Porco Rosso

This was truly an emotional and unexpected experience. Having known Miyazaki has been influenced by Exupery(author of the little prince)I watched this film with a lump in my throat. A story of a PIG no less destined to live out his days in the sky, where his heart IS purified by the heavens above and the sea below. A beautiful film a love poem to Exupery and all the brave fliers who've come and gone.

This movie is so beautiful, well thought out, both in story and artwork, yet it is way too underrated. In my review, I will be focusing on addressing those critical/negative comments rather than repeating how good it is, which is already done by many others. I think the complaints mostly falls into 2 categories, mostly because they overlooked the hints, and maybe because of the inaccurate dub/sub. As a Japanese, I watched the film in original Japanese, and I hope I can contribute to the review by adding some accuracy and new perspectives. Followings are the 2 main complaints I've found, and my replies to them.

1. No Explanation for why he became a pig.

To tell the truth, I didn't get it either when I first watched it as a kid, but now that I've grown older, it is quite clear that the curse that transformed Marco into a pig is self-inflicted. Someone wrote a perfect interpretation which I'm quoting here: "The curse that transformed Marco into a pig is self-inflicted, because he survived the battle while Gina's husband (and Marco best friend) didn't. He feels guilty and he transformed into a pig because he feels he doesn't deserve love and happiness". Pig is often used to describe "worthless" or "disgusting" person in Japan, and it is understandable that he sees himself as a pig out of survivor's-guilt. This self-deprecation is shown many times throughout the film, such as when Gina told him that her 3rd husband didn't make it home alive, he responded "the good guys never do," making explicit this contrast between himself and a good guy. Also, another thing to take note is that he was sick of the wars, and had very little faith in mankind. Living in isolated island alone, and his phrase "I'd rather be a pig than a fascist", "You should do those kind of things just between you humans" all imply that.

How come he turned back into human (although the face was never shown, it is clear that he returned to human) in the end then? His phrase "Fio, you're a good girl. You make me feel like mankind are not that bad after all" might be the key. While spending time with Fio, seeing her innocent affection to him and to the aircraft, Marco slowly recovered from self-deprecation, and also recovered the faith to mankind. Although Fio was never an object of romantic interest for Marco, she's the one who helped Marco to change the view on himself and to the mankind. That's why the kiss from Fio worked.

2. Open Ending / no conclusion (Gina or Fio, not being shown. Which is actually not true)

I've seen many people complaining that the film didn't show whether Marco chose Gina or Fio in the end. Some even criticizing Miyazaki as "lazy", that he couldn't decide the conclusion himself so left it to viewers imagination. This is very wrong. Miyazaki showed the result in a very subtle way, that only careful people will notice. You just need to combine 2 things.

1) When Curtis visited Gina in her secret garden, she told Curtis "I'm now making a bet. If he (Marco) ever visits me while I'm in this garden during the daytime, I've decided I will truly love him. But that idiot, he only comes to the bar in the night time, never showing himself during the daytime."

2) In the last part, from the sky looking down to Hotel Adriana (from Fio's airplane), you will find Marco's red aircraft docked next to Gina's secret garden, during the DAYTIME. Gina won the bet. Also, in the end, the secret garden was shown again, but without Gina being there. Gina no longer needs to be there waiting for Marco.

Miyazaki set the conclusion in a very subtle way, make it kind of rewarding for those people who noticed it, and for those people who didn't, he gave the space for imagination. Some people might not be happy that Fio wasn't the one chosen after spending so much time building the relationship with Marco, but as I wrote earlier, even though she helped Marco recovering from self-deprecation, she was never an object of romance for Marco. Marco was always out there for Gina, as Gina thanking Marco in the beginning. As Gina told Curtis, "Love here is a bit more complicated than back in your country".

On the surface, Porco Rosso (1992) is a lushly animated adventure flick with a tinge of nostalgia for the pilots of the 1920s. Underneath the skin, its a film fraught with anxiety about war and fascism. In some ways, it is like Miyazaki's first feature, The Castle of Cagliostro (1979), a seemingly frothy popcorn film that contains well-hidden sadness at the core; however, here that sadness is much more visible.

This seems to be one of Miyazaki's lesser known films for whatever reason. Is it because the main character is a middle aged man disillusioned with life instead of a child or teenager? Is it the pre-WWII setting? Is it the lack of fantasy elements (outside of the protagonist having turned himself into a pig, that is)? I don't know, but it's a shame.

The thing I like most about Studio Ghibli's films are that they are always beautifully animated and nimbly voiced. Princess Mononoke and Spirited Away are my favourites, but I will say that I love all the Studio Ghiblis for differentiating reasons. Porco Rosso is a very charming animated film, that is very imaginative as well. The animation is just stunning, with vibrant colours and picturesque Italian landscapes. Also the visuals with Porco's plane is just mind blowing. The visuals are perfectly matched by a truly beautiful music score, that helped make it a very relaxing watch. The story is a very intriguing one, and original, the characters are engaging and the story is of good quality. The English vocal characterisations were excellent, Michael Keaten being the biggest surprise, voicing a hugely engaging character, and while not exactly handsome, Porco has a heart of gold and genuinely cares for Fio, beautifully dynamic voice work from Kimberley Willaims-Paisley. Cary Elwes is also impressive as Curtis, Susan Egan is lovely as Madame Gina and David Ogden Stiers as Piccolo brings some well timed comic relief to the role. Overall, a stunning animated film, yes the ending is a little ambiguous, but Porco Rosso is well worth watching. 9/10 Bethany Cox

Over the decades, Japan has established itself in the animation scene as a contender, creating some of the most mind boggling realistic, detailed animation the world has ever seen. However, Japan had primarily made cartoons involving their traditional, cultural and supernatural themes that the world felt alienated to.

It wasn't until a great artist came along in the mid-1970s that was to make Disney look like a second class citizen in the animation business. Hayao Miyazaki was Japan's inspiration to open their eyes to new horizons and show the world their hand in art. His first motion picture released in the late 70s was Lupin III: Castle of Cagliostro, which proved to be a world success. From that point on, he created some of the most memorable, brilliant and detailed masterpieces the western world ever saw - most having something to do with world issues and human's spiritual touch with nature. It wasn't until I saw Porco Rosso that I found my oasis in animation, a film that has no reason to be a cartoon due to its sheer realism and setting.

The premise is simple, subtle and imaginatively compelling. The story follows a humanoid pig known as Porco Rosso ('Crimson Pig' in English Translation), a bush pilot during the rise of the Nazis in the 1930s when Mussolini was a strong ally with Hitler. Whilst war is on the brink of initiation, Bush Pilot 'Pirates' roam the Italian coast, robbing ships, tourists and living the life few people could experience. Among these gambling, thieving, dirty pirates however, Porco Rosso stands as the ace pilot and feared by all. As he threatens the welfare of all the pirates, particularly the Mamma Aiuto Gang, the price on his head sky rockets. The only thing that lies between him and the pirates is a beautiful woman named Madame Gina, the singer and proprietor of an island resort popular with all the pilots that come through. Gina loves Porco since childhood, when he was a real human, and cannot bare to lose yet another close one, like her previous husbands. Both Porco's and Gina's world is turned upside down when an American ace pilot named Curtis intrudes into their lives, insisting on making a name for himself as he plans to fight Porco in an air battle all the while falling in love with Gina.......the American way.

Porco's subsequent adventures lead him to discover something about himself, about those important to him and about letting go of his constant turmoil and guilt of events that have haunted him for years, as he meets new characters that open his eyes and return him to what he once was.........just a human.

Rarily has an adventure movie been so fun, rich and captivating as Porco Rosso in addition to its overwhelmingly brilliant animation. Like I said before, there is no reason for this film to be a cartoon, but because it is and because it was realized in the way that it was, this is what makes it a masterpiece among World Animation.

The story, being very simple, could be taken on many levels with its inner meaning and symbolism. You forget that you are watching a cartoon after 5 minutes. It takes itself mildly seriously and the comic relief is timed to perfection. The characters vividly come to life and drain you of your emotions with each of their stories. The world Hayao Miyazaki creates is so real, that you are inevitably drawn into it. The magnificent romantic and exotic music and attention to authenticity make the film's atmosphere so convincing and breathtaking - the music always suiting at the right moments. I hardly believed this was a Japanese film, considering it felt completely like a European production. But no, only Hayao Miyazaki could accomplish such feats as to utilize your imagination and transport you to another world without any reference to his origins. That is his gift. This was evident ever since his motion picture debut. He has made many brilliant films, but Porco Rosso is the black sheep in the crowd. It is like something he's never done before, as all his films were supernatural in many ways.

This is my favorite cartoon of all time, and one of the great motion pictures you're bound to ever come across in world cinema. Forget about Disney. If you love animation and film, go no further than Hayao Miyazaki, one of the last great directors and story tellers in a world which has forgotten quality. Disney died a long time ago, and Miyazaki is a director in the old tradition - a tradition where plot and characters meant much more than special effects. Porco Rosso is an escape you'll come back to often. Few films have captured the essence of Europe, Flying and Adventure quite like it. It lifts your spirits and inspires you to see the world in a different way. The beautiful mix of music, color, animation, detail and setting make this a most unforgettable experience. 'Porco Rosso' is the definitive work from the legend of modern animation, Hayao Miyazaki.