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RoboCop

  • 1987
  • 18
  • 1 Std. 42 Min.
IMDb-BEWERTUNG
7,6/10
300.199
IHRE BEWERTUNG
BELIEBTHEIT
887
408
Peter Weller in RoboCop (1987)
In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories.
trailer wiedergeben0:31
1 Video
99+ Fotos
CyberpunkEine TragödieGangsterOne-Person-Army-ActionPolizistendramaSchwarze KomödieSuperheldActionKriminalitätScience-Fiction

In einem dystopischen und von Verbrechen heimgesuchten Detroit kehrt ein tödlich verwundeter Polizist als mächtiger Cyborg zurück, der von versunkenen Erinnerungen heimgesucht wird.In einem dystopischen und von Verbrechen heimgesuchten Detroit kehrt ein tödlich verwundeter Polizist als mächtiger Cyborg zurück, der von versunkenen Erinnerungen heimgesucht wird.In einem dystopischen und von Verbrechen heimgesuchten Detroit kehrt ein tödlich verwundeter Polizist als mächtiger Cyborg zurück, der von versunkenen Erinnerungen heimgesucht wird.

  • Regie
    • Paul Verhoeven
  • Drehbuch
    • Edward Neumeier
    • Michael Miner
  • Hauptbesetzung
    • Peter Weller
    • Nancy Allen
    • Dan O'Herlihy
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    300.199
    IHRE BEWERTUNG
    BELIEBTHEIT
    887
    408
    • Regie
      • Paul Verhoeven
    • Drehbuch
      • Edward Neumeier
      • Michael Miner
    • Hauptbesetzung
      • Peter Weller
      • Nancy Allen
      • Dan O'Herlihy
    • 678Benutzerrezensionen
    • 260Kritische Rezensionen
    • 70Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 2 Oscars nominiert
      • 11 Gewinne & 13 Nominierungen insgesamt

    Videos1

    Robocop (1987)
    Trailer 0:31
    Robocop (1987)

    Fotos831

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    Topbesetzung76

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    Peter Weller
    Peter Weller
    • Murphy…
    Nancy Allen
    Nancy Allen
    • Lewis
    Dan O'Herlihy
    Dan O'Herlihy
    • The Old Man
    • (as Daniel O'Herlihy)
    Ronny Cox
    Ronny Cox
    • Jones
    Kurtwood Smith
    Kurtwood Smith
    • Clarence
    Miguel Ferrer
    Miguel Ferrer
    • Morton
    Robert DoQui
    Robert DoQui
    • Sgt. Reed
    Ray Wise
    Ray Wise
    • Leon
    Felton Perry
    Felton Perry
    • Johnson
    Paul McCrane
    Paul McCrane
    • Emil
    Jesse D. Goins
    Jesse D. Goins
    • Joe
    • (as Jesse Goins)
    Del Zamora
    Del Zamora
    • Kaplan
    Calvin Jung
    • Minh
    Rick Lieberman
    • Walker
    Lee de Broux
    Lee de Broux
    • Sal
    • (as Lee DeBroux)
    Mark Carlton
    • Miller
    Edward Edwards
    Edward Edwards
    • Manson
    Michael Gregory
    Michael Gregory
    • Lt. Hedgecock
    • Regie
      • Paul Verhoeven
    • Drehbuch
      • Edward Neumeier
      • Michael Miner
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen678

    7,6300.1K
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    Empfohlene Bewertungen

    bob the moo

    Classic science fiction film full of excess, humour and satire

    In a futurist Detroit, crime is high and the police are run by a massive private company, keener to reduce running costs than reduce crime. When their new police robot ED209 develops a glitch, they turn to a prototype that blends human tissue with high-tech circuitry. Meanwhile Police officer Murphy and his partner Lewis are out gunned by criminals leaving Murphy mortally wounded. OCP take Murphy's body and use it to make Robocop. However Robocop is so successful that he is targeted by criminal Boddicker. Boddicker turns to his shadowy partners in crime, while Robocop struggles to deal with human memories and a programming system that seems designed to control him and keep him in the dark.

    Verhoeven's first US film was to set the mould for how the rest of his career would pan out - extreme violence and very little idea of restraint. However this is one of his best films and has much in common with one of his other best (Starship Troopers) - ultra-violence, funny black humour, great action and tonnes of satirical digs at modern life. Here the plot revolves around the creation of Robocop and his fight against crime that goes right to the top. This is complimented by the sub-plot of him trying to rediscover his human side. This is full of great action scenes and eccentric villains.

    The black comedy is funny, although sometimes you feel bad laughing at so much violence, but the sideswipes are the best. Verhoeven takes digs at TV with his advert filled news broadcasts, at privatisation by showing the crumbling police stations and the huge corporate towers and at heroism by showing Robocop creating just as much mayhem and destruction as the criminals he pursues. His strength however is the action scenes and the sense of tension he creates - I'll don't think anyone can forget the sheer terror of ED209's `glitch'.

    Weller is good - cast because of his strong jaw and ability to project emotion through a suit of armour - and he does manage to bring out the human side. Allen is good but a but dry. The real support comes from the eccentric, and well known villains and corporate bosses. Ronny Cox, Smith, Ray Wise, Perry, O'Herlihy and Miguel Ferrer are all great in various capacities. Criminal or greedy corporate leader - it's hard to tell which is which at times.

    A classic bit of sci-fi. Verhoeven has sadly not had a moment as fine as this since and has recently had problems being excessive in Hollywood - the land of excess! This is a landmark film that may not be to everyone's taste.
    Infofreak

    A brilliant mix of science fiction, action and satire that has yet to be topped.

    Paul Verhoeven's career in recent years has been wildly uneven, but back in the 1980s he rocked! His movies 'Spetters', 'The Fourth Man' and 'Flesh & Blood' are all brilliant and worth tracking down. His next movie, his first Hollywood one, could have been a complete disaster. Verhoeven initially passed on it without reading the script and wasn't experienced in working with special effects or a fan of science fiction. Thankfully his wife insisted he make the picture and the end result was a triumph. Apparently this was a very tough shoot for all concerned but the bottom line is what is on screen, and it really works. Few movies if any have managed to juggle SF, action and grim satire in such an entertaining and original fashion. Verhoeven was blessed with an excellent script, a well chosen bunch of actors, and a great behind the scenes team, and added to his own vision 'RoboCop' turned out to be one of the best movies of the 1980s, whatever the genre. Peter Weller ('Buckaroo Banzai') pulls off a difficult job - making the audience care about a guy in a monster suit. Probably the best performance of its kind since Boris Karloff in James Whale's 'Frankenstein' back in the 1930s. Nancy Allen ('Dressed To Kill'), Kurtwood Smith ('12.01 PM'), Ronny Cox ('Deliverance'), Miguel Ferrer ('Twin Peaks'), and the rest of the supporting cast are all first rate, and everything about this movie is perfect. Verhoeven stumbled with his next movie 'Total Recall', and apart from 'Starship Troopers' has pretty much failed to fulfill his potential, but 'RoboCop' remains a classic SF/action movie and a fantastic way to end a great decade of work.
    9Peach-2

    Put down your weapons...

    Robocop is an unbelieveable experience. I haven't watched the film since 1988 and the other day I recieved it on DVD. So I eagerly popped it in the player and BOOM!!! The only way I can describe Robocop is ultraviolence. The film is so over the top and out of control. The film speaks of a future where big companies will run the governmental defense. Those times are upon us more and more everyday. Paul Verhoeven has made one of the most important science fiction films ever made and it's a brillant piece of cinema.
    8mjw2305

    Cracking Futuristic Action

    Robocop, born of technology is a cyborg, half man/half machine. The future of Law enforcement is here, and he's kicking ass.

    Alex Murphy was the unfortunate candidate chosen to be robocop after he was brutally massacred by a gang of scumbag criminals. And the robocop program was brought in, after the E.D. 209 (An all robot killing machine) proto-type failed so disastrously.

    Alex Murphy, now Robocop is effectively dead, but he still has a memory, and sets out on a quest to avenge his own Death, by finding the scumbags responsible.

    With some quite horrific violence (E.D. 209 and Murphy scenes mainly) and some brilliant action, Robocop is character that you will warm to, as he fights crime on a personal level.

    Solid entertainment 8/10
    8Theo Robertson

    80s Classic That Didn't Need Remaking

    In a crime ridden Detroit of the near future a corporate company OCP has the answer to fighting crime - invent a new type of policeman who won't go on strike . After the death of a policeman called Murphy they stick his body in to a metal shell . Murphy however can still remember a time when he was human

    I once did an evening film course called Talking Pictures which would involve watching a film then having a two hour group discussion on the film . I saw the filmography before the class started and the vast majority would be art house foreign cinema . The one exception was ROBOCOP and I knew instantly this was the one that was going to split the group right down the middle in to love it or hate it with no in between . True to form this how things worked out . Most the class despised it wondering why the class had to watch such a cartoonish commercial film . I however did state I loved it and considered it to be the third best SF movie of the 1980s behind THE TERMINATOR and ALIENS

    What makes ROBOCOP such a cerebral enjoyable film is the uncommon mix of social satire and no holds barred Verhoeven excess . While " greed is good " to a certain extent the idea of corporate capitalism is something to be rejected . A small self elected clique ruling over the Universe in order to maximise profits is a bad mix of capitalism meets self serving communism . Not so much a mixed economic system but more a combination of greedy speculators from one system being merged with the unthinking party loyalty of the other system . It's greed for money plus greed for power which is a marriage made in hell and being dead isn't enough to make you escape the clutches of OCP and the film revolves around the human element of Murphy remembering who he once was and it's this that is at the core of the movie

    Of course Verhoeven isn't a director who does sentimental mawkish stuff and I doubt if the audience was wanting to see a Walt Disney film . What they were wanting to see was bad things happen to very bad people and you can't help cheering as criminals get killed , maimed , mutilated and in one case melted . It's a violent film but one that is so cartoonish that the violence is not to be taken seriously , a fact reflected in the loud slightly unrealistic acting style . This attitude wasn't enough to stop its British network premiere on ITV becoming farcical with a TV version being broadcast with notorious lines like " you gonna be a bad mother crusher " along with key scenes like the ones with mister melty conspicuous by their absence

    There is of course a new version of ROBOCOP hitting the cinema this week but is a film I have no interest in watching judging by the clips I've seen of it . It's strange to think that another Verhoeven classic TOTAL RECALL was also recently remade . As it stands the original ROBOCOP remains one of the greatest genre films from the 1980s containing wit , satire and enjoyably mean carnage

    Handlung

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    • Wissenswertes
      Most shots of RoboCop and the police car show him getting out or preparing to get in. Peter Weller didn't fit into the police car in full costume. When he needed to be in the car, he wore the top part of the costume and sat in his underwear. To maintain the illusion that RoboCop wears the entire suit while inside a car, most shots show his robotic feet exiting first.
    • Patzer
      When RoboCop goes to the grocery store robbery and sends the robber through the glass door of the small refrigerator, you can see that the glass is already cracked and starts to break before the man goes through it.
    • Zitate

      [repeated line]

      RoboCop: Dead or alive, you're coming with me!

    • Crazy Credits
      The standard copyright notice at the end of the film includes a warning that "This motion picture is protected under the laws of the United States and other countries and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution by enforcement droids."
    • Alternative Versionen
      In 1995, The Criterion Collection premiered the 'unrated' edition of RoboCop on LaserDisc. The 1987 theatrical release was cut in several scenes to attain an R-rating, and this unrated version restored that footage. The unrated version has subsequently been used for many of the film's DVD and Blu-Ray releases.
      • The first cuts appear in the scene where ED-209 goes berserk and shoots Kinney during the meeting. In the director's cut there is another frontal shot of Kinney getting riddled with bullets at the start of the scene. When Kinney collapses onto the model of Delta City, there are extra shots of him being bloodily hit with more bullets, as well as the ED-209 technicians struggling to rip wiring out of the circuit board. Restoring this footage makes the scene much more darkly comical.
      • During the car chase, when Clarence's henchman Bobby is shot in the leg, the R-rated version shows a long shot, while the unrated has a gruesome close-up of Bobby's leg being shot.
      • Murphy's death is almost a minute longer in the unrated version. After his hand is blown off, Murphy looks in horror at the stump, before Clarence's gang blows off his entire arm with gunfire. The subsequent part with him being riddled with bullets is much longer as well. An elaborate tracking shot is used only in the unrated that shows the back of Murphy's head exploding into the camera when he is finally shot by Clarence. This shot made use of a fully-mechanical prosthetic Murphy built by make-up special effect artist Rob Bottin. The overhead shot of Lewis kneeling beside Murphy's body at the end of the scene is also exclusive to the unrated version.
      • Clarence Boddicker's death is shown in different shots depending on the version. The R-rated shows a long shot of him staggering away immediately after being stabbed, while the unrated shows a tight close-up.
    • Verbindungen
      Edited into Zeiram (1991)
    • Soundtracks
      Show Me Your Spine
      Music by P.T.P.

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    Details

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    • Erscheinungsdatum
      • 7. Januar 1988 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Facebook
    • Sprache
      • Englisch
    • Auch bekannt als
      • Robocop, el defensor del futuro
    • Drehorte
      • Plaza of the Americas - 700 N. Pearl Street, Dallas, Texas, USA
    • Produktionsfirma
      • Orion Pictures
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    Box Office

    Ändern
    • Budget
      • 13.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 53.424.681 $
    • Eröffnungswochenende in den USA und in Kanada
      • 8.008.721 $
      • 19. Juli 1987
    • Weltweiter Bruttoertrag
      • 53.432.134 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 42 Min.(102 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby SR
      • Dolby Atmos
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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