Scanners III: The Takeover

A young female scanner turns from a sweet young thing into a murderous, power-crazed villain after she takes an experimental drug developed by her father. Her brother, who is also a scanner, is the only one powerful enough to stop her.

We start out with the standard good and evil plot, brother against sister... but, in all fairness, this is a plot structure that works. From there, it actually gets much more creative, introducing the use of Eastern meditation to control the scanning and the use of TV to more widely broadcast scanning.

Some memorable moments are here, too, including the mind-control dance scene, the Taiwanese boxing and plenty of firefights and explosions, including an arm that flies off.

As with "Scanners II", this definitely could have been a series, even more than the last film. The ideas developed here really set up a broader picture of good scanners against bad ones, and how such powers could be used not just on a combat level, but to actually infiltrate and dominate society. There is much potential.

Christian Duguay directed in 1991 "Scanners II: The New Order", that same year he directed a third part, "Scanners III: The Takeover". The second film was amazing but this third part is weak, some good acting and gore, interesting scenes but the film is not that good, the comedy used in some moments is stupid. The script could be better. "Scanners" and "Scanners II: The New Order" are great films, but "Scanners III: The Takeover" is not good but not that bad either.

Opening with a Christmas party in which a scanner shows off his powers with unexpectedly tragic results, this second sequel to David Cronenberg's 'Scanners' begins on a chilling note. Things only get more interesting as one of the party guests soon has to use her scanning abilities to fend off muggers, which results in massive headaches (having avoided scanning in so long) with a possible cure in an experimental nicotine patch style of sorts. After this promising start though, the plot soon derails as the patch as the side effect of turning her into a homicidal megalomaniac, similar to Raoul Max Trujillo in 'Scanners II'. Lead actress Liliana Komorowska manages to chew the scenery even more so than Trujillo though in such a wildly exaggerated performance that it is draining to watch. There are also a host of ill-defined supporting characters who inexplicably wear sunglasses all the time (to stop accidentally scanning??) and as she manages to control others through television sets, her powers end up more fantastical than pseudo-scientific as in the first two films. 'Scanners 3' does, however, deserve some points for presenting a more original plot than Part 2. There is also quite a bit of humour in the mix (forcing an obnoxious date to dance; waking up in a morgue) and the special effects are uniformly excellent, but this is a hard film to get excited about.

'Scanners 3: The Takeover' is actually a bit of a mini-epic. It doesn't have half the budget of the previous film and there are some off-the-wall, kooky performances from almost all of the characters but this is definitely the better – and by better, I mean camp fun - of the 2 films. The film begins with an introduction to Alex Monet, a brash Scanner that has reduced his abilities to a literal party trick. When he absent-mindedly kills his best friend at one such party, he decides, in an effort of contrition, to find a way to better hone his powers. This leads him to the Buddhist monasteries of Tibet. Meanwhile, his sister, Helena Monet, (who is the heir to the pharmaceutical company that is working on a 'cure' for the previously-described side effects of the scanning mutation) is experimenting with said drug, turning her into a power-hungry megalomaniac. Much as the original 'Scanners' introduced the ability to control computers, Helena attempts to control people by passing a 'scanner signal' through pre-recorded video. When Alex returns, it is a cat and mouse game pitting brother against sister.

There is no doubt in my mind that the spark that inspired these follow-ups was the singularly iconic exploding head from the original and these sequels do not let down. There is a surplus of gooey gore and a sense that each death is an attempt to outdo the last. If you're after the headier (no pun intended) aspirations of Cronenberg, you are bound to be disappointed with these. If you are hoping to see fountains of blood spewing from the skulls of random characters, this is the place.

During the Christmas party in her apartment, Joyce Stone (Valérie Valois) welcomes the stepbrothers Helena Monet (Liliana Komorowska) and Alex Monet (Steve Parrish), who is her boyfriend. Alex's best friend asks him to demonstrate his abilities of scanner and during his demonstration, Alex is distracted by a guest and accidentally kills his friend. Alex is considered non-guilty but decides to travel to a monastery in Thailand to learn to control his powers.

Two years later, Joyce and Helena are attacked by a gang in an alley and Helena activates her ability of scanner to save them. She has a severe migraine associated to the sound of voices and her stepfather Elton Monet (Colin Fox) shows an experimental EPH-3 patch that he is developing in his company to be used in scanners. Helena offers to be the guinea pig, but he does not accept the offer since he is still studying the side effects. During the night, Helena opens his wallet and secretly uses the EPH-3. Immediately her migraine disappears and she feels good; however her personality changes to an evil person. She humiliates her boss Mark Dragon (Peter Wright), who is the owner of the TV network where she works, and later she destroys him to assume the control of the television; she kills Elton to assume the control of his company and research; she kills Dr. Baumann (Harry Hill), who conducted painful experiments on her when she was a teenager. Meanwhile Alex's lawyer and friend Michael (Daniel Pilon) travels to Thailand to warn Alex about the changes in Helena but he is murdered by a scanner sent by Helena to follow him. The Monk (Sith Sekae) gives a final training to Alex and he returns home. Will Alex succeed to control Helena?

"Scanners III: The Takeover" is not a bad movie as indicated in the IMDb Users Rating; actually it is a good sequel of Scanners. The plot is well constructed through a tight screenplay; the story has a great villain; the acting is reasonable for a movie directly released on video. The transformation of a sweet woman into a powerful villain is a great idea and there is also humor, like when the gang is thrown into the garbage truck or her boss dancing in the restaurant; or Alex waking up and walking in the morgue. My vote is six.

Title (Brazil): "Scanners III - O Duelo Final ("Scanners III: The Final Duel")