Füge eine Handlung in deiner Sprache hinzuNew Yorker Adolpho Rollo is your classic head-movie auteur. In his mind, he's creating deathless classics of the screen. Back in the real world, he can't pay the rent on the downtown flophou... Alles lesenNew Yorker Adolpho Rollo is your classic head-movie auteur. In his mind, he's creating deathless classics of the screen. Back in the real world, he can't pay the rent on the downtown flophouse he calls home.New Yorker Adolpho Rollo is your classic head-movie auteur. In his mind, he's creating deathless classics of the screen. Back in the real world, he can't pay the rent on the downtown flophouse he calls home.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 3 Nominierungen insgesamt
Empfohlene Bewertungen
I watched this movie with widest smile and it was such a refreshing experience to see the best parts of distinctive directors I love in each scene beautifully put together by Alexandre Rockwell. It's funny, it's refreshing and relaxing. You may even simpathize wit the characters. More than recommended.
How fitting that Jim Jarmusch has a cameo, because this film is very much a Jarmusch type of movie. Had his name been under the "directed by" heading, I would never have doubted it. Which, I suppose, is a compliment to the real director. You also have to hand it to them for getting such a stellar cast. Buscemi is an indie darling, but Beals had already gone big by this point -- it was brave for her to take this role.
This is not so much a movie about making a movie as it is an underworld film. Not a mob movie, exactly, but definitely people of loose character who walk on the edges of society. And yet, there is something rather charming about them.
This small black & white independent film is very odd. It's because although it appears to have been made for practically nothing and looks grubby, it has an amazing array of supporting actors. This includes the director Jim Jarmusch (in an acting role), Jennifer Beals, Stanley Tucci, Carol Kane and Sam Rockwell in addition to Cassel and Buscemi. Obviously the filmmakers knew people.
So is it any good? Well, it certainly never is dull as the film is jam-packed full of weird and quirky folks. You just can't ignore them--and they are captivating and it looks, at times, like a Fellini film (he was known for the 'faces' co-starring in his movies). Weird beyond belief the more you watch! The only one who came off poorly, surprisingly, was Tucci, as his accent sounded very strange. The rest were strange but entertaining....as was the entire film! My recommendation is to watch it but turn off your brain...otherwise you're bound to wonder WHAT you are seeing!
Wusstest du schon
- WissenswertesThe car Aldolfo and Joe are in when Joe is in the Santa suit was Steve Buscemi's own car.
- Patzer61 minutes in, the position of Joe's hands changes entirely between shots as he's talking to Aldolpho.
- Zitate
Joe: It's nice here, huh Aldolpho? I love to watch the sunrise by the beach.
Aldolpho Rollo: It's the afternoon, Joe.
Joe: Well, you can't have everything.
- Alternative VersionenAlthough intended to be shown in black and white, the film was shot in colour for economic reasons. In the UK, the colour version was released on rental video, but the sell-through version was black and white.
- VerbindungenFeatured in Faut que ça danse! (2007)
Top-Auswahl
- How long is In the Soup?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- In the Soup
- Drehorte
- 509 Grace Avenue, Garfield, New Jersey, USA(The entryway into the apartment building)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 256.249 $
- Eröffnungswochenende in den USA und in Kanada
- 13.922 $
- 25. Okt. 1992
- Weltweiter Bruttoertrag
- 256.249 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1