In der Nähe des befreiten Planeten Bajor schützt die Raumstation Deep Space Nine der Föderation die Öffnung eines stabilen Wurmlochs zu der anderen Seite der Galaxie.In der Nähe des befreiten Planeten Bajor schützt die Raumstation Deep Space Nine der Föderation die Öffnung eines stabilen Wurmlochs zu der anderen Seite der Galaxie.In der Nähe des befreiten Planeten Bajor schützt die Raumstation Deep Space Nine der Föderation die Öffnung eines stabilen Wurmlochs zu der anderen Seite der Galaxie.
- 4 Primetime Emmys gewonnen
- 59 Gewinne & 116 Nominierungen insgesamt
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Disappointed by all those new shows and movies "re-imagining" the Star Trek-universe I put Deep Space Nine on my plate again: and what a relieve it is! Every time I watch one of those "old" Star Trek shows and movies I realize once again how bad (besides the work of the special effects department) the new ones are. DNS got everything I liked and still like about the good old ST-universe: interesting and charming character- and world-building, fine stories with sub- and "ueber"-plots. This is how Star Trek should be, everything else is nothing but bad ideas and bad composed scripts disguised by an overkill of special effects and action. Deep Space Nine - like a good wine grows stronger and tastes better with every decade past by.
Been watching the franchise series' in reverse order from a modern day standpoint comparison. Initially felt some of the characters in DS9 were a little irritating as some others have thought, but as it progressed through the series' I was found the character development to reverse my initial thoughts thankfully. Quark as a character is an example of this.
As like many others in the Star Trek, some of the storylines are derivative or overlapping of series. (no show is perfect) This is to be expected from a large number of episodes per season. Luckily there was a continuing narratives throughout to keep one engaged. The inclusion of the USS Defiant starship added another layer of interest, familiarity and diversity to plotlines.
On the whole, the premise of the series being based on a space station adds much-needed interest to an otherwise Starship-based franchises. The Next Generation, Voyager and Enterprise all share this narrative to varying degrees of success.
Onto re-watching The Next Generation after this. "Shut up, Wesley!"
As like many others in the Star Trek, some of the storylines are derivative or overlapping of series. (no show is perfect) This is to be expected from a large number of episodes per season. Luckily there was a continuing narratives throughout to keep one engaged. The inclusion of the USS Defiant starship added another layer of interest, familiarity and diversity to plotlines.
On the whole, the premise of the series being based on a space station adds much-needed interest to an otherwise Starship-based franchises. The Next Generation, Voyager and Enterprise all share this narrative to varying degrees of success.
Onto re-watching The Next Generation after this. "Shut up, Wesley!"
DS9 is more character-focused and has longer story arcs than any Star Trek series before it (and after it until Disco). Unlike Disco, which is sheer melodrama, DS9 manages to simultaneously be fun and challenge viewers with dark and thought-provoking content. It's a difficult balance to achieve, and the writing team deserves kudos.
The interactions between Odo and Quark, Bashir and Garak, and Sisko and Dax are the biggest highlights. Dukat is one of the greatest Star Trek antagonists ever, and is played masterfully by Marc Alaimo. All of the characters feel like real people, including the Bajorans, who are immensely frustrating with their religious doctrine and political pursuits.
Unlike other Trek series, it's hard to think of standout episodes of DS9 (except maybe "The Visitor"), but the series as a whole is very well done.
The interactions between Odo and Quark, Bashir and Garak, and Sisko and Dax are the biggest highlights. Dukat is one of the greatest Star Trek antagonists ever, and is played masterfully by Marc Alaimo. All of the characters feel like real people, including the Bajorans, who are immensely frustrating with their religious doctrine and political pursuits.
Unlike other Trek series, it's hard to think of standout episodes of DS9 (except maybe "The Visitor"), but the series as a whole is very well done.
I won't say much about "Deep Space Nine" other than that it is the most well written, off-beat, and truly suspenseful of the Star Trek series. It is the series for everyone else... those who don't enjoy happy Star Trek (ie- "Next Generation), weird Star Trek (ie- "The Original"), or dumb Star Trek (ie- "Voyager").
It has a much darker tone, with a story-line that, if anyone watched from the beginning of the story arc to what is on currently, could understand and enjoy. It doesn't have the traditional "We are the Champions and can solve any problem in an hour". It features low-life, people making mistakes in judgement, conflicts over spirituality, and a much more human and less superficial look at one of pop culture's little universes. It features war-torn individuals and petty conflicts over land. Problems with culture-clash, government conspiracy and corruption, etc... This list could go on and on.
The main thing that makes "Deep Space Nine" different is that it is a Star Trek series for folks who don't want a lot of technobabble (not that there isn't any) Star Trek, where problems just go away or perfect people on a perfect ship that always win. It makes it more interesting for the watcher, almost like reading a novel. Most people, especially non-Trek fans, who had watched the series from its conception or joined when the story arc began about 4 years ago will know what I mean when I say this is an untraditional type of Star Trek. And those who haven't, try it. It's definitely a move away from the stereotype most folks have about the Star Trek series (though of the other Star Treks, I can't say the same.)
It has a much darker tone, with a story-line that, if anyone watched from the beginning of the story arc to what is on currently, could understand and enjoy. It doesn't have the traditional "We are the Champions and can solve any problem in an hour". It features low-life, people making mistakes in judgement, conflicts over spirituality, and a much more human and less superficial look at one of pop culture's little universes. It features war-torn individuals and petty conflicts over land. Problems with culture-clash, government conspiracy and corruption, etc... This list could go on and on.
The main thing that makes "Deep Space Nine" different is that it is a Star Trek series for folks who don't want a lot of technobabble (not that there isn't any) Star Trek, where problems just go away or perfect people on a perfect ship that always win. It makes it more interesting for the watcher, almost like reading a novel. Most people, especially non-Trek fans, who had watched the series from its conception or joined when the story arc began about 4 years ago will know what I mean when I say this is an untraditional type of Star Trek. And those who haven't, try it. It's definitely a move away from the stereotype most folks have about the Star Trek series (though of the other Star Treks, I can't say the same.)
This is easily the best of all the Star Trek series. The characters are likable, and develop well over time. Of course it helps that many of the characters are warm and funny and very well fleshed out. Quark is a favourite of mine, always funny and well acted. The story itself is great, and really picks up in season 4. Having a plot that develops throughout rather than just stand-alone stories like many of the Next Generation episodes helps it a lot. The Religion v Science aspects are an interesting addition to a science-fiction show. Ideas created in TNG are carried forward and developed, such as the Trills, while in TNG they simply move their personality to a new body in this the idea is taken further and the personalities are merged, making the race much more interesting. One of the great aspects of the show is the relationships between the characters. O'Brian and Julian seem like genuine friends, Odo and Quark and their rivalry, and the on going feud of Sisko and Gul Dukat, the two commanders of the Station. The series created some genuinely good characters. Sisko, the Federation Officer torn between duty and destiny. Garak, the traitor with decidedly dark past, and Gul Dukat, a truly great villain. The series succeeds with a grand plot, paints a wider picture of the Star Trek Universe, and would make for some great feature films.
Stellar Photos From the "Star Trek" TV Universe
Stellar Photos From the "Star Trek" TV Universe
We've rounded up some of our favorite photos from across the "Star Trek" TV universe. Take a look at memorable moments from red carpet premieres and classic episodes.
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- WissenswertesKira was a last-minute addition to the cast. The original plan was to include the Raumschiff Enterprise: Das nächste Jahrhundert (1987) character of Ro Laren, but Michelle Forbes didn't want to do a series at the time.
- PatzerIn the first three seasons, CDR Sisko refers to his father in the past tense, even talking about his slow demise and death from some unknown ailment. But starting in the fourth season ("Homefront"), Joseph Sisko is alive and well running a restaurant in New Orleans. Joseph appears in a total of six episodes throughout the last 4 seasons.
- Crazy CreditsThe opening credits for "Emissary" lacked the wormhole opening that all future episodes featured. Starting with Season 4, the opening credits included additional spacecraft and activity around the station, including the Defiant flying into the wormhole.
- Alternative VersionenSeveral episodes were originally shown as 2-hour movies. They were later edited into two-part 60 minute episodes for later airings.
- VerbindungenEdited into Star Trek: Raumschiff Voyager: Unity (1997)
- SoundtracksStar Trek: Deep Space Nine - Main Title
Written by Dennis McCarthy
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