IMDb-BEWERTUNG
6,8/10
42.826
IHRE BEWERTUNG
Eine Gruppe von Skinheads wird alarmiert, wie sich ihre Nachbarschaft verändert.Eine Gruppe von Skinheads wird alarmiert, wie sich ihre Nachbarschaft verändert.Eine Gruppe von Skinheads wird alarmiert, wie sich ihre Nachbarschaft verändert.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 7 Nominierungen insgesamt
Chris McLean
- Luke
- (as Christopher McLean)
Tony Le Nguyen
- Tiger
- (as Tony Lee)
Empfohlene Bewertungen
I'm sure people may have dismissed this movie as a nazi tribute to white power. On the contrary, it gives an excellent picture of what happens when powerless people try to find some control over their lives. Nazi-ism itself is scapegoating and blame disguised as fascism, and this movie uses it to paint a picture of desolation and desperation.
White power and immigrant-hatred are not what this movie is about. It's about friendship and the need to belong to something. Russell Crowe's Hando is powerful - I couldn't take my eyes off of him. Hando uses that magnetism to draw people into his ideology, thus creating control and power for himself. Things begin to unravel when Gabe, the girl who comes between Hando and Davey, throws off the hold Hando has enjoyed over his little crowd. Remember what Orwell says: Absolute Power corrupts absolutely? Well, so does arrogance. Arrogance and the lack of respect for one's fellow man, regardless of race or creed, are key players in this plot.
I wish there had been more of Davey (Daniel Pollock) in this film, and I'm sorry to have learned of his real-life suicide in the weeks after it's completion. I recommend this film to people who are interested in how poverty, ignorance, and powerlessness change people into strange earthly demons capable of indiscriminate violence.
White power and immigrant-hatred are not what this movie is about. It's about friendship and the need to belong to something. Russell Crowe's Hando is powerful - I couldn't take my eyes off of him. Hando uses that magnetism to draw people into his ideology, thus creating control and power for himself. Things begin to unravel when Gabe, the girl who comes between Hando and Davey, throws off the hold Hando has enjoyed over his little crowd. Remember what Orwell says: Absolute Power corrupts absolutely? Well, so does arrogance. Arrogance and the lack of respect for one's fellow man, regardless of race or creed, are key players in this plot.
I wish there had been more of Davey (Daniel Pollock) in this film, and I'm sorry to have learned of his real-life suicide in the weeks after it's completion. I recommend this film to people who are interested in how poverty, ignorance, and powerlessness change people into strange earthly demons capable of indiscriminate violence.
I wish I had seen it earlier when it was on TV. Finally just got round to watching it on recommendation from a mate. I've never actually seen a Crowe film, Gladiator has now become a priority due to his performance in this. I have to say that it's not often a film will make me cringe, neither is it often that a film will have me so emotionally engrossed with the characters as ROMPER STOMPER did. It's hard to explain, but even though I hated what the characters stood for, I couldn't help but cheer them on! It's nice to see a film which doesn't just portray the 'goodies'. My favorite scenes are the party, the rich man's house and of course the mammoth battle. An excellent film which definitely makes it into my all time favorite flicks...9/10
Romper Stomper is enjoying renewed interest due to the current fame of its star, Russell Crowe, but the movie stands on its own regardless.
Crowe plays the leader of a violent group of racist skinheads, who are upset over Vietnamese immigrants in their neighborhood. There are quite a few clashes, a love story, and betrayal all wrapped up in a disturbing package.
While watching Romper Stomper I found myself sympathizing with at least one of the racist characters, even though my views are far from his -- it's just that well written and acted.
There aren't a lot of surprise in this film, but the surprises that exist are truly interesting and plausible. This does not mean that the movie is cliche and boring, though -- it presents its ideas in an interesting fashion with well-written and directed acting.
Crowe plays the leader of a violent group of racist skinheads, who are upset over Vietnamese immigrants in their neighborhood. There are quite a few clashes, a love story, and betrayal all wrapped up in a disturbing package.
While watching Romper Stomper I found myself sympathizing with at least one of the racist characters, even though my views are far from his -- it's just that well written and acted.
There aren't a lot of surprise in this film, but the surprises that exist are truly interesting and plausible. This does not mean that the movie is cliche and boring, though -- it presents its ideas in an interesting fashion with well-written and directed acting.
Firstly, I'd like to start by saying that anyone who thinks this is somehow pro-racist or pro-skinhead has REALLY missed the point, thats if they've even seen it,that is. That would be like saying 'Saving Private Ryan' glorifies war, or 'Trainspotting' glorifies drugs.
It revolves around a bunch of lawless Australian skinheads, as they party to loud skrewdriver-esquire music, drink, fight (amongst each other as well as against the Vietnamese immigrants living nearby), cause mayhem..and so on so forth. They are living in a dilapidated old garage and scrounge off the system whilst hating it. They are portrayed as hopeless, angry lost kids held together by a psychopathic and violent leader;Hando Where to start with Hando, seriously, this is undoubtedly Russel Crowe's most unforgettable performance. Whether its his tattoo's, shaved head, unshaven face or cold eyed glare...you can't help but be drawn in by Hando. He is by far the most relentless and ruthless member of the gang, and during the film you wonder whether or not they'd even exist without him.
During the film, things take a turn for the worse, actually they take several turns for the worst...which has an increasingly negative effect on the gang.
I rated this film a 9, as it achieves what it sets out to do. Give the viewer a no-holds barred trip into the destructive lives of social outsiders, and the violence and hatred that follows. Not easy viewing, but I recommend this film to anyone who likes their movies gritty and upfront.
It revolves around a bunch of lawless Australian skinheads, as they party to loud skrewdriver-esquire music, drink, fight (amongst each other as well as against the Vietnamese immigrants living nearby), cause mayhem..and so on so forth. They are living in a dilapidated old garage and scrounge off the system whilst hating it. They are portrayed as hopeless, angry lost kids held together by a psychopathic and violent leader;Hando Where to start with Hando, seriously, this is undoubtedly Russel Crowe's most unforgettable performance. Whether its his tattoo's, shaved head, unshaven face or cold eyed glare...you can't help but be drawn in by Hando. He is by far the most relentless and ruthless member of the gang, and during the film you wonder whether or not they'd even exist without him.
During the film, things take a turn for the worse, actually they take several turns for the worst...which has an increasingly negative effect on the gang.
I rated this film a 9, as it achieves what it sets out to do. Give the viewer a no-holds barred trip into the destructive lives of social outsiders, and the violence and hatred that follows. Not easy viewing, but I recommend this film to anyone who likes their movies gritty and upfront.
One of the better Australian movies to emanate from the 90's stars Russell Crowe before home-wrecking, hotel telephones and Oscars as an aggressive skinhead (Hando) whose relationship with best friend Daniel Pollock (Davy) sours over the ever-escalating brand of racism he practices, and the presence of Jacqueline Mackenzie's character with whom both are involved - Crowe's neglect paves the way for Pollock's advances and so the rivalry emerges.
Apart from Crowe (who is essentially monotone in-character) and Mackenzie as a misguided rich kid rebelling in the extreme, only Sam Wyllie is recognisable as one of the motley crew. Though Pollock could have potentially become a recognisable actor, tragically his life ended prematurely shortly following this film.
Generally, like a great many Australian pictures, "Romper Stomper" is edgy and raw, and the content of the film is fairly uncompromising in its violent and sometimes graphic detail (read nudity). This all bodes well if you're comfortable with the subject matter as you shouldn't be disappointed.
Apart from Crowe (who is essentially monotone in-character) and Mackenzie as a misguided rich kid rebelling in the extreme, only Sam Wyllie is recognisable as one of the motley crew. Though Pollock could have potentially become a recognisable actor, tragically his life ended prematurely shortly following this film.
Generally, like a great many Australian pictures, "Romper Stomper" is edgy and raw, and the content of the film is fairly uncompromising in its violent and sometimes graphic detail (read nudity). This all bodes well if you're comfortable with the subject matter as you shouldn't be disappointed.
Wusstest du schon
- WissenswertesDaniel Pollock, who plays Davey, committed suicide before the film's release.
- PatzerOne of the tourists from the tour bus has his finger over his camera's lens as he takes pictures.
- Crazy CreditsThe end credits roll over a sideways viewpoint of the beach from the dying Hando that fades to gray and then to black.
- Alternative VersionenAn edited, R-rated version is available on video in the U.S.
- VerbindungenEdited into Terror Nullius (2018)
- SoundtracksLes pecheurs de perles
Composed by Georges Bizet
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Luật Giang Hồ
- Drehorte
- Richmond, Melbourne, Victoria, Australien(train station.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 175.340 $
- Eröffnungswochenende in den USA und in Kanada
- 8.233 $
- 13. Juni 1993
- Weltweiter Bruttoertrag
- 175.732 $
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