Füge eine Handlung in deiner Sprache hinzuFrankie is a psychopath who suffers from problems with his mother. To compensate for these problems he follows and persecutes Madeleine and some of her friends, killing one girl after the ot... Alles lesenFrankie is a psychopath who suffers from problems with his mother. To compensate for these problems he follows and persecutes Madeleine and some of her friends, killing one girl after the other, and anybody else who would stand in his way - without any reason or compassion.Frankie is a psychopath who suffers from problems with his mother. To compensate for these problems he follows and persecutes Madeleine and some of her friends, killing one girl after the other, and anybody else who would stand in his way - without any reason or compassion.
- Regie
- Drehbuch
- Hauptbesetzung
- Frankie
- (as John Robert Johnston)
- Madeline
- (as Melissa Martin)
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"Possession" is a scatter-brained horror film made in Vancouver, which debuted domestically on video cassette. It's the latest from Lloyd A. Simandl, who has progressed little since collaborating on the late Dorothy R. Stratten's feature "Autumn Born" in 1979.
Two separate storylines meld unconvincingly, as nutcase Frankie (John R. Johnston) fails to cure his mother fixation by choking the old lady when she opposes his capturing (a la "The Collector") pretty Madeline (Melissa Martin) and bringing her home. A chase by Madeline's girlfriends and shootout with the police leaves Frankie seemingly torched in a boat explosion.
He comes back, however (it's not clear whether it's supposed to be supernatural), paints his face camouflage-black and heads for the woods to terrorize Madeline and her four girlfriends who have gone camping.
Lots of filler involves the girls' two boyfriends, a visit to a male strip joint and requisite exploitation footage of each girl taking a shower None of it makes any sense, right down to the cornball open ending.
This Canadian slasher focuses on Frankie (John Johnston), a momma's boy who kidnaps Madeline (Melissa Martin) and forces her to wear his favorite dress. She escapes and a convoluted series of events take place that end with the cops blowing up Frankie on a boat...or so they think. When Madeline and her friends go up to an isolated cabin for the weekend, Frankie soon follows to stalk them. I guess not everything can be My Bloody Valentine (1981). This one of those dumb as dirt slashers. I mean, dumber than your regular slasher. Example: After Madeline escapes her killer, she and her roommates call the cops, who say they can't do anything if she can't remember where she was being held hostage. A roommate then says, "We need to go find him!" (WHAT!?) and they are out into the city and find him right away. Huh? It is one of those slashers (you know the type) where the girls run and run and run from the killer they just knocked out but then he is suddenly ahead of them. Also, I had a hard time telling the girls apart. I'm not dumb (I think), but they all looked the same and the directors never try to establish who is who. It also doesn't help that the killer constantly cackles and give wide-eyed looks in every shot.
Simandl appears to have gone on to have a very prolific career as a producer and director. The latter had him getting his freak on with softcore BDSM titles like Chained Fury: Lesbian Slave Desires (2003) and Medieval Fleshpots 2: Hot Wenches (2003). There doesn't appear to be a Medieval Fleshpots 1.
So, this is definitely not one that I recommend...unless of course you want to see a few naked young women.