Auf den Schwingen des Todes

Harsh crime drama deals with a lonely IRA hit-man named Fallon (Mickey Rourke )sickened by the murder along with his partner (Liam Neeson) of innocent people in Northern Ireland . He is on the run but has to complete one last assignment , when happens to be witnessed by a priest (Bob Hopkins ) who becomes an unwitting associate when the killer hides out at the church . The execution is duly carried out , triggering off the rest of argument. Fallon long to quit , is a man with nowhere to run . He has come to London where is pursued by the Ira (Alison Doody) ,the police and a mobster (Alan Bates )and his brother (Christopher Fulfold) . Meanwhile the hit-man falls in love with the priest's blind niece (Sammi Davis).

This is a dramatic film , well paced , often interesting and never boring ; it's plenty of action , thrills, suspense , a love story and quite entertaining . This picture further afield both in terms of location and theme have not led to the full realization of his potential . Actors make a great job , Rourke sporting a decent Irish character , over-the-top Hopkins in a worthy role and fine performances from Alan Bates and Christopher Fulford as underworld kingpins. Very secondary acting of Anthony Head , subsequently famous as the teacher in Buffy Vampire slayer and Sammi Davis screen debut . The atmosphere is splendidly captured in steely color photography. Very good musical score by Bill Conti who composes a sensible and evocative soundtrack , much better than his Rocky saga . The drama that surrounded this film is all of interest and rarely tiring but small beer at box-office , then Hodges came to a grinding halt for some years . Furthermore , Mike Hodges and Mickey Rourke were not satisfied with terminated movie .

The motion picture is professionally realized by British director Mike Hodges of extraordinarily varied experience . After successful direction for TV thrillers , he encouraged to try for the big screen. He looked set for a solid career in urban drama after the success of his first movie ¨Get Carter¨ . He subsequently realized flops as the comedy ¨Pulp¨ and Sci-Fi as ¨The terminal man¨ and a lunatic farce as ¨Morons from outer space ¨. ¨Flash Gordon¨was his contribution to the big budget super-film until ¨The prayer for the dying¨ with action scenes are sharply , toughly staged , but achieved a limited success ; however being nowadays better deemed. Rating : Good 6,5 . The film will appeal to Mickey Rourke fans and thriller buffs .

Fine character portrayals by Rourke, Hoskins, Davis and Bates. If you don't generally think highly of him, don't be put off by Rourke starring; he shines in this ensemble piece . If you only think of Hoskins as a humorous figure, see this movie for a new perspective.

The plot is dark; the pace, at times, deliberate, but it maintains its intensity well, for most of the film, through to its satisfying, if somewhat abrupt, conclusion.

Recommended.

Based on the Jack Higgins novel of the same name, A Prayer for the Dying follows an IRA hitman (Rourke) who has seen enough and wants to come clean. Chased the cops and the IRA as well as a notorious gangster, Rourke (as Martin Fallon) has to protect a priest who he has implicated in a murder. While some of the supporting actors aren't the most impressive, I think that this is Rourke's best work. He plays a man with a haunted past who wants desperately to put an end to the cycle of violence that has followed him for years.

Already a quarter century has passed since A Prayer for the Dying was first released, and I don't think age has been kind to either Mickey's character portrayal of an IRA bomber named Martin Fallon, nor to the films story line. I believe Mickey Rourke to be a fine actor whose body of work has been solid decade by decade. He is an actor that I look forward to seeing what he plans to do next. I just don't think this particular screen play was very realistic, so first rate actors such as Mickey Rourke, Bob Hoskins, Liam Neeson and Alison Doody who had thought they had ordered top grade steak were served ground beef instead for the screenplay.

The movie is about Martin Fallon a cold hearted IRA bomber who hangs up his TNT after accidentally blowing up a school bus of children which was intended for another IRA target. Of course Martin Fallon is forced to come out of retirement for just one last hit which he completes for another mobster appropriately at a cemetery. Unfortunately Martin fails to see the priest Father Michael Da Costa who witnesses his assassination. The priest is played by the very versatile actor Bob Hoskins.

Yes, there was a steady stream of IRA villains planning other hits, the London Bobby's were continually chasing after the elusive IRA bomber Martin Fallon, the Irish mob wanting their own way, and the film even had a blind damsel in distress named Anna played by Sammi Davis who Martin Fallon falls in love with.

Even with all this potential, and actors of the highest caliber, the film lacked any depth of true characters or continuous suspense. Instead, I felt the movie just plodded on through out and left me half way through the film expecting little more to come of it other than a disappointing ending which was the case.

I give the film a rare 5 out of 10 only on the strength of Mickey Rourke and Bob Hoskins, otherwise my rating would have been even lower.

Gotta admit, I'm on a Mickey Rourke run, having just seen Angel Heart, Barfly, and Francesco. A Prayer for the Dying is a wonderful piece of work -teriffic acting by all, including Bates, Hoskins, etc. Mickey Rourke has to be one of the most under-rated actors in the industry. His "bad-boy" image hasn't helped, as it has helped other actors who fall into the same category. He reminds me a lot of Steve McQueen -subtle, intense, controlled acting, but when the action is needed he delivers. I sincerely hope he has a comeback sometime soon. In the meantime, run to your nearest video store and rent this great film. There are some incredible moments that I won't forget anytime soon. This story has been told before: bad guy trying to get away from the badness. . . but Rourke makes is all new, by adding his own unique charism. See it.