Wege der Liebe

Beautifully photographed and directed film, contrasting a family home with the outback, and characters trapped as much by themselves as by those around them. The road trip does not liberate the woman much, though she gets to learn her dad's views on God. Good acting all round, especially Harrow and Hunter, this is purely character driven, and what is predictable about it would be equally so in life. I liked the later scenes where the French husband begins to see his error. (One thing though: when they got the German Bruno Ganz why not change the character to German too?)

A movie without character. You get nothing and it's just 1 hour and 33 minutes of your life getting wasted. More happy writing my criticism right now than watching this movie.

Full of wonderfully acted, beautifully observed moments in the life of an unconventional family, this was called, by one critic, 'an Australian 'Hannah and her Sisters'. And to an extent that's not a bad description.

But this film is messier, less complete in it's vision and less bold in it's style. None-the less it's still entertaining, moving, and very worth seeing.

Bruno Ganz's half French, half German accent is a bit distracting (he's terrific otherwise), and, for me, the ending felt rushed, as if things had to get to a conclusion.

It's a film I'd actually wished had gone on longer, or had been willing to leave things less resolved. Once you start with the messiness of life, you lose something with a last minute switch to the neatness of movies.

Not only an interesting study of different family/personal dynamics but so atmospheric - I felt as if I was in that city (Melbourne?), & kind of fell in love with it. The film is sad, beautiful, funny & realistic. To this day, I find myself uttering "This haircut is over!" (in an Australian accent); Kerry Fox /Vicki's typically understated way of saying she feels terrible after a break up. Kind of an indie classic.

"...Chez Nous" looks at this compelling question through the life of one Aussie woman who's self esteem is constantly undermined by the men in her life. This film is a psychodramatic, realistic, and intelligent look at the clockworks of a nuclear family held together more by mutual need than love and respect. The camera studies the slow disintegration of the family unit and the rebirth of Beth (Harrow), the principle character. Well made, earnest, honest, and insightful. An interesting watch for more mature audiences.