Im Glanz der Sonne

Caution-Minor Spoilers ahead: John Avildsen could be considered the most interesting director of his generation if only for the huge range of quality among his films and the fact these differences seem to have little correlation with his level of experience. His best films include Joe (one of his first efforts), Rocky (several years later), and this film (late in his career). Mixed in between these high points are some moderate successes (Lean on Me and Save the Tiger) and some total dogs (Neighbors, The Karate Kid, WW and the Dixie Dance Kings, and Rocky V). It is hard to believe that it was same person, you either have to credit Avildsen with the 'courage' to take on even the most hopeless of scripts or with such financial desperation that he had to take anything that came his way.

With Avildsen the 'courage' angle (willing to attempt something without fear of failure and able to bounce back after failure) is the more likely, since courage is the recurring theme of most of his films: the solitary individual pitted against the oppressive and dehumanizing forces of the 'status quo'.

This is certainly true of 'The Power of One'. Bryce Courteney's book had that same theme and the film adaptation preserved it. Critics of the adaptation (and lovers of the book) complain that this is about the only thing that Avildsen preserved. While they are technically correct, their complaints are rather silly because the book(s) were basically un-filmable (at least commercially) and film is a different medium making comparison illogical anyway. While all adaptations contain many elements of a story, there will be omissions and changes-particularly with a novel like Courteney's. Those who complain that this adaptation was incomplete and inaccurate probably complained that 'Clueless' was an inaccurate adaptation of Jane Austin's 'Emma'. The point is that a movie is a movie and a book is a book. Actually this film was a blending of Courteney's story with Stephen Covey's 'The 7 Habits of Highly Effective People' with the main character having to move from dependence to independence (private victory) before he can become effectively interdependent (public victory) and influence others. As someone said earlier, 'The Power Of One', despite ending with a statement proposing a bland union of absolute conviction, is not expansive but rather interior in its meaning. And this is indeed the paradox of art, when experiencing something the details are rapidly subsumed (as in subjective).

This is a more political story than the novel but the political elements are superficial and simplistic. And the premise of a white boy leading a whole race of people to their salvation is a bit over the top, an unnecessary and forced way of extending Courteney's individual inner power to a collective unity. But such is the nature of film, where pacing considerations and time constraints make reliance on stereotypes necessary to economically convey a message. And in a sweeping historical story like this there is no way to provide a great deal of depth to the characters. But Avildsen does a good job with his main character, a consistent style of frequent reaction shots of PK remind the viewer that the film is entirely his point-of-view and his impressions as he grows up. The solitary individual pitted against an oppressive power structure, his 'power of one' being an ability to experience personal tragedy/inhumanity and yet retain his humanness, as a child he learns to not let fear restrict the experience of living.

What makes the film good is that while Avildsen's political message is heavy-handed and stereotyped, he makes good use of the time this buys him for other story elements. Some have asked why Fay Masterson's 'Maria' character was added to the screenplay (Maria was not in Courteney's novel). This was a special subtle touch by Avildsen. Masterson is as perfect looking as Nicole Kidman but somehow much more real. Two of the best visual scenes in the film revolve around her character. The first is PK's initial glimpse of Maria in the audience at his championship fight (homage to Rocky's search for Adrian in the crowd). It is visually amazing-Masterson has an angelic glow in this shot which makes PK's instant enthrallment and improbable pursuit seem quite believable. And Masterson handles the subtle acting requirements of this difficult role extremely well, representing those Afrikaners who were able to overcome their childhood indoctrination, see their racist institutions for what they were, and work for change. The other key scene is Maria's funeral where Avildsen shows her father's sudden grasp of what a special person she was, and special for the very qualities he tried to suppress in her while she was still alive. This scene could have been clumsy and silly but Avildsen stages it with such subtlety that we accept that her father has been inspired to work for reform. Film is such a powerful medium because when done correctly it can visually tell a story in a few seconds more convincingly than in a hundred pages of text.

Bottom line this is not a perfect movie nor is it an accurate adaptation of the book. It is a very entertaining film more 'inspired' by the book than adapted from it. It has great visuals of the veldt and has wonderful African music. The historical subject is worth telling and the individual themes of justice, hope, and courage offer a very positive message. 7 out of 10

I watched this film several years ago and it brought back many memories of my life in South Africa. While living there I saw many things that were portrayed in the film so can relate to it. I thought all the actors were very good and but Morgan Freeman's role was truly exceptional and should have won him an Oscar for his portrayal. The accents were very much true to life even though the main characters were not South African. I found the story line very thought provoking and the music was so good I went out and bought the CD. I think it's about time they showed this film on TV as many things can be learnt from this. I feel this film is on a Parr with another South African film called Serafina which dealt with the riots in Soweto.

Good film - but read the book, the ending is very different - better all round really! Go on read the Power of One now, then read Tandia. It reaches into your heart and you can feel for PK. If they had made the film as the book i think it would shake some of the greats like - Colour Purple!!

It's been a while since I have seen the movie for the first time. Though I really liked the first two thirds of the film (up to the point, when Stephen Dorff takes over the main-character (but that has nothing to do with his performance)). I found, that the last part was strange and somehow out of continuity. The first part strictly sticks to the idea of experiencing Apartheid from the view of a boy, who is growing up in a system of classes and injustice and who himself fails to really belong to any of these classes. The last part however suddenly tries to be a lot of movies in one: Action, Romance, Patriotism and a Historic Anti-apartheid picture. And I think, trying to do too much, it failed to be anything of the above in the end.

The reason I'm writing this comment now is, that I am just done reading Bryce Courtenays novel. And I was really surprised to learn, that exactly after two thirds of the story, the movie totally goes its own way and ignores the course things take in the novel. The last part of the Novel is just as great as the first. If you liked the movie (or at least the first part) read the book, it's worth it!

To sum it up: I believe The Power Of One had the potential to be an outstanding picture. The music was great, the landscapes beautiful and the acting excellent (Armin Müller Stahl at his best). But unfortunately somebody tried to write an american ending for an african story and couldn't have failed worse.

Having read both the book and watched the film, this is a great film.

Although lacking a lot of the depth and detail the book had it still captures the essence that Bryce Courtenay used in the book.

I myself grew up in South Africa during Apartheid and it was indeed a tragedy, this book captures what I saw during my time to the letter. The governing powers feared the tribes and from this grew hate,from hate anger.

I read the book whilst still in South Africa as a teenager and it left me with a tear more than once. The Film has been skillfully crafted as well as any adaptation can be done and still leaves me with a lump every time that pinnacle line is uttered: 'Little beat Big, If little is smart. First with the head, then with the Heart'

A shame that Robert Kamen didn't put the same emphasis that came from the book.