Criss Cross - Überleben in Key West

Considering that the story-line sounds like the typical fodder for the women's movie networks, this film is quite well done. The characters and performances are pretty believable, the kids are fairly kid-like, and for those of you who have written off Goldie Hawn, she's quite nicely un-Goldie-Hawn-ish. This is not a great film, but it's a pretty good probability that there is nothing better on cable at that moment.

Almost no other motion picture so deftly captures the look, water, grit & sensibility of Key West in 1969. Excellent camera work (Ivan Strasburg), coupled with inspired lighting lend the true taste of America's southernmost island on film. Chris' (David Arnott) despair that his mother (Goldie Hawn) sells her sexiness at a local strip bar, plays counterpoint to his emerging manhood shared with girlfriend, Termina (Christy Martin). The crafty screenwriter (Scott Sommer) use the first rocket to land a man on the moon, as an effective time in which to set the story. It becomes a powerful phallic symbol as the boy growns to manhood. Another terrific use of symbolism is seen when the automobile carrying Chris and his mother across the Seven Mile Bridge breaks-down. The image is a visual metaphore for the of the pair in opposition. The Chris fixes the car represents his growing ability to control the world around him. The scene is also visually stunning. There are plenty of other symbolic touches used in this sweet and somewhat overlooked film.

Of course it was no blockbuster, but just a nice, unglamorized story from a page out of the life of this fractured family. You could really get a feel for the time, and the soundtrack served that well, as well as the backdrop of the moon landing. It really brought back those sweet, sultry memories of long, carefree summers and young love. I think almost every note was true to life, even if the ending was a little too pat. Goldie Hawn did a great job with this more dramatic role (and still looked great!) and her co-lead, David Arnott, gave a realistic yet understated performance. David Carradine's part was brief and somewhat shallow, but still effective in conveying the emotional fallout from the Vietnam experience, however; it certainly wasn't a "Jacknife" caliber role. The scenery and atmosphere of the movie was beautiful and really made you feel like you were right there. It made for a nice Sunday afternoon viewing.

Slow paced as mentioned in another comment like a sleepy summer afternoon, the depiction of life in Key West in the late 60's rings true. It isn't polished and glitzy or glamorous. You can see this play out in your life or the life of friends.

the film centers around young David Arnott in the title role. The awkwardness and naturalism works in making it more real.

If you are looking for whizbang Hollywood value type of action here, this isn't the place. what you get is a true to life drama that can happen anywhere, at any place. David's moral choices are based on how he sees things as a real kid.

As a movie, it works well.

This is one of those movies where the user rating seems strangely out of step with the comments on it. With one, barely worth the mention, exception, all those who have commented liked the film. I too found it a very pleasant diversion and a film that I have happily watched several times.

To my way of thinking young David Arnott does a terrific job and is absolutely charming. He plays Chris, a completely innocent kid who gets on the wrong side of the law, when he sees an opportunity to get enough cash to rescue his mother, Goldie Horn, from her new job as a stripper. It is a big ask to take a 12-year old lad with no acting experience to play what amounts to the lead in a movie and to narrate it too. It is also asking a lot for him to have to be filmed briefly in the buff in one scene. If he had a problem or two, it is hardly surprising. Nevertheless, it is his innocent charm which carries the film. There is also a nice chemistry between David Arnott and Goldie Horn.

I sincerely hope that this was not another case of the critics massacring a movie and with it a promising kid's career.