IMDb-BEWERTUNG
6,6/10
7890
IHRE BEWERTUNG
Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.Das Callgirl Claudia hat in Notwehr einen Kunden erschlagen. Die intelligente junge Frau soll nun in eine Nervenheilanstalt abge schoben werden. Doch sie wehrt sich.
- Auszeichnungen
- 5 Nominierungen insgesamt
Hayley Taylor
- 11 year-old Claudia
- (as Hayley Taylor-Block)
Empfohlene Bewertungen
Nuts, by Barbra Streisand, is a classic showcase of this multi-talented woman's versatility as an actress. The film deals with a very weighty subject, is handled superbly by Streisand, both as an actress and as a director. Other noteworthy performances are given by Richard Dreyfuss, Maureen Stapleton, and Arthur Kirk, as her lawyer, mother, and step-father respectively. This film is an unadultered gem and should be considered as such by any worthy critic.
Nuts is an adaptation of a stage play. Aaron Levinsky (Richard Dreyfuss) a public defendant is forced to take on a defendant being tried for competency.
The District Attorney (Robert Webber) sees this as a simple case of mental incompetency. The accused in question is playful, spirited and hard to handle. Claudia Draper (Barbra Streisand) is the high class call girl who is determined to prove that she is not nuts. Her parents are bemused but as we see from flashbacks there is a terrible family secret and Levinsky will need to discredit (Eli Wallach) the psychiatrist who is convinced that Draper is nuts.
Its hard to escape the film's stage-bound origins as a lot of the film consists of interior shots. In some ways this a courtroom play. Dreyfuss is actually enjoying himself as defendant lawyer Levinsky trying to get a handle of his rich girl client and then seeing his face when he twigs what the real tragedy might be.
Streisand on the other hand never convinces me that she is a high class hooker who has been roughing it on the seamy side of life. Its not the film's fault that the murder victim turns out to be Leslie Nielsen (soon to be in the hit spoof Naked Gun films) as his scenes that we see in flashback go a little bit too near to Frank Drebin and I am sure no want wanted too see Nielsen in just his black underpants.
As a courtroom thriller in a busy New York court setting the film is enjoyable but dare I suggest that Miss Streisand was miscast.
The District Attorney (Robert Webber) sees this as a simple case of mental incompetency. The accused in question is playful, spirited and hard to handle. Claudia Draper (Barbra Streisand) is the high class call girl who is determined to prove that she is not nuts. Her parents are bemused but as we see from flashbacks there is a terrible family secret and Levinsky will need to discredit (Eli Wallach) the psychiatrist who is convinced that Draper is nuts.
Its hard to escape the film's stage-bound origins as a lot of the film consists of interior shots. In some ways this a courtroom play. Dreyfuss is actually enjoying himself as defendant lawyer Levinsky trying to get a handle of his rich girl client and then seeing his face when he twigs what the real tragedy might be.
Streisand on the other hand never convinces me that she is a high class hooker who has been roughing it on the seamy side of life. Its not the film's fault that the murder victim turns out to be Leslie Nielsen (soon to be in the hit spoof Naked Gun films) as his scenes that we see in flashback go a little bit too near to Frank Drebin and I am sure no want wanted too see Nielsen in just his black underpants.
As a courtroom thriller in a busy New York court setting the film is enjoyable but dare I suggest that Miss Streisand was miscast.
In New York, the public defender Aaron Levinsky (Richard Dreyfuss) witnesses the high-class call girl Claudia Draper (Barbra Streisand) beating her attorney while waiting for his hearing in the courtroom. Judge Stanley Murdoch (James Whitmore) assigns him to defend Claudia and soon he learns that she killed her client Allen Green (Leslie Nielsen) in self-defense. However, her mother Rose Kirk (Maureen Stapleton) and her wealthy stepfather Arthur Kirk (Karl Malden) want her declared mentally incompetent to go on trial. Dr. Herbert A. Morrison (Eli Wallach) prepares a medical report stating that she is mentally unstable to support the trial, but Claudia wants to prove that she is sane; otherwise she would spend the rest of her life in a mental institution. Along the hearing, the District Attorney Francis MacMillan (Robert Webber) and Levinsky question the defendant, her mother, her stepfather and Dr. Morring and the painful truth about Claudia's childhood is disclosed.
"Nuts" is one of the best courtroom dramas ever made. The story is developed practically in one location, but the performances are awesome highlighting Barbra Streisand. This actress deserved at least a nomination to the Oscar. The conclusion has a corny moment, when Claudia hugs her mother. My vote is eight.
Title (Brazil): "Querem me Enlouquecer" ("They Want to Drive me Crazy")
Note: On 12 Nov 2018 I saw this film again.
"Nuts" is one of the best courtroom dramas ever made. The story is developed practically in one location, but the performances are awesome highlighting Barbra Streisand. This actress deserved at least a nomination to the Oscar. The conclusion has a corny moment, when Claudia hugs her mother. My vote is eight.
Title (Brazil): "Querem me Enlouquecer" ("They Want to Drive me Crazy")
Note: On 12 Nov 2018 I saw this film again.
10robb_772
Badly neglected by both audiences and critics at the time of it's original release, NUTS is a film that is ripe for reevaluation. Based on Tom Toplor's 1981 courtroom play, NUTS is definitely a dialogue-based film with little Hollywood flashiness. Though extremely well-written (by Toplor, adapting his own work with Darryl Ponicsan and Alvin Sargent) and sharply staged and directed by veteran Martin Ritt, it is the cast whom is really responsible bringing NUTS to life. Barbra Streisand gives an absolutely bravura performance that should have earned her an Oscar nomination. Alternately hilarious and frightening, Streisand is always mesmerizing as she delves so far into character.
Richard Dreyfess is nothing less than Streisand's equal as her public defender. He too was robbed of an Oscar nomination. The supporting cast is a top-notch ensemble of professional character actors (Maureen Stapleton, Eli Wallach, Robert Webber, James Whitmore, and Karl Malden), all of whom work their craft flawlessly. NUTS' screenplay does indulge in the predictability of some of the typical courtroom-plot conventions a little too often, but Toplor's absorbing script still deserves high praise for it's fascinating exploration of what constitutes as normality and whether or not the insane should be required to receive treatment. NUTS isn't going to win over any fans of 3-cuts-per-second action films, but it will leave lovers of thought-provoking, expertly-acted dramas fascinated.
Richard Dreyfess is nothing less than Streisand's equal as her public defender. He too was robbed of an Oscar nomination. The supporting cast is a top-notch ensemble of professional character actors (Maureen Stapleton, Eli Wallach, Robert Webber, James Whitmore, and Karl Malden), all of whom work their craft flawlessly. NUTS' screenplay does indulge in the predictability of some of the typical courtroom-plot conventions a little too often, but Toplor's absorbing script still deserves high praise for it's fascinating exploration of what constitutes as normality and whether or not the insane should be required to receive treatment. NUTS isn't going to win over any fans of 3-cuts-per-second action films, but it will leave lovers of thought-provoking, expertly-acted dramas fascinated.
This is the third of three great courtroom dramas from that time. "And Justice for All,"(1979) and "The Verdict," (1982) were the other two.
Because of all the courtroom dramas on television in the 1990's and 2000's, many of the things in the movie now seem as clichés. It is important to remember that it was quite original when it came out. It is only cliché today because it has been copied so much since. Women were generally terrible victims of much psychiatry in the 20th century, this film, "Francis" (1982)and "Suddenly, Last Summer" (1959) are the only three movies that really demonstrate that.
The cast is full of great actors and actresses in small rolls: Eli Wallach, James Whitmore, Maureen Stapleton, and Karl Malden know that less is more and underplay their roles smoothly. The only problem with the casting is Leslie Nielsen as a crazy client. Nielsen became so associated with spoofs like "Airplane" and "The Naked Gun" one almost laughs automatically when he's on the screen, no matter how serious the scene is. Stars Richard Dreyfus and Barbara Streisand are at the top of their form and work well off each other.
The one criticism of this movie that is valid is Streisand's age. She is a bit too old at 45 for the character who is supposed to be in her late 20's. It is a minor irritation, and we should remember that male actors in their 40's also frequently play such roles. For example, Brad Pitt was 41 when he played Achilles, and Sylvester Stallone was 60 when he played in his last "Rocky" movie.
This is Barbara Streisand's grittiest movie with rape, incest, and madness being key themes, yet it still has a lot of witty lines and funny moments. It is just well balanced and well done. The DVD contains some fascinating commentary by Ms. Streisand.
Because of all the courtroom dramas on television in the 1990's and 2000's, many of the things in the movie now seem as clichés. It is important to remember that it was quite original when it came out. It is only cliché today because it has been copied so much since. Women were generally terrible victims of much psychiatry in the 20th century, this film, "Francis" (1982)and "Suddenly, Last Summer" (1959) are the only three movies that really demonstrate that.
The cast is full of great actors and actresses in small rolls: Eli Wallach, James Whitmore, Maureen Stapleton, and Karl Malden know that less is more and underplay their roles smoothly. The only problem with the casting is Leslie Nielsen as a crazy client. Nielsen became so associated with spoofs like "Airplane" and "The Naked Gun" one almost laughs automatically when he's on the screen, no matter how serious the scene is. Stars Richard Dreyfus and Barbara Streisand are at the top of their form and work well off each other.
The one criticism of this movie that is valid is Streisand's age. She is a bit too old at 45 for the character who is supposed to be in her late 20's. It is a minor irritation, and we should remember that male actors in their 40's also frequently play such roles. For example, Brad Pitt was 41 when he played Achilles, and Sylvester Stallone was 60 when he played in his last "Rocky" movie.
This is Barbara Streisand's grittiest movie with rape, incest, and madness being key themes, yet it still has a lot of witty lines and funny moments. It is just well balanced and well done. The DVD contains some fascinating commentary by Ms. Streisand.
Wusstest du schon
- WissenswertesThis is the final film of both Robert Webber and Karl Malden.
- PatzerAt the end of the movie, Claudia been released and is walking down the street in her hospital gown, laughing at passerby. She has only been judged competent to stand trial, not innocent. She should be in lockup at Riker's Island or The Tombs. Also, even if they had released her, she would have had her street clothes returned.
WRONG: While there is clearly some artistic license in having Claudia walk out in her hospital gown, the judge clearly stated that he was releasing her on her own recognizance until the trial so she wouldn't have been locked up in Riker's Island, The Tombs, Devil's Island, Arkham Asylum or anywhere else for that matter.
- Zitate
Claudia Draper: Now, you talk to me and pretend I'm sane, okay?
Aaron Levinsky: Okay.
Claudia Draper: And I'll do the same for you.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Oscar Nomination Surprises for 1987 (1988)
- SoundtracksHere We Are At Last
Music by Barbra Streisand
Lyrics by Richard Baskin
Arranged & played by Randy Waldman
(Bar Music)
Top-Auswahl
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.950.002 $
- Eröffnungswochenende in den USA und in Kanada
- 4.606.083 $
- 22. Nov. 1987
- Weltweiter Bruttoertrag
- 30.950.002 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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