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IMDbPro

Reservoir Dogs - Wilde Hunde

Originaltitel: Reservoir Dogs
  • 1992
  • 18
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
8,3/10
1,1 Mio.
IHRE BEWERTUNG
BELIEBTHEIT
77
343
Steve Buscemi, Harvey Keitel, Quentin Tarantino, Michael Madsen, Tim Roth, and Chris Penn in Reservoir Dogs - Wilde Hunde (1992)
Home Video Trailer from Artisan
trailer wiedergeben2:03
8 Videos
99+ Fotos
GangsterHeistCrimeThriller

Nachdem ein einfacher Juwelendiebstahl gründlich schiefgelaufen ist, hegen die überlebenden Verbrecher den Verdacht, dass einer unter ihren ein Polizeispitzel ist.Nachdem ein einfacher Juwelendiebstahl gründlich schiefgelaufen ist, hegen die überlebenden Verbrecher den Verdacht, dass einer unter ihren ein Polizeispitzel ist.Nachdem ein einfacher Juwelendiebstahl gründlich schiefgelaufen ist, hegen die überlebenden Verbrecher den Verdacht, dass einer unter ihren ein Polizeispitzel ist.

  • Regie
    • Quentin Tarantino
  • Drehbuch
    • Quentin Tarantino
    • Roger Avary
  • Hauptbesetzung
    • Harvey Keitel
    • Tim Roth
    • Michael Madsen
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,3/10
    1,1 Mio.
    IHRE BEWERTUNG
    BELIEBTHEIT
    77
    343
    • Regie
      • Quentin Tarantino
    • Drehbuch
      • Quentin Tarantino
      • Roger Avary
    • Hauptbesetzung
      • Harvey Keitel
      • Tim Roth
      • Michael Madsen
    • 1.4KBenutzerrezensionen
    • 148Kritische Rezensionen
    • 81Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Am besten bewerteter Film #100
    • Auszeichnungen
      • 13 Gewinne & 23 Nominierungen insgesamt

    Videos8

    Reservoir Dogs: 15th Anniversary Edition
    Trailer 2:23
    Reservoir Dogs: 15th Anniversary Edition
    Reservoir Dogs: 10th Anniversary Edition
    Trailer 2:03
    Reservoir Dogs: 10th Anniversary Edition
    Reservoir Dogs: 10th Anniversary Edition
    Trailer 2:03
    Reservoir Dogs: 10th Anniversary Edition
    Reservoir Dogs: 10th Anniversary Edition
    Trailer 2:01
    Reservoir Dogs: 10th Anniversary Edition
    A Guide to the Films of Quentin Tarantino
    Clip 2:44
    A Guide to the Films of Quentin Tarantino
    How 'Once Upon a Time ... in Hollywood' Connects the TarantinoVerse
    Clip 5:09
    How 'Once Upon a Time ... in Hollywood' Connects the TarantinoVerse
    25 Years After 'Pulp Fiction', Tarantino Delivers a 'Hollywood' Masterwork
    Clip 3:13
    25 Years After 'Pulp Fiction', Tarantino Delivers a 'Hollywood' Masterwork

    Fotos226

    Poster ansehen
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    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 220
    Poster ansehen

    Topbesetzung29

    Ändern
    Harvey Keitel
    Harvey Keitel
    • Mr. White…
    Tim Roth
    Tim Roth
    • Mr. Orange…
    Michael Madsen
    Michael Madsen
    • Mr. Blonde…
    Chris Penn
    Chris Penn
    • Nice Guy Eddie
    Steve Buscemi
    Steve Buscemi
    • Mr. Pink
    Lawrence Tierney
    Lawrence Tierney
    • Joe Cabot
    Randy Brooks
    Randy Brooks
    • Holdaway
    Kirk Baltz
    Kirk Baltz
    • Marvin Nash
    Edward Bunker
    Edward Bunker
    • Mr. Blue
    • (as Eddie Bunker)
    Quentin Tarantino
    Quentin Tarantino
    • Mr. Brown
    Rich Turner
    Rich Turner
    • Sheriff #1
    David Steen
    David Steen
    • Sheriff #2
    Tony Cosmo
    • Sheriff #3
    Stevo Polyi
    • Sheriff #4
    • (as Stevo Poliy)
    Michael Sottile
    • Teddy
    Robert Ruth
    • Shot Cop
    Lawrence Bender
    Lawrence Bender
    • Young Cop…
    Linda Kaye
    Linda Kaye
    • Shocked Woman
    • Regie
      • Quentin Tarantino
    • Drehbuch
      • Quentin Tarantino
      • Roger Avary
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1.4K

    8,31138.4K
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    Zusammenfassung

    Reviewers say 'Reservoir Dogs' is acclaimed for its sharp dialogue, non-linear narrative, and unique characters. It delves into loyalty, betrayal, and moral ambiguity in the criminal world. Known for its graphic violence and pop culture references, the film's eclectic soundtrack enhances its atmosphere. Critics laud the ensemble cast, especially Harvey Keitel and Tim Roth. Its controversial elements have polarized audiences, yet it remains influential in independent cinema.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    8AlsExGal

    You might need to watch it twice...

    ... because the first time around I was somewhat disappointed. This was actually a commercial hit for Tarantino , and that usually means something that is appreciated on the first view.

    It is great nonlinear storytelling. You first meet these guys in a diner having breakfast. And you learn lots about their characters just from this very mundane setting and some arguing about the philosophy of tipping. And you wonder why they are wearing suits and thin lapels with white shirts and skinny ties, like they borrowed the Beatles' 1964 wardrobe. It is never explained. And there is all of this 70s music, again, never explained.

    Storywise it has been done a hundred times, maybe more. A heist gone wrong. But the gimmick is, you never SEE the heist. Most of the time I like for movie makers to show me not tell me, but this works brilliantly. You see this gang of people who do not know each other talk about the heist beforehand. You see the aftermath of the heist. You see the descriptions of the heist between this band of criminals not exactly matching up. And all of the scenes are mixed up chronologically. Where it shines is the crazy dialogue that happens between these hooligans. Their banter is ludicrous, villainous, and totally engaging. It's like Diner meets Dillinger.

    And speaking of Dillinger, a really great touch is having Lawrence Tierney in a supporting role as Joe, mastermind of the heist. Tierney was an actual star of film noirs in the 1940s, and he lost that career because in real life he was somebody who would probably have been quite at home with the characters in this film. He got into lots of bar fights and altercations with the police to the point that no studio wanted to deal with him anymore.

    I'd highly recommend this one, but you must pay attention to get the most out of it.
    10ronnay_barkay

    A timeless classic...seriously

    The first time I saw Reservoir Dogs, I was about 15, it had been banned in my country, and I heard it was extremely voilent. Naturally I did everything in my power to get my paws on a copy, and when I finally did see it, I was disappointed. I was just sitting there saying "Wheres all the violence", Anyway, I watched it till the end, and then I watched it again, and since then it has just grew on me.

    This is one of the movies I don't get bored watching time and time again. I still watch it at least once a year, because its not the kind of movie you watch to unwind or to pass the time. You simply watch it for the sheer quality and originality of the movie. The one liners are classic: "Are you gonna bark all day...", "I'll make you my dog's bitch". Mr.Blonde is totally believable as a psycho. I mean who stops to get fries and soda just after committing a robbery? The fact that everything is ludicrous, but you don't know this because these guys, and the way they talk is so impossibly cool that you just accept it. This movie is all about the dialog. The violence is used sparingly, and to better effect. The way the film is edited is genius. Its almost like you forget the whole movie after you watch it, and the next time you watch it, there's a whole scene that you forgot was there. The storyline is unpredictable and thrilling. This is better that Pulp Fiction and in my opinion definitely Tarintino's best movie. I didn't care much for the "Kill Bill" movies, but who cares, I'm not reviewing them.

    If you haven't seen Reservoir Dogs, just rent it, buy it or steal it right now.
    jeleach

    criminals with style

    From the opening moments of "Reservoir Dogs" you sense that you are watching a different kind of crime drama. The style and dialog of this picture bestows a level of intelligence upon it's characters that defies the reality of their chosen profession. Having said that,this movie is absolutely riveting in it's movements from the ordinary, to the grim, to the horrific aspects of a career criminal. Quintin Tarantino has written a tale of an almost corporate order to constructing a crime gang. The delight is in meeting these characters one by one. The particular crime is no more crucial to the film than a 7-11 stick-up. The crux of the movie is the portrayal of the rainbow of characters who find themselves involved in a life of crime. Much has been made of the violence in the movie, but it only serves to point out that all men are different......even the crooked. The director has included a number of very memorable scenes. This is not a linear film. The movie works more as a series of set pieces that weave together a story that is not as important as the individual parts that you have the pleasure of observing. This movie may take more than one viewing to truly appreciate.
    Infofreak

    Ten years on - still brilliant!

    It's hard to get your head around the fact that 'Reservoir Dogs' has been around for ten years. It's almost difficult to remember a time before Tarantino made such an enormous impact (good and bad) on movies, but I saw this movie first time round before the hype. All I knew was that, like another "dog" movie from the same era that I saw, 'Man Bites Dog', that it was supposed to be violent, funny and disturbing, and that it starred a long time favourite of mine Harvey Keitel, and Tim Roth, who I mainly knew from Greenaway's 'The Cook The Thief His Wife & Her Lover'. Okay, I hope it's good I thought as I waited in the cinema listening to some half remembered 70s A.M. pop and a strange conversation about Madonna's sex life (the cinema was playing the soundtrack album before the main feature, but what did we know). Then the movie itself, electrifying and fascinating from the word go. It's impossible to describe the impact of seeing this for the first time without knowing what to expect! Still one of my greatest movie memories. Ten years later I've seen it countless times so the surprise has obviously worn off, but it is still a brilliant movie because beneath the violence and wise-cracks of Mr. Pink (Steve Buscemi - 'In The Soup'), Mr. Blonde (Michael Madsen - 'Thelma & Louise'), and Nice Guy Eddie (Chris Penn - 'At Close Range'), there is a lot of depth, that being the very human relationship between Mr. White (Keitel) and Mr.Orange (Roth). To me that is one of the things that elevates this above the many lame and unoriginal "Tarantinoesque" movies we've had to endure since 'Pulp Fiction'. His imitators just simply don't have a clue!

    Simply brilliant cinema, and a modern classic. This is absolutely essential viewing!
    8TBJCSKCNRRQTreviews

    A stylish and excellent example of expert story-telling.

    After watching this half a dozen times with a biased, anti-Tarantino, "what the heck is so great about this guy, anyway" view(which, as most anyone watching any film with that view and a fair bit of self-knowledge will tell you, is a rather fruitless practice in pointlessness... if you've decided you're not going to like it, there's very little reason to think that you will, no matter how good it is; you need an open mind), I finally decided to give it a fair hearing... and I saw it for what it is. An unusual film, at least for its time. A stylish film full of cool dialog, cinematography, editing and music. The whole thing comes together perfectly and is very short of creating a sublime film experience. The plot is excellently written and told. The pace is perfect. I wasn't bored for a second, nor did I ever really want it to move faster or slower. The cinematography is magnificent, and incredibly well-integrated. Pans, dolly trips and, lest we forget, the stationary shots... all perfectly used. Very stylized. The acting is top-notch all-round. With most of the cast being name actors, this is no surprise, but they really do shine. Madsen, Buscemi, Keitel, Roth... all incredible. The one role that had less than good... well, let's be honest, it had rather awful acting. I'm speaking, of course, of Tarantino's character. Now, don't get me wrong; in From Dusk Till Dawn, this man did great. But just about any other time I've seen him act, he just doesn't seem to have the first clue. Being a film-maker myself(albeit on somewhat of a smaller scale than Quentin), I can relate to wanting to cast yourself in a role... but sometimes, you just need to face up to the facts, and admit it if you can't act. Still, that is a minor complaint. Another one might be that there are at least two fairly big characters that seem completely and entirely expendable... they had no real role in the action and could very, very easily have been cut with no real loss to the overall product. I won't name them here, but anyone who's seen the film will know who I'm talking about. All the characters, however, are well-written and their actions credible. Tarantino knows his stuff when it comes to writing... something that also shows in the dialog, which, although somewhat drawn-out at times, is exceptional. Well-delivered, too. When it comes to direction, he shows how talented he is, as well. The film is very well put together. The editing is great, with the non-linear time-line telling the story far better than a "regular" film ever could. One of the many Tarantino-fans, in fact, the very person who originally talked me into watching this film, once told me that he had heard of someone editing films with such time-lines - this, Pulp Fiction, Memento, etc. - so that their time-lines were perfectly linear. I'm sorry, I entirely respect their right to do such a thing... and I won't claim that their doing so has less artistic value than the original films in any way... but I refuse to watch that. A big part of this being so well-told lies in the time-line. Also, I'm a firm believer of watching something the way the makers intended it. Don't edit, don't censor, don't make your own version and pass it off as anything but just that... your own version, and not the original. Sorry, rant over. Finally, I just need to comment on the music... the soundtrack of this is just great. Tarantino collected so many amazing 70's tunes for this film and used them great. All in all, just a really, really good film. Very little keeps this from being a perfect ten, most of which I've covered here. I recommend this to anyone who can stomach the violence and who likes their films with a side of style. 8/10

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    Handlung

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    • Wissenswertes
      The film's budget was so low that many of the actors were asked to simply bring their own clothing as wardrobe; most notably Chris Penn's track jacket. The signature black suits were provided for free by the designer, based on her love for the American crime film genre. Steve Buscemi wore his own black jeans instead of suit pants, and Michael Madsen wore a jacket and pants that came from two different suits.
    • Patzer
      (at around 59 mins) When Mr. Blonde is pouring gasoline on Marvin Nash, Nash's legs are taped to the chair. When the angle changes you can see his legs kicking up in the air. And then they go back to being taped up.
    • Zitate

      Nice Guy Eddie: C'mon, throw in a buck!

      Mr. Pink: Uh-uh, I don't tip.

      Nice Guy Eddie: You don't tip?

      Mr. Pink: No, I don't believe in it.

      Nice Guy Eddie: You don't believe in tipping?

      Mr. Blue: You know what these chicks make? They make shit.

      Mr. Pink: Don't give me that. She don't make enough money that she can quit.

      Nice Guy Eddie: I don't even know a fucking Jew who'd have the balls to say that. Let me get this straight: you don't ever tip?

      Mr. Pink: I don't tip because society says I have to. All right, if someone deserves a tip, if they really put forth an effort, I'll give them something a little something extra. But this tipping automatically, it's for the birds. As far as I'm concerned, they're just doing their job.

      Mr. Blue: Hey, our girl was nice.

      Mr. Pink: She was okay. She wasn't anything special.

      Mr. Blue: What's special? Take you in the back and suck your dick?

      Nice Guy Eddie: I'd go over twelve percent for that.

    • Crazy Credits
      The opening credits leave out Writing and Directing credits. They are then shown first during the end credits.
    • Alternative Versionen
      The ear slicing scene was cut in the Finnish VHS release
    • Verbindungen
      Edited into Who Do You Think You're Fooling? (1994)
    • Soundtracks
      Little Green Bag
      Performed by George Baker Selection

      Written by Jan Gerbrand Visser and George Baker (as Benjamino Bouwens)

      Published by Screen Gems-EMI Music Publishing Inc. O/B/O EMI Music Publishing Holland B.V.

      Courtesy of Rhino Records/Jerry Ross Productions

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    FAQ34

    • How long is Reservoir Dogs?Powered by Alexa
    • How much time elapses between the guys initially arriving at the warehouse and the end of the movie?
    • Did Mr. White accidentally not light his cigarette when talking to Mr. Pink?
    • Why doesn't Mr White do more to stop Mr Orange's wound from bleeding?

    Details

    Ändern
    • Erscheinungsdatum
      • 10. September 1992 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Facebook
    • Sprache
      • Englisch
    • Auch bekannt als
      • Perros de reserva
    • Drehorte
      • 5860 North Figueroa Street, Highland Park, Los Angeles, Kalifornien, USA(interiors: mortuary warehouse & Mr. Orange's second floor apartment)
    • Produktionsfirmen
      • Live Entertainment
      • Dog Eat Dog Productions Inc.
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    Box Office

    Ändern
    • Budget
      • 1.200.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 2.832.029 $
    • Eröffnungswochenende in den USA und in Kanada
      • 147.839 $
      • 25. Okt. 1992
    • Weltweiter Bruttoertrag
      • 2.932.006 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 39 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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    Steve Buscemi, Harvey Keitel, Quentin Tarantino, Michael Madsen, Tim Roth, and Chris Penn in Reservoir Dogs - Wilde Hunde (1992)
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