Anchoress

shot in B&W, but with a glaring brightness at times, "Anchoress" unravels a strange slice of life of a young woman who feels called to live in a cell of a church within sight of a statue of the Virgin. the Cult of Mary was strong in the medieval times (and i suppose it still continues today), and this and other bits of the medieval life bring some historical credibility to the screen.

but far from being a sort of documentary, there are surreal and mystical elements too, which i think should serve to appeal to a modern audience. this film has what i would consider an art-house feel, but it also bears a purity to the viewer, of a simple age where belief meant everything and proof is almost heretical.

whether a character has truly experienced a vision, or is a witch, or is holy,is never justly determined by the characters in their peasant lives, but is merely enforced by entrenched codes of social, religious, and other laws. to watch christine encounter each of these, to watch her life and her family be affected by the strangeness of the story and the rules of the age is captivating to behold.

i found this film to be beautiful, bizarre, with a wonderful cast, as faithful as possible to the historically-known experiences of folk in European middle ages (well, aside from the imaginative bits), comical, tragic, but entirely fascinating.

This film must be watched with a quiet spirit and a willingness to let go of well-organized, linear plot development. Those familiar with The Book of Margery Kempe will appreciate the spiritual struggle Anchoress represents as well as the more "feminine" approach to plot. The cinematography is exquisite as well as the acting.

I have not much to say about the movie, and I am not going to tell everyone what to think of the plot, for it isn't the best story I have seen, although it is not bad at all (!). But I decided on giving a small comment because I was very much impressed by the unbelievable photography. I myself am a filmstudent, and the special, exact and mysterious atmosphere that was given to this movie is something to be unbelievably jealous of. Apart from the light (and SHADOW) and the images, the sound is also adding to a movie very worth the effort of watching. Everything goes very slowly, taking the time to make every image just perfect. Wether you like the story or not, after seeing this movie you just HAVE to admit that it at least LOOKS and SOUNDS great!

This is a fascinating movie. With minimal dialogue it seems to speak volumes and give so much food for thought about life for women, peasants, communities and the church in medieval times and the tensions between these. Visually it is often very beautiful especially in its depiction of nature. It is slow moving as fitting the times but it is absorbing all the same. There are echoes of Joan of Arc among the themes. Toyah Wilcox, better known as a former pop star, gives a surprisingly strong performance. Natalie Morse is compelling in the lead role, and there are also strong performances from Christopher Ecclestone and Pete Postlethwaite.

"Anchoress" (English/Dutch): I've watched this one over and over. I don't own it yet, but I will. It is fascinating, beautiful, strange, and insightful. "Anchoress" takes place during the European Medieval period, when humans survived at the mud level. This story is about one young woman who tries to find comfort and beauty inside the church,

with the 'Mother Mary'...or at least a poorly made icon. She hasn't the capability of deciphering her motives, and soon offers herself to the church as an "Anchoress" - a person devoted to God, relinquishing all worldly connections, and being voluntarily cemented into a small crawl space of her church's wall (!) - for the rest of her life. Strange times, those...except we see that the priest considers this a good marketing move for the church (to have such an "attraction"). Yet, things don't go the way anyone predicted... "Anchoress" is shot in some of the most powerful black & white film I've ever seen (equal to Bergman or Lynch), has an incredibly sensitive sound track (not music) attuned to the daily life of Earth, and, a camera that loves to be thoughtful and intimate. Each shot is a composed, artful image worthy of Rembrandt. If Rembrandt had used a movie camera, with b/w film, this could've been one of his films. Despite, or because of, the near total lack of dialog, there are scenes you will never forget. This is a very grounded film, while being mystical at the same time. Perhaps that's part of the attraction. It deals with our dual urges to rise above daily life, yet revel in it at the same time. I understand more upon each viewing of "Anchoress".