Monster Truck

I hope that most Canadian films aren't as bad as this one. It is about a truck driver whose whole family was killed (not all at once) by a Family of Stereotypical drunk hicks who were for some reason found innocent in court. The truck driver (Instead of doing something easy like shooting them all with a shotgun)constructs a Monster truck from parts that he finds in a junk yard to avenge his family's death. This movie has no satisfaction to offer anyone, unless you like watching the hero's girlfriend get raped by inbred, gravy eating hillbillies.

"Death Wish" like revenge flick with a "monster truck" as the weapon. After most of his family is killed by Ned Beatty and his "knuckle dragging" offspring, the surviving Father and Son seek revenge on Beatty and all out war ensues. The battle is not without casualties on both sides. The Father winds up on his death bed in the local hospital, and our hero's girlfriend is gang raped. Out comes the weapon of choice "monster truck", which flattens Beatty's car lot inventory in short order, and then proceeds to crush four brothers who obviously could barely write their name in the sand with a stick. The final confrontation destroys Beatty's bar and miraculously gives our hero a scapegoat, and a"Death Wish" type ending. - MERK

Joey Rosso (Don Michael Paul) is a young independent trucker who works with his dad Big Joe (Lawrence Dane) hauling stuff for anybody and everybody. That includes even the wretched Doyle clan, because hey, work is work. But the Doyles feel compelled to show the world what sons of bitches they are. They cause an accident that claims three members of the Doyle family. Then Big Joe is badly injured in a traffic accident that they instigated. All of this, and the law seemingly cannot touch the Doyles. Well, Joey's not going to stand for this. He takes the super-duper monster truck on which he's been working, and metes out some brutal vehicular revenge.

Written by Michael Thomas Montgomery, this routine but enjoyable vengeance saga fulfills its requirements more than adequately. It establishes the Doyles as so completely vile that you are just ACHING to see them get what they deserve. Presiding over these stereotypical redneck cretins is patriarch Tiny Doyle (Ned Beatty), giving us two father figures of differing stripes in the story. Just about everything in Montgomery's script plays out as you would expect it to, if you've ever seen other movies like this. It doesn't just push buttons, but takes a sledgehammer to them.

Of course, the real "star" is the title monster truck, designed and operated by Michael Welch. When it first makes an appearance, it's a cheer-worthy moment. And the relentless onslaught of vehicular carnage is fun, although there's no gore to speak of, and thereby offend some potential viewers.

Paul, who went on to an interesting career as screenwriter ("Harley Davidson and the Marlboro Man") and director ("Half Past Dead", "Tremors 5"), is a perfectly serviceable protagonist. You definitely sympathize with this guy. Dane has a warm and wonderful presence, and Beatty (other than Paul, the only token American in the cast) is pretty good. Lisa Howard is appealing as Joey's sweet girlfriend; look for familiar Canadian actors such as Susan Hogan ("The Brood"), Michael J. Reynolds ("Visiting Hours"), and Leslie Carlson ("Videodrome") in supporting roles and bits.

All in all, this is pretty damn good for this kind of action fare. Ideal viewing if you love trucks and just want to put your brain in neutral for just over 92 minutes.

Seven out of 10.

I *loved* this film. It's a classic, universal story -- the story of a young man named Joey whose entire family is killed by Ned Beatty's mentally retarded offspring. Unable to cope with his feelings of loss and helplessness, Joey makes a decision we can all sympathize with. He builds a gigantic, flame-spouting tank with 7' tires and proceeds to take revenge on those who have wronged him, as well as their vehicles and buildings.

The vehicle itself is impressive -- it's not just a pickup truck on huge tires, it's a wholly scrap-built "Mad Max" battlewagon. It carries a gigantic retractable drill/metal cutter on its front bumper, apparently scavenged from some gratuitously suggestive metal-rendering machinery. There's a great scene involving the drill, a drainage pipe, and the protaganist's girlfriend that conjures echoes of Tetsuo, the Iron Man.

The thing that surprised me most was the acting. Let me make this clear -- the script is awful, a tissue-thin vehicle intended to carry the film from one scene of gasoline-fueled mayhem to the next. Yet, this cast of mostly unknown actors all rise far above the occasion, adding unexpected dimension to a movie that's really all about the sound of crunching metal and breaking glass. Ned Beatty, the sole recognizable name in the lineup, delivers a stellar performance as an aging greaser and single parent, trying to protect his quasi-legal business interests and his fetal-alcohol-syndrome afflicted bastard children as they are crushed one by one under the wheels of a vengeance-crazed truck driver. Even the weepy girlfriend and the one-day-before-retirement county sherrif are played as low-key, believable characters.

So, there you have it. Rolling Vengeance -- a timeless story of tragedy, family, and monster trucks. See it with someone you love, and a case of cheap beer.

Distraught after the hooligans who killed his mother and sisters avoid conviction thanks to a heartless judge, a young rig driver designs a monster truck to enact revenge in this action film from Canada. The film gets off to a slow start with nearly half the duration elapsing before the trucker designs the machine, but the tension never ceases once it goes into action. The vehicle is a remarkable feat of imagination with flame throwers and a giant drill, plus the wheels of a tractor, and it is startling to watch it crush other cars (like a tank), break through walls and run people over. If all this sounds over-the-top, it is because it is, but no matter, such exaggerations fit in well with the film thematically, which is about a young man reacting in the most extreme way he knows to an adverse situation. Quality supporting turns (from Ned Beatty as the hooligans' father and Lawrence Dane as the protagonist's father) help matters too, and the film has a few acute things to say about the risks of working for scumbags - something that his father tells him is necessary, but something that also leads to the demise of half his family. The film may have worked better with the hooligans being fleshed out in further depth (they are pretty much interchangeable) but no doubt half of the film's audience will come from those in it for the truck, which is indeed great even if it only appears somewhat late.