Wege der Liebe

This is a moody and frank story of an Australian couple and how relationships change when the husband falls in love with his wife's sister. Lisa Harrow is the pent-up wife of J.P.(Bruno Ganz)and Kerry Fox is Vicki the younger sister and temptress. I saw this on IFC and was really reeled in with the straight forward atmosphere and personal subject matter. Cinematography is super and the Australian accents cool and pleasing. This is a powerful drama; and well deserved kudos for director Gillian Armstrong.

Last Days -- Lisa Harrow and Kerry Fox star in this story of family dynamics in Australia. Vicki returns home to live with Beth, but Beth already has a french speaking man living with her. There's lots of laughter and fun, but there are deeper issues way down deep. Cracks in the seams of Beth and JP's relationship, but before it can be worked out, she goes on a road trip with her dad. but which mice will play while the cat's away ? and can she get along with a grouchy, complaining old man who keeps picking fights? It's an ozzy film, so everyone in here is quite quirky. things get sad and serious when relationships start to break down. some sadness, but it's fun for the most part. showing on netflix. pretty good stuff.

Half the time middle aged people acting like teenagers Not one likeable character

Beautifully photographed and directed film, contrasting a family home with the outback, and characters trapped as much by themselves as by those around them. The road trip does not liberate the woman much, though she gets to learn her dad's views on God. Good acting all round, especially Harrow and Hunter, this is purely character driven, and what is predictable about it would be equally so in life. I liked the later scenes where the French husband begins to see his error. (One thing though: when they got the German Bruno Ganz why not change the character to German too?)

I liked My Brilliant Career back in 1980, but after seeing this effort from the brilliant turned masterful Ms Armstrong I suspect that its traditional feminist message ("I won't give up my dreams for a man") made it more palatable for the times. Chez Nous doesn't let you off the hook so easily. What I found so compelling is its gentle but firm refusal to adopt a condescending attitude towards the characters or the audience. I rented this film with Jane Campion's Sweetie, which I found audaciously weird but riveting, in fact I now own Sweetie. Like Chez Nous, it deals with heroines and their family relationships, particularly involving sisters and to some degree, fathers. Both films are from the same part of the world. I was happy to find a used copy of Sweetie a few months after seeing it, but I watched Chez Nous twice before returning it, and that's the highest recommendation I can give.