Equinox - Zwischen Tag und Nacht

This and Rudolph's "Trouble in Mind" seem, to me, to be companion pieces. They both take place in a future that serves to create a mood around the characters rather than spectacle for the audience. They seem to be almost completely forgotten with no DVDs on the cards, and that is a shame since they are both terrific.

Equinox contains great work from Matthew Modine, Lara Flynn Boyle and Kevin J. O'Connor in particular, but this is a quality production from top to bottom. The twin storyline threatens to drag this into the trash but the script dodges a lot of the tiresome clichés that you would expect from reading the synopsis or tag line.

Please ignore the poor rating and bad reviews on IMDb. This one has been severely overlooked.

Equinox is a movie that begins with an interesting enough idea, but loses it in the second part of the movie and just becomes a boring drudge. Modine, Marisa Tomei, Kevin O'Connor, M. Emmet Walsh and Fred Ward are all top par actors who are up to the challenge. Lara Flynn Boyle, on the other hand, is seriously underwhelming and gives the movie nothing.

The movie follows twins who don't know of each other's existence. One is good, the other bad. The good twin is much more arrestingly played by Matthew Modine than the bad one; the script also gives the bad one little of interest to do anyway. I couldn't work out what Lara Flynn Boyle was doing in the movie and the character of the writer also eluded me. The movie didn't make me care enough to find out.

1st watched 9/10/1998 - 5 out of 10(Dir-Alan Rudolph): Strange tale of twin brothers going their separate ways after being adopted. The film leaves too many questions unanswered and finishes so abruptly that it seems to have been cut short in production. A longer and complete story could have been better.

Those commentators who thought this movie was rubbish were either totally uneducated or in a vile mood and shouldn't have bothered watching, or else they have no knowledge of life at all.

The story was deep, and that requires thought and insight for an audience to appreciate, not just superficial watching and waiting for the action. There were so many messages in this one film I would need to write a thesis to cover them all. Sure, there were a few weaknesses, but a film is made to entertain an audience, not to satisfy literary critics. I found the characters all extremely clear-cut, the situations well portrayed, the story satisfying and very poignant. Again, the portrayal of the twins and their sad story was a very deep concept, open to all sorts of interpretation. The final scene was absolutely spot-on - a view into endlessness, waiting for explanation of why things happen as they do.

Matthew Modine is an outstanding actor, who is in my opinion not sufficiently appreciated for his fine work. Maybe for the average cinema-goer he plays parts that require more insight, and therefore doesn't hit the spotlights. That he doesn't appear in every boulevard magazine is a tribute to his qualities, they don't lend themselves to cheap gossip. His double role in this film is proof of his versatility, even though neither role is at all flattering to an actor's image. Who wants to play a loser! or a small-time gangster? Respectively, who can do it convincingly? I watch this film every time it's shown and can still find more in it. A real "cult" film, Mr. Modine's specialty.

I almost switched this picture off, because the stylish character of the delivery seemed a bit too pushed, and I did not feel that I was getting any sense that the plot was going anywhere. But stay with it, it turns out to be a satisfying, well-fashioned film. Later on, it seems to roll more comfortably, either because one gets accustomed to the stylish form, or because that aspect of it gets toned down somewhat.