Excessive Force - Das Gesetz in seinen Händen

This is an AWESOME and underrated martial arts flick. The action is fast-paced, the plot is intriguing, and Thomas Ian Griffith shows off some impressive martial arts talent. The film has everything you want. From classic one-liners to over the top shoot-outs! If you are a fan of Van Damme or Seagal movies, you better check it out. Thomas Ian Griffith could of had a great career, too bad he never got another chance. The film also has an amazing supporting cast and direction and editing are perfect. A rare gem! I've seen the film over a dozen times and it never gets old...highly recommended. One of the last good 90's action kick 'em ups.

I really enjoyed this film. But not because of his action scenes, which action-crime films usually offers. The strongest edge of this film is acting crew. I mean, check it out: Thomas Ian Griffith (known from "Karate Kid 3" and "Vampires", the leading man here, he did a fine job, but on some moments pretty shallow performance, nevertheless, he is good), Lance Henriksen (Aliens, Alien 3, AVP, OK, no surprises here, this commanding and great actor appeared in many low budget films, so it's not surprising at all), Charlotte Lewis ("Pirates" and "Men of War", well, I think she was chosen because of her beauty, nothing more), Burt Young (Rocky films, he is a good actor and I usually expected him in supporting roles in big budget films), W. Earl Brown ("Deadwood", he is great, and this was one of his first works), Tony Todd ("Candyman", great, scary actor, known for his trade mark height and deep, spooky voice, well, he appeared in most of these low budget films, so it's not surprising at all) and James Earl Jones ("Star Wars", now... I was really confused about him here, what a hell? How did he get here, the best actor in the film... in such low budget film, well, maybe he liked the crew too). And I think that acting crew is the best thing in this film and it's worth watching because of it.

Now, when it comes to script and plot, it's an average revenge seeking film, I mean this film was really unknown, and yet they put a challenging taglines like "Meet the new contender", "In 70s, we had Bruce Lee, 80s Chuck Norris and now in 90s... meet the new guy", all that exaggerated claims... and in the end... no luck. I think that Griffith is a good actor and a good martial artist, but this kind of movies can't do much for you... If you are a fan of these kind of films, you can easily enjoy it.

"Karate Kid Part III" villain Thomas Ian Griffith debuted as star with this routine B level actioner which he also wrote and co-produced. Griffith plays Terry McCain, a Chicago detective hoping to righteously bust pompous mafioso Sal DiMarco (Burt Young). But time and time again, he gets away with everything. After a bust, the mobster believes that either Terry or one of his fellow cops stole some money from him, and all Hell breaks loose.

Overall, this is quite routine, with a script by Griffith that is pretty predictable. It wins no points for originality, but, as directed by Jon Hess ("Watchers"), it entertains adequately. It has sex appeal (but no nudity), a fair amount of bloody violence, and fine use of Chicago locations. The fact that the supporting cast is very strong - it includes Lance Henriksen, James Earl Jones, Tony Todd, and W. Earl Brown of 'Deadwood' fame - does help matters a fair bit. At first glance, it would seem that Jones, as a jazz club proprietor, is sorely under-utilized, but he gets more to do as the story plays out. Young is fine, although he doesn't exactly have to stretch himself. Henriksen and Todd remain great value. Griffith is a reasonably likeable chap, albeit no great shakes as an actor. Still, he makes for a decent action movie star, with a couple of opportunities to show off his martial arts moves (as well as a standard workout scene with which to start off the movie). Charlotte Lewis ("The Golden Child") looks extremely delectable as McCains' ex-wife, but she didn't improve as an actress after that memorable Eddie Murphy vehicle.

Good pacing (this runs a trim 87 minutes) and an atmospheric Charles Bernstein score further aid in the telling of this story, which does lead to the inevitable bloodbath.

Six out of 10.

Thomas Ian Griffith seems to be a better actor then screenplay writer, because the story is somewhat forgetful, the story centers around Terry McCain, A tough Dirty Harry like cop. who beats a confession out of witness in order to put a mob boss(Burt Young) away for life. But the mob boss, gets off due to Terry's excessive antics on a witness. But the heat really gets turned up on Terry, when the mob boss turns up dead, and Terry becomes the main suspect. Thomas Ian Griffith may seem like another Steven Seagal, but unlike Steven Seagal, Thomas Ian Griffith is an action hero who can act, and unlike Steven Seagal's characters, Thomas Ian Griffith made the character of Terry McCain, more human then one dymentional. Despite good acting by Thomas Ian Griffith,and good martial arts scenes. The story is very forgetful.

Terry McCain and his team of Chicago police officers bust up part of mob boss Sal DiMarco's operations. The trial falls through due to the use of excessive force, but $3000000 from the bust goes missing. When DiMarco kills both McCain's partners in an attempt to get the money back, McCain goes after him but decides to spare his life. The next day DiMarco is found dead and McCain realises that there are crooked people around him who are using him to do their dirty work and that they'll soon need to kill him to tidy it all up.

Seeing the cast list in my TV guide I assumed that this would be a classy little thriller so I decided to give it a go. When the opening credits made it look more like any one of a million `straight to video' martial arts films I realised that I had been duped a bit, but decided to give it a go anyway. The plot (written by Griffith himself) is basically the normal one for this type of thing – cop is framed and must fight an army to clear himself and take down the bad guy. It is delivered in quite a good way so it never feels as lame as it is if you actually think about it later. The `twists' are expected – or at least you know there will be twists as there always is in this type of thing.

For an action film I must admit that I found the action scenes to be quite workmanlike and even dull at times. It is evident that Griffith had been watching the films coming out of Hong Kong at the time and had wanted to try and emulate some of that. This can be seen in the two handed gun play he does as well as the scenes in the jazz bar (both of which show that he had seen John Woo's Hard Boiled at least). Sadly without the same style he never gets close and most of his fights are good but far from anything impressive or spectacular. Despite these influences the film still falls into the old clichés, so we have a few scenes of T&A (both actually quite nice – Lewis is better looking that she appears and Cruzat only input is to wear very small underwear and walk across a room - yummy!)

Griffith actually struggles to carry the film and I didn't feel that he had the screen presence he needed to do it. At the start of the film I didn't think he had the looks of a leading man and looked more like a support bad guy – nothing in the film changed this view, although he did do quite well with some of the more `emotional scenes'. Happily the support cast is full of familiar faces, although why they all signed up for this is beyond me! The famous support is split into two camps – those that make the film better and those who seem to be slumming it. James Earl Jones and Burt Young are definitely among the `slummers' and seem confused as to how they signed up for this. In the other camp Henriksen raises every scene and is better than his stereotypical role should have been, while Todd (Candyman) is lively and enjoyable. Charlotte Lewis used to be in Grange Hill as a youth but her English accent doesn't get in the way – and the T&A clause in her contract shows her to have grown up nicely! Sadly she has little to do but be naked or be saved by McCain!

Overall this is not an awful film but it is a very ordinary one. If you have a choice between a blockbuster and this then I'd be tempted to pass on this but, out of a like for like choice this is actually pretty much par for the course. Not great in any sense of the word but just about has enough going for it to justify watching it if there's nothing else on TV.