IMDb-BEWERTUNG
4,4/10
1462
IHRE BEWERTUNG
Die Bürger von Comet Valley werden von den Samen einer außerirdischen Pflanze befallen, die dort Wurzeln geschlagen hat. Ein Sheriff untersucht die seltsamen Vorgänge.Die Bürger von Comet Valley werden von den Samen einer außerirdischen Pflanze befallen, die dort Wurzeln geschlagen hat. Ein Sheriff untersucht die seltsamen Vorgänge.Die Bürger von Comet Valley werden von den Samen einer außerirdischen Pflanze befallen, die dort Wurzeln geschlagen hat. Ein Sheriff untersucht die seltsamen Vorgänge.
- Regie
- Drehbuch
- Hauptbesetzung
Debbie Lee Carrington
- Tumbler
- (as Debbie Carrington)
Michael Gregory
- Agent Weems
- (Nicht genannt)
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Have seen the trailer for this low budget horror I thought that it could deliver some goodies but sadly it doesn't. If you want to watch this boring flick just watch the trailer and you will have seen the best.
The people from Comet Valley, what's in a name, are under attack of some seeds growing in the forest. The first attack of the eggs looked promising, it was slimy and looked good. the second attack was also rather good with things flying out of the eggs and were sticking on faces. But from there the story becomes rather cheesy and annoying. There's not that much going on from then except some creatures being shown. They didn't look that good and were a bit laughable when rolling around in the forest but after 50 minutes into Seedpeople there was a bell ringing. This is a pure rip-off of Invasion Of The Body Snatchers (1956).
If you are into science-fictions from the fifties, sixties then this is your thing but people by know knew that that particular era is for me a not done. There's almost no blood to spot, and just have a look at a close-up of some teeth, pure rubber.
And for the geeks John Carl Buechler famous for his special effects did the second unit but under the name Doris Carloff and was also responsible for the creatures.
The further it goes the more it looks like Invasion Of The Body Snatchers. And yes, it got an open ending...
Gore 0/5 Nudity 0/5 Effects 2/5 Story 2/5 Comedy 0/5
The people from Comet Valley, what's in a name, are under attack of some seeds growing in the forest. The first attack of the eggs looked promising, it was slimy and looked good. the second attack was also rather good with things flying out of the eggs and were sticking on faces. But from there the story becomes rather cheesy and annoying. There's not that much going on from then except some creatures being shown. They didn't look that good and were a bit laughable when rolling around in the forest but after 50 minutes into Seedpeople there was a bell ringing. This is a pure rip-off of Invasion Of The Body Snatchers (1956).
If you are into science-fictions from the fifties, sixties then this is your thing but people by know knew that that particular era is for me a not done. There's almost no blood to spot, and just have a look at a close-up of some teeth, pure rubber.
And for the geeks John Carl Buechler famous for his special effects did the second unit but under the name Doris Carloff and was also responsible for the creatures.
The further it goes the more it looks like Invasion Of The Body Snatchers. And yes, it got an open ending...
Gore 0/5 Nudity 0/5 Effects 2/5 Story 2/5 Comedy 0/5
Full Moon's 'Seedpeople' is a little composed late-night b-grade feature in the blatant frame of 'Invasion of the Body Snatchers', which does a lukewarm job with its by-the-numbers matter. It's beyond silly nonsense, but it has a likable charm and some spirit to it. Its starts off with a well-worn narrative of a survivor, geologist Tom Bains retelling the circumstances that led him to where he is now. In a small town known as Comet Valley, Bains comes in to investigate a possible meteorite from the past which had landed somewhere in the area. As soon as he gets there, people begin to act strangely and the town is soon under threat from outer space plants that arrived in the form of seeds. Their plans to pollinate humans can only be stopped by Bains and the town's crazy doc resident.
Harmless entertainment that doesn't waste much time, despite some stop and go passages involving minor side-dramas and stupid actions. Simple staples make their way into this slight premise (penned by Charles Band and Jackson Barr), as it's going for the light-weight paranoid creature features that filled the 1950s'. Sure the paranoia, suspense and attempts in cementing a gloomy air kind of falls flat with one of those endings, but it milks out a zippy attitude (due to Peter Manoogian's loose direction) and in the scheme of things uses the rural locations rather well. The goofy rubber special effects are a fair achievement, which are thrown around without a care to the world and the performances are nothing more than decent with the likes of Sam Hennnings, Bernard Kates, Andrea Roth and Dane Witherspoon. And hey there's no denying it contains some very convincing seed people acting gee were they acting?
If you have an interest in Full Moon go ahead and if not, it won't make any difference. Acceptable low-scale fun by Full Moon.
Harmless entertainment that doesn't waste much time, despite some stop and go passages involving minor side-dramas and stupid actions. Simple staples make their way into this slight premise (penned by Charles Band and Jackson Barr), as it's going for the light-weight paranoid creature features that filled the 1950s'. Sure the paranoia, suspense and attempts in cementing a gloomy air kind of falls flat with one of those endings, but it milks out a zippy attitude (due to Peter Manoogian's loose direction) and in the scheme of things uses the rural locations rather well. The goofy rubber special effects are a fair achievement, which are thrown around without a care to the world and the performances are nothing more than decent with the likes of Sam Hennnings, Bernard Kates, Andrea Roth and Dane Witherspoon. And hey there's no denying it contains some very convincing seed people acting gee were they acting?
If you have an interest in Full Moon go ahead and if not, it won't make any difference. Acceptable low-scale fun by Full Moon.
Have you ever seen that old black and white 'Invasion of the Bodysnatchers' film? That was a classic. Or did you watch the seventies remake? That was cool, too. Or, perhaps you've seen one of the numerous clones where aliens start replacing humans with identical copies? Well... if you've only seen one of those, I'm going to hazard a guess that any of them was better than 1992's 'Seed People.'
I've kind of already summed up what little plot there is. Aliens, in pod form, come to Earth and start replacing the humans in a small backwater American town with emotionless clones.
The story is kind of told in retrospect as the protagonist is hospitalised right at the beginning and recounting the events of the film to a Government official. Besides kind of giving away much of the ending right at the start, it kind of breaks the tension when it keeps returning to the 'present' at various times during the story.
There's really not much else to say. It has a real 'made for TV' feel - if you like this kind of science fiction then watch either the original 'Bodysnatchers' film or the seventies remake. In fact... even that one with Nicole Kidman and Daniel Craig is more worth your time than this.
I have to confess in actually quite liking the 'monster design,' but then I grew up with seventies and eighties 'Dr Who' so I have a soft spot for silly rubbery monsters that you can practically see the seams in the costume! Although it's hard to believe that 'special' effects can look this decidedly UNspecial a year after 'Terminator 2' with its genre-changing effects came out.
I've kind of already summed up what little plot there is. Aliens, in pod form, come to Earth and start replacing the humans in a small backwater American town with emotionless clones.
The story is kind of told in retrospect as the protagonist is hospitalised right at the beginning and recounting the events of the film to a Government official. Besides kind of giving away much of the ending right at the start, it kind of breaks the tension when it keeps returning to the 'present' at various times during the story.
There's really not much else to say. It has a real 'made for TV' feel - if you like this kind of science fiction then watch either the original 'Bodysnatchers' film or the seventies remake. In fact... even that one with Nicole Kidman and Daniel Craig is more worth your time than this.
I have to confess in actually quite liking the 'monster design,' but then I grew up with seventies and eighties 'Dr Who' so I have a soft spot for silly rubbery monsters that you can practically see the seams in the costume! Although it's hard to believe that 'special' effects can look this decidedly UNspecial a year after 'Terminator 2' with its genre-changing effects came out.
SEEDPEOPLE concerns the tiny town of Comet Valley, its citizenry, and those who start acting strangely. Tom Baines (Sam Hennings) is in town looking for meteorites, and to possibly rekindle an old flame with local innkeeper, Heidi Tucker (Andrea Roth). Baines has no idea that something is happening in the nearby apple orchard, involving a gigantic, alien plant, its nocturnal secretions, and the bizarre effects thereof. In short order, an invasion is underway!
Sort of a crackpot combination of INVASION OF THE BODY SNATCHERS and CRITTERS, this Charles Band / FULL MOON production is far better than it should be. Made entirely of cheeeze-corn, it still manages to be watchable, all the way to the "twist" ending...
Sort of a crackpot combination of INVASION OF THE BODY SNATCHERS and CRITTERS, this Charles Band / FULL MOON production is far better than it should be. Made entirely of cheeeze-corn, it still manages to be watchable, all the way to the "twist" ending...
Full Moon's "Seedpeople" (1992) dates back to the time producer Charles Band still had comfortable little budgets to play with. The largely derivative story takes place in the small town of Comet Valley, where the citizens are being taken over by the seeds of an alien plant-like lifeform. Special effects designer John Carl Buechler and his team amp up the material with enjoyable creature designs and director Peter Manoogian maintains a decent pace to the events. Young Canadian actress Andrea Roth ("The Club", 1994) manages to stand out between the cast. Needles to say things get more than a little silly, but at least this is a Full Moon quickie that remains a fun watch for not too demanding sci-fi/horror lovers.
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- WissenswertesTo get the effect of the creatures "tumbling" across the forest, fiberglass was wrapped in a netting and pulled behind remote control cars on strings.
- PatzerAlle Einträge enthalten Spoiler
- VerbindungenEdited into Full Moon Fantasy (1993)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Dark Forest - Aliens des Grauens
- Drehorte
- Paramount Ranch - 2813 Cornell Road, Agoura, Kalifornien, USA(A few nighttime outdoor scenes)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 21 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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