IMDb-BEWERTUNG
6,7/10
34.508
IHRE BEWERTUNG
Eine Gruppe von Freunden in den Zwanzigern sucht im Seattle der Grunge-Ära nach Liebe und Erfolg.Eine Gruppe von Freunden in den Zwanzigern sucht im Seattle der Grunge-Ära nach Liebe und Erfolg.Eine Gruppe von Freunden in den Zwanzigern sucht im Seattle der Grunge-Ära nach Liebe und Erfolg.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Jim True-Frost
- David Bailey
- (as Jim True)
James Le Gros
- Andy
- (as James LeGros)
Christopher Masterson
- Steve at 10
- (as Christopher Kennedy Masterson)
Empfohlene Bewertungen
If you lived it, you love it. If not, you try to appreciate and judge if not willing. This captures the magic of a time and a city, and mostly the magic that Nirvana brought forth.
Having lived in Seattle during the years of my life most of the characters are in this movie, I was able to relate to this movie. Anyone who has lived in an apartment complex where people have dated and known a bit too much about each other can appreciate this film. The cameo appearances of members of pearl jam and xavier mcdaniel were a great touch.
The viewer is left with what I could call a warm feeling much like watching the sun set on a day towards the end of summer. Contemplation of all the good and bad that may have occurred in the last few months..
Maybe that's a bit too abstract, but if this movie gets you there then fine.
And yes, the sun does shine sometimes in Seattle!
The viewer is left with what I could call a warm feeling much like watching the sun set on a day towards the end of summer. Contemplation of all the good and bad that may have occurred in the last few months..
Maybe that's a bit too abstract, but if this movie gets you there then fine.
And yes, the sun does shine sometimes in Seattle!
SINGLES is a charming, romantic movie and one of Cameron Crowe's best.
An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.
More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.
Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.
Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.
An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.
More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.
Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.
Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.
Love. Sex. Friendship. Companionship. These are the themes obviously explored in Cameron Crowe's early movie Singles, which revolve around the love lives of singles (naturally) living in a common apartment. We follow each of the protagonist Steve (Campbell Scott), Janet (Bridget Fonda), Cliff (Matt Dillon) and Linda (Kyra Sedgwick) through their ups and downs in dealing with the weird little emotion called Love.
Well, not quite. As we know early in the film, each have problems and their own peculiar viewpoints on the dating scene. We see Linda meeting and breaking up with a Spanish student she was so into, after seeing through his lies and sweet talk. It hurts, and she doesn't want to be hurt again. Steve too have had a bad experience, and (I can identify with this) swears off relationships for the next few years, deciding instead to focus on career. As Fate would have had it, these two will meet at the unlikeliest places and get into a relationship.
Cliff, an aspiring rocker, seemed to have taken his girlfriend Janet, for granted. And I think this is something that most people can identify with. When efforts go unappreciated, or when things go mundane, the question is, do you want to bail out? And when you do, what next? Would you give the ex another chance? If you do, how would you approach it? It's fun watching a movie that was made 13 years ago, and you wonder about how the initiating and sustaining of a relationship back then happened without technology which we are so used to these days. Back then, a mobile phone was a cordless one, and there is no such thing as an instant message, but an answering machine. Where Speed Dating was unheard of, but Video Dating was the rage (check out the funny Tim Burton cameo).
You wonder too about the career of the leads. Campbell Scott was noticed by many after his pairing with Julia Roberts in the movie Dying Young, but after this, seemed to have vanished into obscurity. And so has Kyra Sedgwick. Only Matt Dillon and Bridget Fonda are still around, somewhere.
Oh, the music. Peppered throughout the movie is the wonderful musical tracks that always seem to punctuate a particular moment succinctly. I like Tarantino and Crowe movies because music plays an integral part of the entire experience, and Singles too had excellent ballads blended with grunge rock, say, Pearl Jam (before they made it huge), which also made an appearance.
It's a beautiful, quirky little movie with excellent identifiable dialogue, music, humour, and a younger cast of stars whom we know today, thrown into situations that everyone in love would have experienced.
Well, not quite. As we know early in the film, each have problems and their own peculiar viewpoints on the dating scene. We see Linda meeting and breaking up with a Spanish student she was so into, after seeing through his lies and sweet talk. It hurts, and she doesn't want to be hurt again. Steve too have had a bad experience, and (I can identify with this) swears off relationships for the next few years, deciding instead to focus on career. As Fate would have had it, these two will meet at the unlikeliest places and get into a relationship.
Cliff, an aspiring rocker, seemed to have taken his girlfriend Janet, for granted. And I think this is something that most people can identify with. When efforts go unappreciated, or when things go mundane, the question is, do you want to bail out? And when you do, what next? Would you give the ex another chance? If you do, how would you approach it? It's fun watching a movie that was made 13 years ago, and you wonder about how the initiating and sustaining of a relationship back then happened without technology which we are so used to these days. Back then, a mobile phone was a cordless one, and there is no such thing as an instant message, but an answering machine. Where Speed Dating was unheard of, but Video Dating was the rage (check out the funny Tim Burton cameo).
You wonder too about the career of the leads. Campbell Scott was noticed by many after his pairing with Julia Roberts in the movie Dying Young, but after this, seemed to have vanished into obscurity. And so has Kyra Sedgwick. Only Matt Dillon and Bridget Fonda are still around, somewhere.
Oh, the music. Peppered throughout the movie is the wonderful musical tracks that always seem to punctuate a particular moment succinctly. I like Tarantino and Crowe movies because music plays an integral part of the entire experience, and Singles too had excellent ballads blended with grunge rock, say, Pearl Jam (before they made it huge), which also made an appearance.
It's a beautiful, quirky little movie with excellent identifiable dialogue, music, humour, and a younger cast of stars whom we know today, thrown into situations that everyone in love would have experienced.
This was a 90's version of all those high school films in the 80's some of us are old enough to remember.
We deliberately date the film and tap into the grunge era of Seattle. When done on purpose....it can be done very well. This was.
We see the baggy shorts and layered flannel on the guys, the leggings and quirky hats on the girls, and the disheveled hair on both. But funnily enough, this flick was in production BEFORE that scene took off. As a result what seemed like cashing in was actually foresight.
The relationships unfolding in the apartment complex were done realistically and the scenes involving the band will be enjoyed by anyone into that era's music. And Campbell Scott almost steals this film. His idea for the city was actually a good one.
And yes that is 3 members of Pearl Jam as Matt Dillons backup band. And see if you can spot Chris "Soundgarden" Cornell coming out to watch Matt show off his new car speakers.
So 90's. But very enjoyable.
We deliberately date the film and tap into the grunge era of Seattle. When done on purpose....it can be done very well. This was.
We see the baggy shorts and layered flannel on the guys, the leggings and quirky hats on the girls, and the disheveled hair on both. But funnily enough, this flick was in production BEFORE that scene took off. As a result what seemed like cashing in was actually foresight.
The relationships unfolding in the apartment complex were done realistically and the scenes involving the band will be enjoyed by anyone into that era's music. And Campbell Scott almost steals this film. His idea for the city was actually a good one.
And yes that is 3 members of Pearl Jam as Matt Dillons backup band. And see if you can spot Chris "Soundgarden" Cornell coming out to watch Matt show off his new car speakers.
So 90's. But very enjoyable.
Wusstest du schon
- WissenswertesBased on a script that Cameron Crowe originally wrote in 1984, which took place in Phoenix, Arizona. After Andrew Wood, the lead singer of Seattle bands Malfunkshun and Mother Love Bone, died of a drug overdose in March 1990, Crowe noticed the music community in Seattle coming together to process the loss. He rewrote his script with the incident in mind, changing its setting to Seattle, which had been the location of his previous movie, Teen Lover (1989), which featured a song from Mother Love Bone in the soundtrack, "Chloe Dancer/Crown of Thorns" - the same song is on the 'Singles' soundtrack.
- PatzerDebbie's frantic bike ride on her video date has her darting all over the city. She starts at the first restaurant at the end of lake union. To get to the second restaurant on first avenue downtown, she circles all the way around to Waterfront park on the Sound. After leaving the second restaurant, she crosses a draw bridge over the ship canal, only to suddenly end up back downtown near post alley and first avenue (where she just left the second restaurant). After getting a flat tire, she finally walks all the way home to the apartment on Capitol Hill (nearly 2 miles away).
- Zitate
Steve Dunne: I just happened to be nowhere near your neighborhood.
- Crazy CreditsOuttakes after credits on video version
- Alternative VersionenThe Blu-ray has the 2003 Warner Bros. Pictures logo at the beginning of the movie. The YouTube version retains the plaster but also included its accompanying fanfare which in-turn cut the first few seconds of the song "Waiting for Somebody".
- VerbindungenFeatured in Paul Westerberg: Dyslexic Heart (1992)
- SoundtracksWaiting for Somebody
Written and Produced by Paul Westerberg
Performed by Paul Westerberg
Courtesy of Sire Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Vida de solteros
- Drehorte
- 1820 E. Thomas St, Seattle, Washington, USA(The apartment building where Cliff, Janet, Steve, and Debbie live.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 18.471.850 $
- Eröffnungswochenende in den USA und in Kanada
- 4.184.875 $
- 20. Sept. 1992
- Weltweiter Bruttoertrag
- 18.471.850 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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