Singles - Gemeinsam einsam

What I liked most about Singles was that many of the characters you could identify with. Its not often in a film where you can look at characters and think - I know someone like that. Its actually very accurate in the way it depicts the attitudes of twenty somethings who have been through a series of less than successful relationships. There are some great, and very funny scenes in this film, and the actors all put in great performances. Setting it in Seattle- the home of the Grunge band was a fantastic idea as well.

This was a 90's version of all those high school films in the 80's some of us are old enough to remember.

We deliberately date the film and tap into the grunge era of Seattle. When done on purpose....it can be done very well. This was.

We see the baggy shorts and layered flannel on the guys, the leggings and quirky hats on the girls, and the disheveled hair on both. But funnily enough, this flick was in production BEFORE that scene took off. As a result what seemed like cashing in was actually foresight.

The relationships unfolding in the apartment complex were done realistically and the scenes involving the band will be enjoyed by anyone into that era's music. And Campbell Scott almost steals this film. His idea for the city was actually a good one.

And yes that is 3 members of Pearl Jam as Matt Dillons backup band. And see if you can spot Chris "Soundgarden" Cornell coming out to watch Matt show off his new car speakers.

So 90's. But very enjoyable.

Cameron Crowe is one of those directors that thrive on making the little moments in movies the most memorable ones you'll ever see in your life. In 'Almost Famous,' it was when everyone on the Stillwater tour bus was singing along to "Tiny Dancer." In 'Say Anything...' it was when Lloyd was driving around and proclaimed how his heart was exchanged for Diane's pen. Crowe also creates many memorable little moments in 'Singles,' which may not be the most famous movie he's made but it's one of the best.

Even though 'Singles' is about twenty-somethings in Seattle, everything rang true to me as I am now, a teenager. The film is honest and real in how couples become couples and how relationships can fall apart. 'Singles' isn't at all mean-spirited or depressing in its portrayal of relationships or the dating game, so it might turn some people off who want to see the extremely ugly confrontations (a la 'Closer'). But the moments in 'Singles' that make it worth watching are when Linda (Kyra Sedgewick) gets to know Steve (Campbell Scott) while going through his record collection in his apartment. Or when Janet (Bridget Fonda) sneezes and gets a "bless you" from someone she (and the audience) would least expect.

Everything about 'Singles' is great. The cast, the music and the truth behind the movie will bring a smile to your face.

1st watched 11/14/2004 - 7 out of 10(Dir-Cameron Crowe): Cute, funny and sincere attempt to chronicle a singles life in the 90's in Seattle. What I liked about this movie is that all the single people know that they need "someone", which is the constant struggle that goes on in their lives, but finding that "someone" isn't as easy as we think it would be. This movie does a good job of showing this. It is well-written, funny, played out well by the stars and has a nice soundtrack to fill in the voids.

It's about "people" and it has a style like a chronicled life where the characters every once in a while talk to the camera as if their lives are being documented. Excellent effort by Crowe and his crew to bring this segment of society into view for all of us.

SINGLES is a charming, romantic movie and one of Cameron Crowe's best.

An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.

More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.

Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.

Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.