Johnny Suede

"Johnny Suede" is not a film for all tastes. Not because it's a very strange piece, but because it's not an example of that in-your-face cinema that many are accustomed to. This is Tom DiCillo's directorial debut. I saw one of his recent films, "The Real Blonde," and I found it to be very impressive. So I felt quite curious about checking out his early work. There's not even a hint of flashy direction, and it's obvious throughout that the makers of the film were running on a low budget, but I didn't worry about those things.

Brad Pitt (before he became a household name) is great--and perfectly cast--in the lead role. Next to his role as Tyler Durden in "Fight Club" I would say this is one of the best performances of his career. I just felt, in every aspect, he was made to play this character. Even the pompadour looked perfect on him, and I couldn't imagine any other actor wearing it better. His character, Johnny Suede, is so utterly likable that you feel obligated to scurry along on his little journeys. Johnny is not the smartest guy on Earth, not the classiest either and certainly not the most successful. He lives a pretty simple life in a ratty apartment, listening to vintage records by rock and roll legends. He has dreams of becoming a rock and roll legend himself, and is the leader of a band. However, the band never quite takes off. None of that "I dream of becoming a rock and roll star and the next minute I'm staring at crowds of screaming fans chanting my name" garbage we see repeatedly on VH1 as one of the "Movies That Rock." This is the life of a real struggling artist, who does have talent and potential, but can't quite get off the ground. Well...not yet. His love life isn't all too successful, and that's what's hindering his ability to proceed in his daily endeavors. First he falls in love with a beautiful girl whose current boyfriend likes to beat her. He has every right to believe that the sparks are flying between them, but suddenly she just blurts out, "I don't love you, Johnny." Then he falls in love with Catherine Keener. Things go well between them at first, but like in his previous relationships things also get shot to hell eventually. And we feel sorry for this poor guy. He may not be smooth or unusually charming, but that's the point. He's a nice, unpretentious average Joe who seeks true love and quite frankly he's doing everything in his power to make these relationships work. I've always admired Brad (A.K.A. Mr. Handsome), but I considered this performance especially unique. Though he's just as handsome as he was in "Legends of the Fall" and "Meet Joe Black," he's not on screen to portray his now-proclaimed status as the "Sexiest Man Alive." He just plays a normal guy, living a normal life and seeking a normal relationship. Though we may not all go for the "pompadour" look or listen to classic oldies on an old record player, we can all relate to his character in some sort of way. And speaking of music, I love that line where he says, "Real music has no time." When you listen to great songs by great artists like Bill Haley and the Comets or Ricky Nelson, you don't think about what time period they came from because they're timeless. At first, I thought this movie might've been set in the 1950's, but in all actuality it just involves a man who happens to be fascinated by the trends of the 50's, and I'm down with that.

Don't expect a plot, because this is strictly a character-driven effort. And with a strong central character like Johnny Suede, I felt amazingly captivated and had an unspeakable urge to keep on watching. I guess you can call it a slice-of-life comedy-drama. I highly suggest people check out this overlooked gem. You'll laugh. You'll have fun. You'll have a good ol' time.

My score: 7 (out of 10)

Big hair-pieced Brad Pitt (as Johnny Suede) moves to a large American city, from North Dakota; he wants to become a Big pop music star. He has everything except "Black Suede Shoes". One evening, he discovers a woman being roughed up in an alley/alcove. While in a nearby phone booth, calling for help, Pitt is practically hit over the head with his blessed "Black Suede Shoes". Then, he feels he is on his way. Pitt is hampered by an underwhelming singing voice, and poor material; but, due to his muscular good looks, he is successful with women. Pitt has several sexy underwear scenes; and, he slips under the sheets with quirky Catherine Keener (as Yvonne) and alluring Alison Moir (as Darlette).

Pitt idolizes Ricky Nelson (who certainly would have gotten a *kick* out of this movie). For the record, the most frequently played song, Rick Nelson's "Teen Age Idol" could not have been turned over to play "Travelin' Man", as Pitt does in an effective scene with Ms. Moir. The two Nelson hits were on different Imperial singles. The record album hanging on Pitt's apartment wall is the excellent "Ricky Sings Again" album. "Midtown" is the best of the "original" tunes; it has some of the breezy feel evident in Nelson's early Decca material.

Moir, Ms. Keener, and Calvin Levels (as Deke) perform very well. Keener won an "Independent Spirit Award"; but, Moir and Mr. Leeds are also very impressive. Tempting Tina Louise (as Mrs. Fontaine), from "Gilligan's Island", has a leggy cameo; and, Nick Cave is a "Freak Storm". Debuting director Tom DiCillo's "Johnny Suede" is filled with style and good intentions.

****** Johnny Suede (1991) Tom DiCillo ~ Brad Pitt, Catherine Keener, Calvin Levels

Johnny Suede is like underground-filmmaking lite. It comes almost around the end of that era of New York City filmmaking that started many years before with more radical types like Andy Warhol and Jack Smith, and continued on with Jim Jarmusch (whom director Tom DiCillo worked for at one time), Betty Gordon and the guys that made New York Beat Movie. It's something about the beat of the street that DiCillo is interested in, at least in some part. But at the same time his lead figure is played by Brad Pitt, and it's like the slightly dim-witted rockabilly version of Henry from Eraserhead. It's nowhere near as bizarro as that, but DiCillo does try to be sure. He even has his intrepid would-be lady's man walking around a downtown NYC that looks as run-down as could be at the time, right before the city got a little more gentrified. It's a place with oddball rock n' rollers and street bums, midgets and painters, and oddball types of other varieties.

If it isn't entirely great it's because the film inhabits a strange region where it's not entirely underground, and could never be something mainstream despite its young star (who had just finished being female eye-candy in Thelma & Louise). Pitt is very good in the role though, taking up a character who isn't quite as stupid as he looks, but not intelligent enough to live in the "real" world. He's more into being a kind of hunky rockabilly guy, Ricky Nelson his idol, his huge pompadour the envy of anyone except for Nick Cave's character Freak Storm, also with an impressive head of hair. Like a real 'indie' movie there isn't too much of a plot: Suede gets a pair of shoes that kind of define him, tries to make a band that doesn't work out, paints to make ends meet, falls in love with one girl who dumps him for another and dates another (Catherine Keener) whom loves him dearly but who he treats badly.

What we have then is a movie without much of a story, and without much of a character that is iconic in ways that these indie films need to be. So why praise it so? Because of DiCillo's vision, and because Pitt does give the character what he needs as far as being real and raw enough to be taken seriously. He's a lunkhead, but not a bad person, kind of innocent and at his most vulnerable like a little puppy who needs help finding a woman's privates. It's a heady mix of grungy romance and some delirious dreams, some more touching than others. It could even be considered like a more "conventional" cousin to Eraserhead, where dreams and reality sometimes are indistinguishable to its protagonist, and whose direction in love and life is uncertain. If it's a little too light in the loafers to be fully embraced it may be expected as a first feature.

It's a fine jumping-off pad artistically for both its director (later to do the great Living in Oblivion) and of course its star, not to mention a very beautiful Catherine Keener and a perfectly weird Nick Cave.

This movie really comes out of nowhere, and stays fresh and intriguing from the first shot to the last. I couldn't stop smiling for a moment, it was so wonderfully weird!

The story centers around a pair of snazzy shoes, that are found by Pitt's character Johnny, then change his entire life. There isn't a great deal of plot, which is fine, because the story is driven by the bizarre people in Johnny's life, and the way in which he reacts to them.

The best thing about "Johnny Suede" is that you really don't know what people are going to say or do next. The most 'normal' person in the story is Keener's character, who is strange just for liking Johnny so much.

The photography and sound is fairly minimal, due to budget, but in a way, it really adds to the ambience of nothingness in Johnny's life. The directing of actors is really first-rate, and the script is a gem. Oh, and the hair is a must-see.

If you're in the market for something out of left-field, then this hits the spot!

This is one of the very early films in which Catherine Keener appears, and if you are among her growing population of admirers, this film is amust see. Keener has never been better, except maybe in "Living in Oblivion". Aside from that, this film is about as forgettable as an offbeat film can be. Annoying at times, there are some bright spots in this film that make it worthwhile as a whole.