia Pictures Television
      • Rastar Pictures
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    Technische Daten

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    • Laufzeit
      • 1 Std. 47 Min.(107 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.33 : 1

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