Militäranwalt Leutnant Daniel Kaffee verteidigt Marines, die wegen Mordes angeklagt sind. Sie behaupten, dass sie auf Befehl gehandelt hätten.Militäranwalt Leutnant Daniel Kaffee verteidigt Marines, die wegen Mordes angeklagt sind. Sie behaupten, dass sie auf Befehl gehandelt hätten.Militäranwalt Leutnant Daniel Kaffee verteidigt Marines, die wegen Mordes angeklagt sind. Sie behaupten, dass sie auf Befehl gehandelt hätten.
- Für 4 Oscars nominiert
- 10 Gewinne & 30 Nominierungen insgesamt
- Tom
- (as Josh Malina)
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Galloway persists, however, believing that Santiago's death may have resulted from a `Code Red,' a method of disciplinary hazing employed in certain circles of the Corps, though illegal. And if this was a Code Red, the real question is, who gave the order? Ultimately, her tenacity prevails, but though Galloway is a seasoned lawyer, she has little actual courtroom experience, so Lieutenant Daniel Kaffee (Cruise) is assigned to the case, along with Lieutenant Sam Weinberg (Kevin Pollak), with Galloway, as ranking officer, to assist. Kaffee, the son of a legendary lawyer, has skated through the first nine months of his Naval career, successfully plea bargaining forty-four cases. Outwardly upbeat and personable, Kaffee seems more concerned with his softball game than he does with the time he has to spend on the job. But underneath, he's coping with living his life in the shadow of his late father's reputation, which is an issue with which he must come to terms if he is to successfully effect the outcome of this case. And on this one he will have a formidable opponent: Colonel Nathan R. Jessup (Nicholson), who commands the base at Guantanamo.
As Jessup, Nicholson gives a commanding performance, and once he enters the film you can sense the tension he brings to it, which begins to swell immediately, and which Reiner does a great job of maintaining right up to the end. Jessup is a soldier of the old guard, a man of narrow vision and a particular sense of duty; to Jessup there's two ways of doing things: His way and the wrong way. He's a man who-- as he says-- eats breakfast three hundred yards away from the enemy, and he's not about to let a couple of lawyers in dress whites intimidate him. And that's exactly the attitude Nicholson brings to this role. When he speaks, you not only hear him loud and clear, you believe him. It's a powerful performance and, as you would expect from Nicholson, entirely convincing and believable.
Cruise, also, gives what is arguably one of the best performances of his career as Kaffee. He perfectly captures the aloofness with which Kaffee initially regards the case, as well as the determination with which he pursues it later. Cruise is convincing in the role, and some of the best scenes in the film are the ones he plays opposite Nicholson in the courtroom, the most memorable being one in which Kaffee exclaims to Jessup, `I want the truth!' to which Jessup replies, `You can't handle the truth!' And the atmosphere fairly crackles.
Moore is outstanding, as well, and she manages to hold her own and make her presence felt even in the scenes dominated by Nicholson and Cruise. It's a fine piece of acting by Moore, who deserves more than just a passing mention for it. Also turning in notable performances are Pollak, whose dry humor adds such an extra touch to the film, and Wolfgang Bodison, who makes an impressive screen debut as Lance Corporal Dawson, on of the Marines on trial for the murder of Santiago.
The supporting cast includes Kiefer Sutherland (Kendrick), Kevin Bacon (Ross), James Marshall (Downey), J.T. Walsh (Markinson), Cuba Gooding Jr. (Hammaker) and Christopher Guest (Dr. Stone). A powerful drama, superbly delivered by Reiner, `A Few Good Men' is a thought provoking, unforgettable motion picture that makes you take pause for a moment to consider some things that are for the most part out of sight and out of mind. Like who is on that wall tonight, and are we safe because of him. And it makes you reflect upon some things perhaps too often taken for granted. And that's what really makes this film so good; and it's all a part of the magic of the movies. I rate this one 10/10.
Peter Travers of Rolling Stone magazine said "That the performances are uniformly outstanding is a tribute to Rob Reiner (Misery), who directs with masterly assurance, fusing suspense and character to create a movie that literally vibrates with energy." Richard Schickel in Time magazine called it "an extraordinarily well-made movie, which wastes no words or images in telling a conventional but compelling story." Todd McCarthy in Variety magazine predicted, "The same histrionic fireworks that gripped theater audiences will prove even more compelling to filmgoers due to the star power and dramatic screw-tightening."
I just wanted to share that, because all I can say is I agree entirely.
#10 Direction: Reiner perfectly paces a 2+ hour film, giving all the cast freedom to actually act and develop the story beautifully without any scene dragging.
#9 Cinematography and score: excellent scenes and music; making you believe you are there.
#8 Despite your feeling on Cruise (God, I hate people who judge his couch-jumping to his talent on film) he delivers a perfect transfer from 80s hot-shot/top-gun to real acting. Watch him challenge Jessep in the closing.
#7 It simply had the unfortunate timing of coming out the same year as 'Unforgiven' and 'Scent of a Woman' and lost best pic. Both of those were excellent movies and it would be tough for any voter.
#6 All actors given time to show depth, creativity and originality. I absolutely loved Moore, Bacon, Sutherland, Pollak and Cruise.
#5 In addition, even though everyone's performance was spectacular and Nicholson's was a brief one, he still stole his scenes and strongly deserved an Oscar. (I mean, c'mon 'You can't handle the truth!' scene was worth an award.)
#4 The Dialogue. Please, the main characters were good enough at bantering back and forth, but just witness the conversation between Cruise and the newspaper man.
#3 Chess = Courtroom. If Cruise's Kaffee performance wasn't evidence the direct correlation between chess and courtroom, I don't know what will. (i.e. Where's the mess-hall?)
#2 How many movies since 1950 have you seen end with "The End"? They seemed to know this would be a classic, without excessive violence, language, no sex or nudity.
#1 Everything, and I mean EVERY THING in this movie worked but simply judge it on one of the BEST SCENES of any movie ever: "You can't handle the truth!"
Over seeing the defence of the accused is Demi Moore, from internal affairs, who is renowned for her attention to detail. She believes their innocence and suspects a cover up.
In charge of the marine unit in question is Jack Nicholson, a hard-ass marine who commands respect and demands the best.
With outstanding performances from Jack Nicholson, Tom Cruise, and Yes Demi Moore as well. The plot develops, and the conspiracy surrounding the case becomes apparent. And its up to Cruise to lay his career on the line to find the truth.
This movie is a powerful drama, and is fantastically well made.
I love it 10/10
Wusstest du schon
- WissenswertesThe original play was inspired by an actual Code Red at Guantanamo Bay. Lance Corporal David Cox and nine other enlisted men tied up a fellow Marine and severely beat him for snitching to the Naval Criminal Investigative Service. Cox was acquitted and later honorably discharged. In 1994, David Cox mysteriously vanished, and his bullet-riddled body was found three months later. His murder remains unsolved.
- PatzerA Judge Advocate has the same qualified immunity as any other attorney arguing a defense. The premise that he could be subject to Court Martial for Professional Misconduct if he accuses Jessop and Kendrick of a crime is preposterous. He could be prosecuted however for failing to do so if it was necessary in the defense of the accused and if he, in good faith, believes that they may be guilty of said crime.
- Zitate
Judge Randolph: [to Kaffee from the judge's bench] Consider yourself in contempt!
Kaffee: Colonel Jessup, did you order the Code Red?
Judge Randolph: You don't have to answer that question!
Col. Jessup: I'll answer the question!
[to Kaffee]
Col. Jessup: You want answers?
Kaffee: I think I'm entitled to.
Col. Jessep: You want answers?
Kaffee: I WANT THE TRUTH!
Col. Jessup: YOU CAN'T HANDLE THE TRUTH!
[pauses]
Col. Jessup: Son, we live in a world that has walls, and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lt. Weinberg? I have a greater responsibility than you could possibly fathom. You weep for Santiago and you curse the Marines. You have that luxury. You have the luxury of not knowing what I know; that Santiago's death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, *saves lives*. You don't want the truth because deep down in places you don't talk about at parties, you want me on that wall. You need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide, and then questions the manner in which I provide it! I would rather you just said "thank you" and went on your way, Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a *damn* what you think you are entitled to!
Kaffee: Did you order the code red?
Col. Jessup: I did the job I...
Kaffee: [interrupts him] *Did you order the Code Red?*
Col. Jessup: *You're God damn right I did!*
- VerbindungenEdited into The Arrivals (2008)
- SoundtracksHound Dog
Written by Jerry Leiber and Mike Stoller
Performed by Big Mama Thornton
Courtesy of MCA Records
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Cuestión de honor
- Drehorte
- Naval Air Station Point Mugu, Point Mugu, Kalifornien, USA(Guantanamo Bay US Naval Base, Cuba)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 41.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 141.340.178 $
- Eröffnungswochenende in den USA und in Kanada
- 15.517.468 $
- 13. Dez. 1992
- Weltweiter Bruttoertrag
- 243.240.178 $