Slugs

Slugs (1988)

** (out of 4)

Gory, dumb but fun "nature attack" movie about a small town coming under attack by mutant slugs. These slugs might move slow but that doesn't mean they don't like to eat some human flesh and it's up to one guy (Michael Garfield) to try and stop them. SLUGS comes from director Juan Piquer Simon who is best remembered for his cult favorite PIECES but this here is every bit as entertaining so we can really give him credit for two of the most fun bad movies of the decade. This one here wouldn't have worked even if Stanley Kubrick or Martin Scorsese had directed it because, really, who on Earth would even try to make a movie about killer slugs? No matter how much carnage they do, the viewer just isn't going to be scared of a bunch of slugs. With that said, instead of scares the director gives us some pretty wild and pretty over-the-top gore scenes and many of them have to be seen to be believed. The highlight of the film has to be a sequence where a couple gets done having sex only to find out too late that the entire floor is covered in slugs. The poor woman who falls on the floor makes for a very gory sight. Other highlights include a very memorable chain of events where one man unknowingly eats a slug. The aftermath has enough gore for two movies. There's no question that the death scenes are the highlight of the film and help it move along. The performances are a mixed bag with most of the cast giving pretty wooden work. Can you blame them considering they're in a movie about killer slugs? The pacing in the film is a bit too slow for its own good but there's no doubt that fans of silly horror films will want to check it out.

The premise behind Slugs sounds ultra cheesy - mutated killer slugs. But it actually turns out to be quite fun and better than any regular "nature-run-amock" horror flick. I was expecting another god awful cheesy, campy bug movie along the lines of Ticks or Skeeter. In other words, I didn't expect anything good at all, who would ever be scared of a slug? I mean, it is one of the slowest creatures in the world after all!. Imagine my surprise then, when I found that not only is this movie not that bad, but.... it is actually pretty damn entertaining and good! Actually, the best word to describe Slugs is FUN! Sure, it's pretty damn cheesy and the general idea is pretty laughable, but with the delivery, Slugs actually turned into a decent little horror movie. Not only that, but it does even manage to...ahem, get under your skin a bit. Plus, for those gore hounds out there, there's a ton of that as well.

This is a very highly rated horror from the 80's, a fantastic movie with a well paced out plot and a great budget for effects, a good cast and an erratic tension building soundtrack, you wouldn't think slugs could be scary but they are now, only in the 80's could they get away with a creature feature like this, its chock full of amazing effects, plenty of marvelous stand out bloody gore moments throughout, if you're big on 80's horror then this is a must have!

Overall rating: 7 out of 10.

Toxic-mutated, man-eating slugs descend upon a small US town, consuming everything human in their path. The town's health inspector, Mike Brady (Michael Garfield), is convinced by the threat, but even as the body count multiplies, the mayor and his businessman cronies won't listen. It's up to Brady to find a solution to end the slaughter and save the town.

Shifting the action from Shaun Hutson's Britain-set novel, "Pieces" filmmaker Juan Piquer Simón writes and directs, following formula all the way. I mean, the hero is virtually named Chief Brody and the upstanding-professional-versus-blinkered-authority schtick was done miles better in Steven Spielberg's Jaws 13 years earlier.

"What'll it be next," scoffs the sheriff, "demented crickets?" He's got a point. Convincing the authorities that there's a shark in the water is a far cry from carnivorous gastropods. But the premise actually works okay – its inherent silliness is a reasonable argument for scepticism, after all.

Slugs: The Movie (to give it its full title) is dumb as hell but not without merit. It's well made and swiftly paced, and there's just enough characterisation to make you care about the community under threat (even if those characters tend to be identified by a single feature: she's a drinker; he's an Englishman etc).

The special make-up effects are good, gradually ramping up in grossness. These little bastards are mean, happy to munch the flesh and the eyes off their victims. There are hints of the Piranha movies in the creatures' swarming nature (although the quality of filmmaking is a step up from James Cameron's cack-handed sequel). But a more appropriate comparison might be Fred Dekker's equally squirmy Night of the Creeps, which two years prior did a better job of embracing the camp 50s monster movie vibe.

While there are probably too many scenes involving people walking into offices and receiving phone messages (if ever there was a movie to be fundamentally altered by cell phones, it's this), the narrative structure is solid, and decent production values allow for a surprisingly exciting and large scale ending – even if Brady's final plan is preposterously reckless.

Slugs delivers few surprises, simply transposing its icky threat into a stock plot for a genre not used to posing such slow-moving threats. But it's fun and disgusting and worth a go for the post-pub slot in the run-up to Halloween.

The paint-by-numbers plot of "Slugs" is hardly innovative, even for a horror movie: chemical wastes generate mutated, flesh-eating killer slugs in a small community whose authority figures refuse to believe the stalwart head of the local health department until it is too late. Our heroes are on their own to devise a way to kill the beasties and do so with explosive vigor and sacrifice...except. And although the film was made after Roger Corman left New World, it has his trademark drive-in blend of teen sex, blood, and gross-out makeup effects.

But the direction is tight, efficient and never lagging, with good production values within its budget and mostly competent acting and dialog that lets the clichés roll. Special effects are quite well done (if generally repulsive), and the small town atmosphere (exteriors were primarily filmed in the upstate New York town of Lyons) is effective.

Slugs is an above average entry into the low budget eco-horror genre, good for those who still miss Saturday night at the drive-in.

From Juan Piquer Simon, the late, great director who also blessed genre fans with such unforgettable gems as "Pieces" and "Pod People", comes this ode to those slimy little animals, who have mutated and become carnivorous thanks to that old cinematic standby, toxic waste. The monsters start claiming victim after victim, and only a select few individuals are willing to do anything about the problem, including County Health Inspector Mike Brady (Michael Garfield).

Based on a novel by Shaun Hutson, and scripted by Ron Gantman, this movie is delicious...really. Who can see the scene with the lettuce and not feel hungry? "Slugs: The Movie" (named this way to avoid confusion with "Slugs: The Musical"?) is such good fun, and when watching it, it's hard to believe that Gantman, Simon, and company didn't have their tongues in their cheeks the whole time, what with the unrelenting delivery of so much priceless dialogue ("You ain't got the authority to declare Happy Birthday, not in this town!") and performances.

They also show their willingness to cast aside expectations in terms of one scene late in the game involving an attempted rape. One memorable sequence features two young lovers who get besieged by the titular killers, and the male of the pair quite prominently displays his backside for the camera. Of course, if you want a true highlight sequence, it has to be the one in the restaurant with the VERY unlucky David Watson (Emilio Linder), which is so very appropriately timed.

The gore and effects are quite fun to watch in this thing, and they're the work of Carlo De Marchis. The actors are all a hoot, especially Santiago Alvarez as John Foley, John Battaglia as Sheriff Reese, and prolific veteran Spanish actor Frank Brana in a brief cameo appearance.

Horror fans whose tastes include the silly & cheesy 80s material are sure to find this a real treat, right from its amusing beginning to its impressive conclusion where a lot of things blow up REAL good. It's 90 minutes worth of engaging nonsense.

Eight out of 10.