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Radio Days

  • 1987
  • PG
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
7,4/10
37.976
IHRE BEWERTUNG
Mia Farrow in Radio Days (1987)
Official Trailer ansehen
trailer wiedergeben2:26
2 Videos
70 Fotos
MockumentarySchrullige KomödieKomödie

Ein nostalgischer Rückblick auf das goldene Zeitalter des Radios, in dessen Mittelpunkt eine normale Familie und die verschiedenen Radiodarsteller stehen.Ein nostalgischer Rückblick auf das goldene Zeitalter des Radios, in dessen Mittelpunkt eine normale Familie und die verschiedenen Radiodarsteller stehen.Ein nostalgischer Rückblick auf das goldene Zeitalter des Radios, in dessen Mittelpunkt eine normale Familie und die verschiedenen Radiodarsteller stehen.

  • Regie
    • Woody Allen
  • Drehbuch
    • Woody Allen
  • Hauptbesetzung
    • Mia Farrow
    • Dianne Wiest
    • Mike Starr
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    37.976
    IHRE BEWERTUNG
    • Regie
      • Woody Allen
    • Drehbuch
      • Woody Allen
    • Hauptbesetzung
      • Mia Farrow
      • Dianne Wiest
      • Mike Starr
    • 139Benutzerrezensionen
    • 71Kritische Rezensionen
    • 74Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 2 Oscars nominiert
      • 3 Gewinne & 10 Nominierungen insgesamt

    Videos2

    Official Trailer
    Trailer 2:26
    Official Trailer
    Radio Days
    Clip 0:31
    Radio Days
    Radio Days
    Clip 0:31
    Radio Days

    Fotos70

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 64
    Poster ansehen

    Topbesetzung99+

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    Mia Farrow
    Mia Farrow
    • Sally White
    Dianne Wiest
    Dianne Wiest
    • Bea
    Mike Starr
    Mike Starr
    • Burglar
    Paul Herman
    Paul Herman
    • Burglar
    Don Pardo
    Don Pardo
    • 'Guess That Tune' Host
    Martin Rosenblatt
    • Mr. Needleman
    Helen Miller
    Helen Miller
    • Mrs. Needleman
    Danielle Ferland
    Danielle Ferland
    • Child Star
    Julie Kavner
    Julie Kavner
    • Tess, the mother
    Julie Kurnitz
    • Irene
    David Warrilow
    • Roger
    Wallace Shawn
    Wallace Shawn
    • Masked Avenger
    Mick Murray
    • Avenger Crook
    • (as Michael Murray)
    William Flanagan
    • Avenger Announcer
    Seth Green
    Seth Green
    • Joe
    Michael Tucker
    Michael Tucker
    • Martin, the father
    Josh Mostel
    Josh Mostel
    • Abe
    Renée Lippin
    • Ceil
    • (as Renee Lippin)
    • Regie
      • Woody Allen
    • Drehbuch
      • Woody Allen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen139

    7,437.9K
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    Empfohlene Bewertungen

    8ccthemovieman-1

    Nice Piece Of Nostalgia

    If you are looking for the normal amount of big laughs from a Woody Allen film, then you will be disappointed here. It's not that kind of film.

    I was anything but disappointed, but I knew what the film was all about before I saw it. Actually, what drew me to it was that I had read where this was a wonderful visual film, filled with rich colors and great set designs. It did not let me down. This is a great visual tribute to the 1940s, to be exact from 1938 to 1944. A real treat for the eyes.

    The story centers around a Jewish family in Queens and the importance that radio shows had in that day-and-age. Also profiled in here are some of those radio performers.

    It does have laughs but not as many as the normal Allen movie because the idea of this is simply to be a nostalgic piece, mainly Allen's tribute to his own family days of growing up, what it was like around his house.

    It was interesting to see Seth Green playing Woody as a youngster with flaming red hair. The most interesting person, however, was Diane Wiest who played a man-chasing sister-in-law. The film gives you a real flavor of the period, of New York and of a Jewish family.

    Overall, it's simply a nice film....and gorgeous to look at. Sometimes I think some of Allen's work is overrated but, boy, here is one that is definitely underrated.
    bigpurplebear

    Well, waddaya know, Woody does have a heart after all . . .

    In preface, let me say that I was born at the tail-end of the "golden age of radio," but just in time to experience a touch of its magic and the hold it had on households night after night in that pre-TV era. Add to that a favorite aunt who had worked in radio for years on the West Coast and who regaled her nephew with story upon story, which in turn led to the years I later spent in radio (luckily, prior to the "formula radio" days). It all adds up to my absolutely having to go see "Radio Days" when it first came out, despite the fact that I'd never been the world's foremost Woody Allen fan. Too much of his work, for me, lacked that indefinable but oh so recognizable element of "heart."

    Well, I was wrong about Woody. This film shows it.

    Autobiographical -- or perhaps semi-autobiographical -- in nature, "Radio Days" evokes the time when people returned "to those thrilling days of yesteryear," and for whom, quite probably, it was equally thrilling to contemplate the magic of a box in their living room that could cause them to "watch" the stories unfold in their minds. "Remotes," or on-the-spot broadcasts transported them to the scene of unfolding tragedies or triumphs in a way that newspapers never could (and which TV, for all its advantages, rarely matches).

    And yet the film, for all its authenticity in recreating studio practices (watch, for example, how the actors drop completed script pages onto the floorrather than turning them and risking a tell-tale rustle of paper), isn't really so much about radio itself as it is about the people who listened, as personified by one raucous, cantankerous and loving Brooklyn family. Beautifully evoked, particularly by Julie Kavner (Mother), Michael Tucker (Father), and the incomparable Dianne Wiest (as the perenially lovelorn Aunt Bea), it is their reactions to what they hear on the radio -- whether listening breathlessly to the war news (at a time when the end result was anything but certain) or Bea's abandonment in the middle of nowhere by a panicked suitor as Orson Welles' "War of the Worlds" broadcast takes hold -- that bring to life the era and the power of that medium.

    Standouts? The whole cast is perfect, but for me, in addition to those previously mentioned, I have to cit Mia Farrow's portrayal of the dim-bulbed Sally White, who transforms herself with the aid of speech lessons into a radio personality. (For that matter, catch Danny Aiello as a less-than-brilliant hitman, particularly his scenes with Dina DeAngeles as his mom.)

    Criticisms? One: At the end of a poignant scene in which young Joe has finally discovered what his dad does for a living, Allen insists on falling into some standby "schtick" in his voiceover. (I guess he couldn't resist; thankfully, it doesn't ruin the moment.)

    Ultimately, of course, it is the era itself that this film celebrates. Faithfully, and lovingly, it is recreated with a skill that points up its absurdities at the same time it makes one hopefully nostalgic. And, if you're not very careful, you wind up falling hopelessly in love with this funny, obscure Brooklyn family.

    And to the end of my days, I'll always wonder whether poor Aunt Bea ever did find her "Mr. Right" . . .
    9lindaz

    A wonderfully nostalgic, funny and historically interesting film.

    In my opinion, Radio Days is right up there with Annie Hall though it's different in that it's following several people's lives. Woody doesn't act in this, but his narration is excellent.

    He takes the wonderful old songs and commercials from that time and weaves them into the story. I was completely captivated.

    It's not a "laugh a minute" type film, but it also gets you thinking. Nevertheless, it has some hilarious scenes. Check out the Jewish fasting holiday scene. I've watched it at least 6 times and I still laugh. Also the scene with Mia Farrow's character was superb. One of my favorite lines is when she tells a top radio producer in her high-pitched nasal voice, "Jeez. We can't keep meeting like this. In the backs of cars, movie theaters and stalled elevators. You're gonna lose your respect for me!" I love this film.
    9Galina_movie_fan

    Woody Allen's own "Amarcord"

    Radio Days (1987)- written, directed, and narrated by Allen:

    What a beautiful, kind, gentle, ironic, warm, sentimental (in a very good way and yes, I am talking about Woody Allen's movie, that's right) yet perfectly balanced delight. It is a series of sketches about young Joe (young Allen, of course, played by Seth Green - that was a surprise), an adolescent in Brooklyn, NY during 1930s-1940s who was passionately in love with radio which was a king. The film is a tribute to the magical radio days and the myths and legends about radio personalities, the memory of a grown man who never forgot where he came from, the love letter to his always fighting and arguing ("I mean, how many people argue over oceans?") but loving relatives and a very funny comedy (the way only Allen's comedy can be). It is the film where pretty like a doll and painfully naive Sally (Mia Farrow) asks who Pearl Harbor is? Where gorgeous Diane Keaton sings and Diane Wiest, his beloved Aunt Bea never gives up hope of one true love. He never told us if she found it...

    "I never forgot that New Year's Eve when Aunt Bea awakened me to watch 1944 come in. I've never forgotten any of those people or any of the voices we would hear on the radio. Though the truth is, with the passing of each New Year's Eve, those voices do seem to grow dimmer and dimmer."

    The Radio days are gone but thanks to Allen, the voices of the times passed are still clear and sound and they always will be.

    9/10
    10annmason1

    Everybody's Family

    This is a wonderful wonderful movie that exemplifies the phrase, "misty watercolored memories." It is a joy to watch and listen to. The era before and during WWII, however, was anything but wonderful. Radio Days presents a time when America was dealing with the Great Depression and its after effects and the horrible event that was World War II. Since the man narrating the memories was only a boy then, it is altogether fitting and proper that he see things as a child; for as he states in one scene, "our conversation turned from Nazis to more important things,like girls." No movies, except this one, that I recall, are able to deal with this critical age in American history without conveying the tragic time that it was.

    I would like to think this family was really Woody Allen's, but it is probably a work of fiction, like his other pieces. But how tremendous that he can create (or remember) these people. As I watched it, one thought that kept recurring was that these were not "beautiful" manufactured people like we see in the media today; they had big hips and were fat and poor and... and none of that mattered. They were real. They were believable. You can't watch this movie without wondering what happened to them, did Aunt Bee find a husband? You cared about this family and personally, I wished they were mine.

    The vignettes were sad and sweet. My favorite was poor departed Kirby Kyle; at least he had heart! And Leonard; and "donations for the promotion of a state in Palestine." So many memories that make us a part of a family most people never had. The viewer belongs to this warm and loving group.

    Something has been lost with the concept of "nuclear family," with the lonely big houses and empty hours and unshared hopes and sorrows. Radio Days reminds us that having someone to experience life with is a treasure and a blessing, despite whacks on the head, martians, and fish, "That man always brings home fish!"

    And oh, the music!

    This is Woody Allen's masterpiece.

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    Handlung

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    • Wissenswertes
      The story of Kirby Kyle, the ill-fated baseball player, is a parody of former Chicago White Sox pitcher Monty Stratton, whose promising career was derailed after he lost part of his leg due to a hunting accident. Stratton attempted a comeback and then retired. His life was made into a movie: The Stratton Story (1949).
    • Patzer
      In one scene, a pack of Camel cigarettes lies on a table, with a clearly visible bar code on the side of the package. The Universal Product Code would not be introduced until the 1970s.
    • Zitate

      [Last lines]

      Narrator: I never forgot that New Year's Eve when Aunt Bea awakened me to watch 1944 come in. I've never forgotten any of those people or any of the voices we would hear on the radio. Though the truth is, with the passing of each New Year's Eve, those voices do seem to grow dimmer and dimmer.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Radio Days/Critical Condition/Outrageous Fortune/Restless Natives (1987)
    • Soundtracks
      The Flight of the Bumblebee
      (1899-1900)

      Music by Nikolai Rimsky-Korsakov

      Performed by Harry James

      Courtesy of CBS Records

      Played during the opening credits

    Top-Auswahl

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    • How long is Radio Days?Powered by Alexa
    • Was the little girl getting trapped in a well based a true story?
    • Where else I have seen Seth Green?

    Details

    Ändern
    • Erscheinungsdatum
      • 1. Oktober 1987 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • MGM
    • Sprachen
      • Englisch
      • Spanisch
      • Italienisch
    • Auch bekannt als
      • Días de radio
    • Drehorte
      • Radio City Music Hall - 1260 6th Avenue, Rockefeller Center, Manhattan, New York City, New York, USA(Joe, his Aunt Bea and her date see a movie there)
    • Produktionsfirmen
      • Jack Rollins & Charles H. Joffe Productions
      • Orion Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 16.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 14.792.779 $
    • Eröffnungswochenende in den USA und in Kanada
      • 1.522.423 $
      • 1. Feb. 1987
    • Weltweiter Bruttoertrag
      • 14.792.779 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 28 Min.(88 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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