Die dunkle Seite des Herzens

A masterpiece of poetry & magical realism. The "comic" device of the poet's dialogues with death is sheer brilliance; the many ways a heart can be used are explored masterfully; the friendship between the three Dionysian male friends is a delight. Rent this film. Keep it a few extra days and watch it again. It's hard to find, but definitely belongs on your "Ten Best" list.

A film about a poet and his love for a hooker; the poet and his friendship with his artistic friends; the poet and his run-ins with the beautiful Death; the poet and his poems. A poetic film.

This movie hit the box-offices in Argentina and drove the standard Hollywood movies out of their normal first places, concerning the numbers of spectators. And not without reason! The movie is not only a love story -the quest of a poet for the perfect woman- but also a story of the ´soul´ of Argentina. It is all about life and death and death in life. The style is superb: surreal shots are mixed with more ´real´shots that ensure the movie does not become totally vague and incomprehensible. The abundant use of poems adds to the magical, surreal, romantic character of the film. The movie kept (and keeps) me to my seat until the end. Subiela shows great love for film-making and this is reflected in this masterpiece. See it!

I believe there are few films that can actually touch the core of someone's soul the way Eliseo Subiela does it in this film.

Subiela´s view of life through poetry is outstanding and the magical reality that surrounds the characters transport you to a dimension only felt in the enchanting coasts of Argentina

The Argentinian film El lado oscuro del corazón (1992) was shown in the U.S. with the translated title The Dark Side of the Heart. The movie was written and directed by Eliseo Subiela.

Darío Grandinetti plays Oliverio, an Argentinian poet. He travels to Montevideo where he meets Ana, played by Sandra Ballesteros. She's a beautiful prostitute. The fall in love--they have to fall in love--but she's very clear about the fact that he pays for every evening spent in her bed.

The movie is not just about a poet, but about poetry. Mario Benedetti, Juan Gelman, and Oliverio Girondo are three poets who are well known in Latin America. Characters in the movie--including Ana--recite their poetry.

That was the problem for me with this film. Prose translates fairly well, but poetry doesn't.

Nacha Guevara is the beautiful actor who portrays Death in the movie. She and Oliverio have long conversations. It's an interesting concept, like the knight playing chess against Death in Bergman's The Seventh Seal (1957).

The movie worked well on the small screen. It has a strong IMDb rating of 7.6. If I spoke Spanish, I would have given it a higher rating. I rated it 7.