Wind

The film student in me appreciates this movie, the sailor in me loves it. A classic among the sailing community, it is beautifully shot, and tells a convincing fable about the costs of blind ambition and the value of redemption. The main

character, Will Parker, is loosely based on Dennis Connor and his performance at the 1983 and 1987 America's Cups. One of the few movies about sailboat

racing, does turn heavy-handed at some points, but overall is an appreciable, tightly made film with high production values. I would recommend it.

This is a great movie for people into sailing. Has some really spectacular shots. Has the best racing shots I have ever seen. The best thing about the whole movie is the score by BASIL POLEDOURIS. He has done it again another masterpiece.

It's a great movie for those who like and enjoy sailing. The nautical vocabulary is used but there's nothing too complicated about it. It's filled with beautiful images of sailing boats and of the America's Cup. Check on it and I doubt you'll regret.

One thing is for certain - you will either hate this film, especially if you can't stand the sea, boats and wind, or, if you like any of these, especially if you like _all_ of them, you will love it. Admittedly it has a simple, proven plot, gives short shrift to the history of the America's Cup and features a rather non-describt cast - but the film does have superior and imaginative cinematography, impeccable editing and a marvelous soundtrack, as well as a slow, but steady build-up of drama. To my knowledge there is no other film that even comes as close as this movie to capture the feeling, tension and athmosphere of offshore competitive racing. It deals with an unconventional, off-beat setting and theme - go, see/rent/buy it if you can stand that.............

Under anyone else's direction, "Wind" would be mediocre at best. Caroll Ballard of "Never Cry Wolf" helmed this fictional tale of the race for the America's Cup, and it shows. The level of acting is mixed: Modine is wooden, but the supporting cast doesn't get the exposure it deserves, especially Skarsgard. The plot is somewhat sports-movie predictable, and the characters are, for the most part, poorly executed, though most blame for that probably belongs to the dreadfully scripted dialogue. The movie's real strength is in its stunningly beautiful cinematography, full of seemingly impossible camera angles, well-crafted scene composition, and wonderful use of color and shadows; in places, it is as visually appealing as "2001". Ballard's direction is superb, and Poleodorus' score matches the camera work in excellence. Non-sailors will enjoy this film, and will be able to follow the intricacies of high-level yacht racing. Sailors will drool over this glorification of sailing's beauty.