Indochine

I thought it was good, if over-long. I've been reading the comments and people saying things about Indochine's realism. From what I can understand from my family (who are all half-French, half-Vietnamese, and who left Vietnam pretty much at the time the film wraps up), the sense you get of Eliane "being in charge" of the Vietnamese, and the failure to look at things from the viewpoint of the Vietnamese themselves, but only from the French perspective, is pretty accurate.

Society was essentially segregated in Saigon / Indochina. One member of my family told me a story about how they left the French "compound" in Saigon one day with their mother and - for the first time - saw the real Vietnamese people, in tattered clothes... Cue "why are they in rags, mummy?" "because that's the way most people live."

So, as I see it at least, I wouldn't criticise this film for the sense you get of the French being oblivious to the reality of their existence in Indochina. That's the way it was. That's the way most colonies were, in fact (think Shanghai). And I think that's the masterstroke of this film: that people lived their lives without ever thinking about the broader impact of what was going on, until everything just fell to pieces around their ears.

If we think about movies that deal with the recent past of Vietnam, then everybody immediately thinks of war movies like for instance, Platoon, Apocalypse Now, The Deer Hunter... But why is that? I know how important this war was for the Americans as well as for the Vietnamese, but this is an old country with an ancient culture that has a lot more to offer than the battles, bombs and booby traps in the jungle, the rice fields or the cities. "Indochine" is a movie that tries to show us another part of the country's history. It deals with the latest years of French colonial times in Vietnam or Indochine as they called it back then.

The story starts in the 1930's at one of the largest rubber-tree plantations in Indochine (Vietnam). This plantation is owned by the French colonist Eliane, a proud woman who lives with her father and her native adoptive daughter Camille. She doesn't have a husband or a man in her life (apart from her father), but gets to know the young officer Jean-Baptiste when both want to buy the same painting at an auction. They have a short affair, but than she refuses to see him again. In the meantime it's Camille who has fallen in love with Jean-Baptiste and Eliane knows it. She makes sure he's send to one of the most desolate outposts on some remote island, making sure that the two will never see each other again. Camille has no choice, but to marry the man she was promised to, but in the meantime she starts a search to find the man she really loves.

This could have been a romantic movie in a different setting than we are used to, but nevertheless one like we have seen many more before. And in a way it is, but the movie has a lot more to offer as well. It shows the atrocities committed by the French, the great poverty of the indigenous people, the rise of Communism and the futile attempts to stop them (before the French got involved in the war that would later be continued by the Americans). This movie is a lesson in history and geography wrapped in a paper of romance and marvelous landscapes. It was beautiful and dramatic at the same time. I was touched and amazed by it and really liked it a lot. That's why I give this movie at least an 8/10.

OK let's get it out of the way up front, Eliane IS France, Camille IS Vietnam the story is their story. Of course it is told from the French viewpoint, France is telling the story about her child growing up. It is a sad story, the French lost. It was not a happy story for the Vietnamese they had to fight for 2 more years to be reunited and struggle for 15 more to start to come out of the whole process. That said this is one of the most beautiful movies ever made, period.

The intricate ballet of personal dealings and politics is carried out so well that one can easily get lost in the levels, just as one can get lost in the intricate dance that is life in Asia. What you see is what you see, it may be more or less depending.

I do not believe that the movie defends France not does it condemn her. That part of the story is wisely left alone, what remains is a human drama of the folly of resisting the inevitability of change. As the film unfolds the sheer weight of history comes down on all involved.

It is that weight that brings the tears. From the time that Jean-Baptiste is brought to Saigon to the closing credits, there is no escape for anyone. The old order is out the new is awaiting its time of entry upon the stage. It is a time for tears, a time to mourn and ultimately a time to heal.

Americans in particular have a funny sense of history. We forget that others have been down the same roads before us. France's relationship with vietnam was most likely more of a force in the history of its people than ours with all of our napalm will ever be, because the French left a legacy of life that could be seen even in the senslessness of the American presence.

This movie captures that relationship and transcends it. Masterpiece is the lest one can say about such a work.

I've seen at least 10-20 post-Vietnam movies, nearly all concentrating on the war or the aftermath of a war in a country that most Americans know absolutely nothing about (including me).

What a relief it was to learn something about the years of mistreatment Indo-Chine (or Vietnam) suffered at the hands of the French colonists who seem to have the 'reverse-Midas-touch' when it comes to their land possessions. Then again, I suppose this is the way of all colonists who invariably mistreat their 'possessions'..

The acting was terrific by all involved. Learning the pre-war background behind the extreme North/South polarizations and seeing all the strife that's touched Vietnam was the best lesson I've yet gleaned from any Vietnam movie.

I think a cure has finally been developed for Oliver Stone.

As high a rating as possible.

Epic and spectacular movie plenty of romance , emotion , intense drama and historical events . In Vietnam before the American there lived the French . It deals with a plantation owner , Eliane : Catherine Deneuve , who creates a particular civilization transported to her hothouse and along the way she contends with the changes to her country . Deneuve starts a loving story with a young naval officer, Vincent Perez . But later on , he has a passionate affaire with Deneuve's adopted daughter, Linh Dan Pham , who grows up and becomes independent . Things go wrong when the French officer , Vincent Perez , is sent to a far outpost on the Gulf of Tonkín , shortly after, there appears the young Vietnamese girl . Midway throughout , having involved us so deeply in colonial Enterprise , he abruptly cut our cultural ties and plunged into the sweeping as well as bloody revolutionary myth . After that , the lovers get together and go on the run , being hidden by the communist guerrilla posing as theatre players . When the girl is incarcerated she discovers her people .

This is a lush romanticism movie , the alegorical intimitations can not be entirely believable , however the film is attractive and interesting , though overlong . It is almost as exotic as the breathtaking Vietnam landscape . It is rather enervatingly composed with long and boring scenes , but photography and gorgeous outdoors make up for it , though pacing could be certainly tighter . Deneuve gives a nice and controlled acting in her usual fashion as a powerful woman reared in Indochina from 1930 , following her life until the communist revolution 25 years later . She displays an unchanging and cold beauty that is eminently watchable . She is well accompanied by the young Vincent Perez and Linh Dan Pham . Along with notorius French secondaries as Jean Yanne and Dominique Blanc.

Shot on location in Vietnam with impressive and exquisite cinematography by Francois Catonne . It was filmed on location in Vietnam, Malaysia, and France. Some scenes were shot at Hue Palace and slave market frames were filmed in Halong Bay in Northeastern Vietnam, and several images from Paris . It contains a sensitive and evocative musical score by Patrick Doyle . The motion picture was professionally directed by Regis Wargnier . Regis is a good filmaker who has directed some nice and interesting films , such as : ¨The gate¨ , ¨Have mercy on us all¨, ¨The ligne droite¨ , ¨Une femme Francaise¨, ¨I am the king of the castle¨, ¨The woman of my life¨ and his greatest hit, ¨Indochina¨. It won several prizes and nominations . Being France's official submission to the 1993's Oscars in the best foreign language film category and it achieved Hollywood Academy Award to the Best Foreign film and various Golden Globes . And a lot of Cesar awards , such as : Actress, Art direction, cinematography, sound, and support actress Dominique Blanc. Rating : 6.5/10. Well worth seeing. Better than average.