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IMDbPro

BackBeat - Die Wahrheit über die Beatles

Originaltitel: Backbeat
  • 1994
  • 12
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
6,7/10
6876
IHRE BEWERTUNG
Stephen Dorff, Ian Hart, Gary Bakewell, Sheryl Lee, Chris O'Neill, and Scot Williams in BackBeat - Die Wahrheit über die Beatles (1994)
Theatrical Trailer from Gramercy Pictures
trailer wiedergeben0:31
1 Video
23 Fotos
BiographieDramaMusikRomanze

Eine Dramatisierung der Hamburger Phase der frühen Geschichte der Beatles.Eine Dramatisierung der Hamburger Phase der frühen Geschichte der Beatles.Eine Dramatisierung der Hamburger Phase der frühen Geschichte der Beatles.

  • Regie
    • Iain Softley
  • Drehbuch
    • Iain Softley
    • Michael Thomas
    • Stephen Ward
  • Hauptbesetzung
    • Stephen Dorff
    • Sheryl Lee
    • Ian Hart
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    6876
    IHRE BEWERTUNG
    • Regie
      • Iain Softley
    • Drehbuch
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Hauptbesetzung
      • Stephen Dorff
      • Sheryl Lee
      • Ian Hart
    • 31Benutzerrezensionen
    • 25Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 BAFTA Award gewonnen
      • 5 Gewinne & 4 Nominierungen insgesamt

    Videos1

    Backbeat
    Trailer 0:31
    Backbeat

    Fotos23

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    Topbesetzung36

    Ändern
    Stephen Dorff
    Stephen Dorff
    • Stuart Sutcliffe
    Sheryl Lee
    Sheryl Lee
    • Astrid Kirchherr
    Ian Hart
    Ian Hart
    • John Lennon
    Gary Bakewell
    Gary Bakewell
    • Paul McCartney
    Chris O'Neill
    • George Harrison
    Scot Williams
    Scot Williams
    • Pete Best
    Kai Wiesinger
    Kai Wiesinger
    • Klaus Voormann
    Jennifer Ehle
    Jennifer Ehle
    • Cynthia Powell
    Marcelle Duprey
    • Singer
    John White
    John White
    • Sailor 1
    Bernard Merrick
    • Sailor 2
    Nicolas Tennant
    • Sailor 3
    • (as Nicholas Tennant)
    Finola Geraghty
    • Model
    Rob Spendlove
    • Arthur Ballard
    Charlie Caine
    • Lord Woodbine
    Freda Kelly
    Freda Kelly
    • Mrs. Harrison
    Paul Humpoletz
    • Bruno Koschmider
    Christiana Uriarte
    • Groupie
    • Regie
      • Iain Softley
    • Drehbuch
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen31

    6,76.8K
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    Empfohlene Bewertungen

    mnkim

    A Flavour of early 60's pop music in the raw

    I won't attempt to cover the detail that so many others have simply to add. Sheryl plays Astrid very well, she implies the flavour of those early days of popular music very much in the raw. Not musically perfect or electronically sanitised but real thumping music for kids which they (and I was of that time albeit a little younger than the characters) loved. Remember there had been nothing like it before. Even Elvis's influence lacked the raw dark, smoky, sweaty feel of Hamburg, the Cavern Club and many venues that have disappeared from history. Astrid's art work through pictures captured the early feel of the Beatles and their lives/times like no other. When you look at those photos you can almost touch that slightly dangerous era.

    The various films about the Beatles early years all contribute varying flavours of that time without individually capturing the whole and I would recommend Beatles/film buffs to look up and watch all versions.

    Most of all the individuals.John was THE leader. Paul the workaholic perfectionist. George dedicated to improving his art while not taking any of it too seriously. Stuart doing his best for his friend John but inevitably his destiny (sadly abbreviated) was art. Pete was only transitional and Ringo who had already performed with them became an important factor. Tony Sheridan and others in Hamburg made important contributions and Brian Epstien was the final and very important cog.

    Enjoy all of the films.
    Quentin-12

    The Pre-Beatles Show

    Finally we see the side to the Beatles that no one really knew - what happened before and what they were before. Stephen Dorff gives off another simply brilliant performance as Stuart - the man who could have been but never cared enough he was "Just along for a few laughs". Being a Beatles fan I've always been interested in their personal lives and this movie gets more personal than any documentary or news reel could. As to how true the events are I'm not sure but it was a definitely enjoyable movie.
    dbdumonteil

    Prehistory

    This is an excellent depiction of the Beatles ' Hamburg days .But the movie real heroes are actually Sutcliffe,Lennon and Astrid.The movie was made some years after Goldman's infamous book and there are hints at an homosexual relation between John and Stu ("you're jealous of me!"Astrid would have said to John!) but the director does not insist and he finally depicts a true friendship.He pits Stu's down-to-earth world against Astrid's chic elitist intellectual one : they go to the pictures to see Melville's "Les enfants terribles" (actually a Cocteau story),and she seems to be very fond of the French culture:Cocteau,Sartre ,Edith Piaf ,Rimbaud,;and she was ahead of her time since fifteen years later,rock singer Patti Smith had the same idols.The scenarists also sketch a parallel between the Klaus Voorman/Astrid relationship and "les enfants terribles" Ian Hart is an excellent John Lennon,in turn cynical,violent,delicate,nasty,hateful;Gary Bakewell resembles Paul,but he is not given a single moment to shine ;as for Georges ,he is completely insignificant.The music is very exciting .Even when Stu (Dorff) sings his ditty in a gleeful croak ,it's rock and roll ! At the end of the movie,the dialog begins to ring false.Everybody acts as if the Beatles were to become huge ;at the time ,who could have predicted such a career?It's a rebuilding of history a posteriori.And if the final lines about Astrid,Stu and Klaus are useful,those about the Beatles are overkill:everybody knows that they were the biggest group of all time.

    A must for Beatles' fans anyway.
    8shinolah

    Pure garage raunch

    The film is a marvel. The only evidence of post-fame Beatles nostalgia that doesn't seek to cash-out. It is no less than a kick-ass rock n' roll film, with deft photography, powerful direction and an incredibly hard garage soundtrack. Recommended for fans of garage raunch and pre-invasion british blues.
    10lee_eisenberg

    A long, long time ago, in a country not too far away...

    I think that it's especially appropriate that "Backbeat" was released right after the 30th anniversary of the Beatles coming to America: everyone was remembering them, and then a really good movie shows their early days. Specifically, it focuses on when they went to Hamburg and met artsy photographer Astrid Kirchherr. I should identify that this movie is for mature audiences only: aside from the language and sex, it shows how John, Paul, George, Pete, and Stu got addicted to speed so that they could keep playing; as a result, they got little sleep and their eyes got all glassy as they laid awake.

    A really effective scene is right after Stu leaves the Beatles. Hoping to devote his life to art, he goes out and gets all drunk. Around this time, East Germany's government erects the Berlin Wall. Watching it on TV, Astrid and Klaus hold hands to be supportive of each other. When Stu sees this, he gets all violent. This scene - possibly more than any other in the movie - shows his mental breakdown.

    All in all, a great movie. We also see that they first met Ringo in Hamburg. I'm sure that we'll all be remembering "Backbeat" for years to come. Rock on, lads!

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    Romanze

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      As seen in the movie, The Beatles are given "uppers" pills so they can keep performing when they're getting tired. Also, as seen in the shot after John accepts the pills for the first time, The Beatles are performing "Long Tall Sally" like crazed maniacs with eyes bulging and sweating profusely. The reason for this is that the uppers were actually prescription-strength "speed" pills. According to all of The Beatles in various interviews (most prominently in the "Beatles Anthology" film and book), the band was forced to perform up to eight hours a night, far and away more than a band can possibly play given the normal fatigue that sets in from singing and playing. Whenever they grew tired, the bartenders or the waitresses would often give them (and other performers) uppers to keep them going. Because of this, and their horrible living conditions in the Kaiserkeller Club's back room, The Beatles were often sweaty, smelly, pale and shockingly thin (speed pills back then doubled as diet pills) because they rarely bathed, hardly ever washed their clothes or, more importantly, ate healthy meals. However, after Stuart Sutcliffe began dating Astrid Kirchherr, she would feed the band and wash their clothes and allow them access to her bathroom for bathing. All of The Beatles have said that Astrid, more or less, kept them alive and healthy.
    • Patzer
      The train carriage at Hamburg station has a date of 22.2.90 stenciled at the bottom. This will be the date of the last full service, 3 years before filming but 30 years after the action.
    • Zitate

      John Lennon: We're gonna be big Stu, we're gonna be too big for Liverpool, we're gonna be too big for Hamburg, we're gonna be too big for our own bloody good.

    • Crazy Credits
      At the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music."
    • Verbindungen
      Featured in Backbeat Band: Money, Version 1 (1994)
    • Soundtracks
      Good Golly Miss Molly
      Written & Composed by Robert 'Bumps' Blackwell & John Marascalco

      By kind permission of Prestige Music Ltd

    Top-Auswahl

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    FAQ26

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    Details

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    • Erscheinungsdatum
      • 14. April 1994 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Deutschland
    • Sprachen
      • Englisch
      • Deutsch
      • Französisch
      • Russisch
    • Auch bekannt als
      • Backbeat: el inicio
    • Drehorte
      • Cheney Road, London, England, Vereinigtes Königreich(German Gymnasium doubles as The Anchor pub)
    • Produktionsfirmen
      • Channel Four Films
      • Fortbeam
      • Polygram Filmed Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 2.392.589 $
    • Eröffnungswochenende in den USA und in Kanada
      • 126.740 $
      • 17. Apr. 1994
    • Weltweiter Bruttoertrag
      • 4.708.451 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 40 Min.(100 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Dolby SR
      • LC-Concept Digital Sound
    • Seitenverhältnis
      • 1.85 : 1

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