Eine glücklich verheiratete, 24-jährige Frau, die ein unerklärliches, ruheloses Verlangen verspürt, ihr Leben endlich intensiv zu leben, erzählt ihre außerehelichen Eskapaden ihrem Ehemann, ... Alles lesenEine glücklich verheiratete, 24-jährige Frau, die ein unerklärliches, ruheloses Verlangen verspürt, ihr Leben endlich intensiv zu leben, erzählt ihre außerehelichen Eskapaden ihrem Ehemann, um ihre Ehe aufzupeppen.Eine glücklich verheiratete, 24-jährige Frau, die ein unerklärliches, ruheloses Verlangen verspürt, ihr Leben endlich intensiv zu leben, erzählt ihre außerehelichen Eskapaden ihrem Ehemann, um ihre Ehe aufzupeppen.
Andrea Berardicurti
- Drag Queen
- (Nicht genannt)
Tinto Brass
- Comendator Scarfatti
- (Nicht genannt)
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Great cinema is a matter of many elements drawn from a vocabulary, formed into a great weave.
From time to time, it is enough for me to dive into a tone poem on just one element of the vocabulary. Eroticism is inherently cinematic and the other way around as well. But it seems that as much as sex is used, it rarely seems to be simply erotic. By "simple," I mean something that may not exist in the real world, that is noninvasive and nonexploitive. That has the same purity that romance has in the date movie.
...which means it has to be shaped and conveyed with cinematic quality. Some of Brass's later films do this, I think. I like "Paprika" but that's largely because of the surrounding story, I think. Brass found a woman in a pizza shop and built the movie around her. But this may be his best in terms of cinematic values.
Its not for everyone. Female fantasies of this type are connected to bodies and for mysterious reasons we're all over the place on that. But you might look at this simply for overall effect, especially how the camera is not casual, but the woman at the center is. Tat difference is part of the engineering, and notable.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
From time to time, it is enough for me to dive into a tone poem on just one element of the vocabulary. Eroticism is inherently cinematic and the other way around as well. But it seems that as much as sex is used, it rarely seems to be simply erotic. By "simple," I mean something that may not exist in the real world, that is noninvasive and nonexploitive. That has the same purity that romance has in the date movie.
...which means it has to be shaped and conveyed with cinematic quality. Some of Brass's later films do this, I think. I like "Paprika" but that's largely because of the surrounding story, I think. Brass found a woman in a pizza shop and built the movie around her. But this may be his best in terms of cinematic values.
Its not for everyone. Female fantasies of this type are connected to bodies and for mysterious reasons we're all over the place on that. But you might look at this simply for overall effect, especially how the camera is not casual, but the woman at the center is. Tat difference is part of the engineering, and notable.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
I've seen most of Tinto's films and this one follows the same mold..... Wife cheating, but the husband should be understanding because she loves him. It's interesting that Tinto never has the husband respond with affairs of his own. If Pollo had told Diana it's fine we'll have an open marriage.... There are some sexy ladies at work who want my body... Would she be understanding?
Claudia Koll handled her part well, but Pollo could have been better cast. Tinto's films are a step up from most soft-core.
One of the best erotic movies of all times. Movie cuts a fine balance between eroticism and porn. Diane(Claudia koll) is at her best and expresses a lot through her body and body language.Scenes are done tastefully and beautifully.Claudia has one of the best bodies and personality , which she has used to her best.A beautiful married woman looking for sexacapades outside marriage makes the movie watchable .It also sends a strong message of women sexuality and freedom,of course which is so very common now and out in the open.Tinto brass has done well to give us a masterpiece . Hope someone can keep all of us posted of such movies
All Ladies Do It (1992)
** (out of 4)
Italian erotic film from the director of Caligula tells the story of Diana (Claudia Koll), a woman happily married to her husband (Paolo Lanza) for five years. Even though she loves him more than anything that doesn't take away her sexual desires for other men. The husband can't stand not being the only one but perhaps after time he'll learn that "all ladies do it". This is only my second film from Brass and his visual style is certainly on full display here even though his story telling skills aren't the greatest. I was shocked at how well the screenplay actually was because a lot of softcore efforts place the story second behind the sex but that really wasn't the case here. The message of a woman having the right to be "sexual" without being labeled "sluts" was taken very serious by the film. Brass does a very good job with the look of the film with some great cinematography and some wonderful set designs. The biggest issue I had with his direction is that the entire film comes off as a butt fetish video as Brass is constantly zooming in on women's behinds. I like a good butt as much as the next person but after a while it grows quite tiresome but the scene where the women decide to go skinny dipping is priceless. The performances aren't really anything special but they do the job and in the end God knows there's a lot worse out there than this.
** (out of 4)
Italian erotic film from the director of Caligula tells the story of Diana (Claudia Koll), a woman happily married to her husband (Paolo Lanza) for five years. Even though she loves him more than anything that doesn't take away her sexual desires for other men. The husband can't stand not being the only one but perhaps after time he'll learn that "all ladies do it". This is only my second film from Brass and his visual style is certainly on full display here even though his story telling skills aren't the greatest. I was shocked at how well the screenplay actually was because a lot of softcore efforts place the story second behind the sex but that really wasn't the case here. The message of a woman having the right to be "sexual" without being labeled "sluts" was taken very serious by the film. Brass does a very good job with the look of the film with some great cinematography and some wonderful set designs. The biggest issue I had with his direction is that the entire film comes off as a butt fetish video as Brass is constantly zooming in on women's behinds. I like a good butt as much as the next person but after a while it grows quite tiresome but the scene where the women decide to go skinny dipping is priceless. The performances aren't really anything special but they do the job and in the end God knows there's a lot worse out there than this.
Tinto Brass is usually referred to as either a misunderstood genius or a talentless hack. Cosi fan tutte ("All Ladies Do It") proves that he's neither one. When he doesn't take himself too seriously (which, unfortunately, he does quite often) the man is perfectly capable of creating fun, well-polished, strict entertainment. Cosi fan tutte certainly slips into the realm of pornography on occasion, but it has a sense of lightness and fun that breaks the ice and avoids real discomfort, and even, in some ways, a certain feminist sensibility (though the moral of the story shouldn't be taken as a very serious statement). It's a funny, sexy, beautifully shot erotic comedy that doesn't drag along too much and should be quite a lot of fun for open-minded couples to watch together.
Wusstest du schon
- WissenswertesLike all the women doing an audition for Tinto Brass, Claudia Koll underwent the infamous "coin test". Brass explains: "I have them presented in their skirts and without panties, then I drop a coin on the floor. Depending on what they let me see in the bow, I sense their cinematic potential. Believe me... it's an infallible method."
- PatzerWhen Diana sits on the toilet, at the Venezia apartment, she is wearing a hat. When she stands up, the hat is over the table and she picks it up before leaving.
- VerbindungenFeatured in Sexual Life (2004)
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