Slugs

The paint-by-numbers plot of "Slugs" is hardly innovative, even for a horror movie: chemical wastes generate mutated, flesh-eating killer slugs in a small community whose authority figures refuse to believe the stalwart head of the local health department until it is too late. Our heroes are on their own to devise a way to kill the beasties and do so with explosive vigor and sacrifice...except. And although the film was made after Roger Corman left New World, it has his trademark drive-in blend of teen sex, blood, and gross-out makeup effects.

But the direction is tight, efficient and never lagging, with good production values within its budget and mostly competent acting and dialog that lets the clichés roll. Special effects are quite well done (if generally repulsive), and the small town atmosphere (exteriors were primarily filmed in the upstate New York town of Lyons) is effective.

Slugs is an above average entry into the low budget eco-horror genre, good for those who still miss Saturday night at the drive-in.

What's the use of bashing this movie totally into the ground ? I think both cast & crew were perfectly aware that they weren't making a true masterpiece of cinema. They joined into the trend of making disgusting and utterly nasty mutated animal movies and - keeping that in mind - it's good for what it is. Besides, the director of Slugs - the Spanish Juan Piquer Simón - was the same guy who brought us the most hilarious "so bad it's good"-movie I ever saw !! He delivered Supersonic Man 10 years earlier and I'm still laughing when I think about that, so I can't be too harsh on him.

Slugs is a very easy to watch horror film. It's nothing more than a slideshow of bloody and gory scenes with an extremely thin plotline to connect it all. A whole lot of lousy characters are introduced and a few minutes later they're brutally getting killed by thousands of ugly slugs. That's it ! Meanwhile, a guy from the healthy department is running from one side to the other, trying to convince his little town that they're facing a terrible disaster. Don't worry too much about where the slugs come from and how they got this big, because the scriptwriters didn't seem bother much about that neither. Mutated flesh-eating slugs...period ! The acting is bad and the dialogues are ever worse...Pay no attention to what they're saying because it looks just like a lousy attempt to create a little atmosphere. Nasty killings and whole buckets of blood ! that's the only reason to give it a look.

Slugs (1988)

** (out of 4)

Gory, dumb but fun "nature attack" movie about a small town coming under attack by mutant slugs. These slugs might move slow but that doesn't mean they don't like to eat some human flesh and it's up to one guy (Michael Garfield) to try and stop them. SLUGS comes from director Juan Piquer Simon who is best remembered for his cult favorite PIECES but this here is every bit as entertaining so we can really give him credit for two of the most fun bad movies of the decade. This one here wouldn't have worked even if Stanley Kubrick or Martin Scorsese had directed it because, really, who on Earth would even try to make a movie about killer slugs? No matter how much carnage they do, the viewer just isn't going to be scared of a bunch of slugs. With that said, instead of scares the director gives us some pretty wild and pretty over-the-top gore scenes and many of them have to be seen to be believed. The highlight of the film has to be a sequence where a couple gets done having sex only to find out too late that the entire floor is covered in slugs. The poor woman who falls on the floor makes for a very gory sight. Other highlights include a very memorable chain of events where one man unknowingly eats a slug. The aftermath has enough gore for two movies. There's no question that the death scenes are the highlight of the film and help it move along. The performances are a mixed bag with most of the cast giving pretty wooden work. Can you blame them considering they're in a movie about killer slugs? The pacing in the film is a bit too slow for its own good but there's no doubt that fans of silly horror films will want to check it out.

Killer slugs on the rampage in a rural community.

Believe it or not, the story behind the screenplay started as a book. In the original novel, the titular slugs were not caused by radiation or any such thing, but actually on author Shaun Hutson's knowledge that there were three species of carnivorous slugs. (The book's success apparently was enough to get the author the gig to write "The Terminator" novelization.)

If you love the late J. P. Simon's "Pieces" (a true cult classic if ever there was one), you may also love "Slugs". It has some of the same great things going for it: incredible special effects on the gore, a great 1980s mentality and some of the worst dialogue ever to hit a screen near you (which may be due to the fact that the actors are not proficient in English).

The film is best enjoyed by taking it as not seriously as possible. I mean, thousands of slugs that come and go in unison, eat people and apparently have the ability to plan ahead? Not very plausible. A high school teacher who has his own lab for experiments? Not likely.

But I personally love this movie. I think it is so unbelievable that it is just perfect for a good film with friends, some Tootsie Rolls and a soda. And if you have the legendary horror historian Jon Kitley lurking around making slug-shaped chocolates, that just tops it off. This Spanish film made in America featuring Italian actors is a must-see.

The Arrow Video Blu-ray is jam-packed. We have audio commentaries with "Slugs" author Shaun Hutson and filmmaker Chris Alexander. The Hutson commentary is interesting in that he never actually met any of the film's producers, actors or director, so the focus there is much more on horror literature. There are also new interviews with actor Emilio Linder, special effects artist Carlo DeMarchis, art director Gonzalo Gonzalo and production manager Larry Ann Evans. The last one, with Evans, is really very insightful and tells you more stories about the making of the film than you're likely to hear anywhere else.

From Juan Piquer Simon, the late, great director who also blessed genre fans with such unforgettable gems as "Pieces" and "Pod People", comes this ode to those slimy little animals, who have mutated and become carnivorous thanks to that old cinematic standby, toxic waste. The monsters start claiming victim after victim, and only a select few individuals are willing to do anything about the problem, including County Health Inspector Mike Brady (Michael Garfield).

Based on a novel by Shaun Hutson, and scripted by Ron Gantman, this movie is delicious...really. Who can see the scene with the lettuce and not feel hungry? "Slugs: The Movie" (named this way to avoid confusion with "Slugs: The Musical"?) is such good fun, and when watching it, it's hard to believe that Gantman, Simon, and company didn't have their tongues in their cheeks the whole time, what with the unrelenting delivery of so much priceless dialogue ("You ain't got the authority to declare Happy Birthday, not in this town!") and performances.

They also show their willingness to cast aside expectations in terms of one scene late in the game involving an attempted rape. One memorable sequence features two young lovers who get besieged by the titular killers, and the male of the pair quite prominently displays his backside for the camera. Of course, if you want a true highlight sequence, it has to be the one in the restaurant with the VERY unlucky David Watson (Emilio Linder), which is so very appropriately timed.

The gore and effects are quite fun to watch in this thing, and they're the work of Carlo De Marchis. The actors are all a hoot, especially Santiago Alvarez as John Foley, John Battaglia as Sheriff Reese, and prolific veteran Spanish actor Frank Brana in a brief cameo appearance.

Horror fans whose tastes include the silly & cheesy 80s material are sure to find this a real treat, right from its amusing beginning to its impressive conclusion where a lot of things blow up REAL good. It's 90 minutes worth of engaging nonsense.

Eight out of 10.