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Wilde Nächte

Originaltitel: Les nuits fauves
  • 1992
  • 18
  • 2 Std. 6 Min.
IMDb-BEWERTUNG
6,8/10
2543
IHRE BEWERTUNG
Romane Bohringer in Wilde Nächte (1992)
BiographieDramaKriminalitätRomanze

Füge eine Handlung in deiner Sprache hinzuJean is 30 years old. He lives with Laura, 17 years old, a violent and eventful love story. He learns that he is HIV positive.Jean is 30 years old. He lives with Laura, 17 years old, a violent and eventful love story. He learns that he is HIV positive.Jean is 30 years old. He lives with Laura, 17 years old, a violent and eventful love story. He learns that he is HIV positive.

  • Regie
    • Cyril Collard
  • Drehbuch
    • Cyril Collard
    • Jacques Fieschi
  • Hauptbesetzung
    • Cyril Collard
    • Romane Bohringer
    • Carlos López
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    2543
    IHRE BEWERTUNG
    • Regie
      • Cyril Collard
    • Drehbuch
      • Cyril Collard
      • Jacques Fieschi
    • Hauptbesetzung
      • Cyril Collard
      • Romane Bohringer
      • Carlos López
    • 28Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 7 Gewinne & 5 Nominierungen insgesamt

    Fotos18

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    + 10
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    Topbesetzung44

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    Cyril Collard
    Cyril Collard
    • Jean
    Romane Bohringer
    Romane Bohringer
    • Laura
    Carlos López
    • Samy
    Corine Blue
    • Laura's mother
    Claude Winter
    • Jean's mother
    René-Marc Bini
    • Marc
    Maria Schneider
    Maria Schneider
    • Noria
    Clémentine Célarié
    Clémentine Célarié
    • Marianne
    Laura Favali
    Laura Favali
    • Karine
    Denis D'Arcangelo
    • Sle realistic singer
    Jean-Jacques Jauffret
    • Pierre Olivier
    Aïssa Djabri
    • Kader
    Francisco Giménez
    • Paco
    Marine Delterme
    • Sylvie
    Yannick Tolila
    • The nurse
    Olivier Pajot
    • The emperor
    Diego Porres
    • Jaime
    Stephan Lakatos
    • Jipe
    • Regie
      • Cyril Collard
    • Drehbuch
      • Cyril Collard
      • Jacques Fieschi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen28

    6,82.5K
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    Empfohlene Bewertungen

    8Merlin-29

    engrossing

    For a movie about how AIDS affects a person, his behavior, and the compounded effects on those around him, one might expect the film to play the emotions of the viewer in an obvious way. However I must say I was engrossed from the beginning to shortly before the end by the film, never having the opportunity to distance myself and view the scene or action as a critic, dissecting what the director's intent was. I was very pleased.
    9daveb75

    Uncompromising vision of life

    The first serious movie to deal with HIV, "Les nuits fauves" felt like a Joe Frazier hook when it came out in 1992. Gone are all the pitiful sentimental demonstrations of future films like "Philadelphia" . In fact, AIDS is merely the backdrop of the film. Cyril Collard never asks for pity. The movie is both a confession and an hymn to life. It doesn't try to moralize the audience, although some spectators were concerned about the "message" such a film might send. You have to remember that the events described in LNF take place in 1986, when the concept of HIV and AIDS were still abstract and to be defined. Collard himself said in a 1992 interview that the irresponsability of his character, Jean, having unprotected sex although aware he is infected, would be rightly considered criminal by now. The virus serves as a driving force for a main character that is learning to love, opening himself to others, to the world. But to reach the light, you must first go through the darkness and the task is not an easy one to witness. LNF demands a lot on the viewer, asking him to let go of his preconceive ideas and ideals. Very much influenced by his mentor Maurice Pialat, Collard makes a daring film, one which you could never imagine coming from the all too clean world of Hollywood film making. Here, energy comes first, technical aspects of movie making later. Therefore life, real life, shines through. "Les nuits fauves" is a force to be reckon with. An unsettling experience I will never forget.
    joaquim-11

    Nightmare in Paris

    Cyril Collard, French actor/director who in 1993 (one year after this release) died of AIDS at 35, made this unique movie in which the emotional burden of a HIV-positive person is perfectly evoked (supposed it's possible). Some scenes are notable (beautiful Paris-la-nuit views), others are less, but anyway it's worth watching it in video, better by yourself alone and thinking seriously about life,love and,ultimately, what's the sense of it ALL! If you want to have a good time, don't rent it! Just in case you feel like you're fixing to die.....:)
    7raymond-15

    Frightening authenticity about this engrossing drama.

    Many films are described as "true life dramas". but this is the one if ever there was one. The central character Jean (Cyril Collard) a hedonistic young film producer who engages in sex with both men and women mirrors the real life story of Cyril Collard who was suffering from the AIDS virus during the making of this film and succumbed to it when the film was finished. This is a great shame because obviously Cyril Collard has lots of talent both as actor and producer, and had he lived we could have enjoyed a whole lot of top quality films. This film starts on a quiet note but gathers strength after Jean reveals he is suffering from AIDS. His girl friend Laura is shocked at the revelation as they had been engaged in unprotected sex. Wild scenes of erratic and uncontrolled behaviour indicate the frustrations of the couple. His outburst "I don't want to die!" is a high point and her constant appeal to him to give up his male contacts bears little fruit. "Help me to leave you!" is her pathetic cry. Cyril Collard has a great charm and infectious smile which he uses to advantage in his characterisation of Jean. It is a powerful drama with a constant feeling of desperation as we the viewers anticipate the fatal outcome. Not a film to cheer you up after a hard day, but it has a frightening authenticity about it which compels you to watch it to the end. The film clearly makes the point that we have a responsibility re the health of others beyond our own self satisfaction.
    9chencho

    Came out about the same time that Philadelphia....

    ...but pictures a completely different perspective on HIV and AIDS. No supportive family here. No struggle with society for it to acknowledge on our humanity, regardless of sexual preference or health status. This picture is an invaluable reference for all those trying to understand terminal disease -AIDS in particular- or in the process of facing death. Just seems important to mention that Collard's actual treatments were filmed and included on the final cut. The bouncing around of high-low's, from absolute certainty of overcoming the disease to deep depression and sending everything -love included- straight to hell. But also the dangerous and sometimes silly sense of humor with which the director plays his role, is what makes this movie invaluable to me. To my knowledge this is the first film in which HIV positive blood is used as a defensive weapon, and saves the life of two of the characters. I sincerely hope that there is some form of afterlife, and that they have cable. Collard deserves to know he was, is, deeply appreciated, as so many others who where "cheated" out of time, to see their work achieve recognition. One is what one does, they say.

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    Handlung

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    • Wissenswertes
      The first film to win Best Film and Best First Film at the French equivalent of the Oscars, the Cesars. Unfortunately the film's director, Cyril Collard, didn't live to see his double win, succumbing to AIDS three days before the ceremony.
    • Zitate

      Jean: I don't know how to say 'no'. I was never capable of doing that.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Naked Gun 33 1/3: The Final Insult/Monkey Trouble/The Paper/Bitter Moon/Savage Nights (1994)
    • Soundtracks
      Tu ne Sais pas Aimer
      Music by Lionel Cazaux

      Lyrics by Maurice Aubret

      Performed by Damia

    Top-Auswahl

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    FAQ17

    • How long is Savage Nights?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 21. Oktober 1992 (Frankreich)
    • Herkunftsländer
      • Frankreich
      • Italien
    • Sprachen
      • Französisch
      • Spanisch
    • Auch bekannt als
      • Las noches salvajes
    • Drehorte
      • Cabo Espichel, Sesimbra, Setúbal, Portugal
    • Produktionsfirmen
      • Banfilm
      • La Sept Cinéma
      • Société Nouvelle de Cinématographie (SNC)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 662.341 $
    • Weltweiter Bruttoertrag
      • 662.341 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 6 Min.(126 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.66 : 1

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